#musical instruments

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acrosscenturiesandgenerations:

▪︎ Lira da braccio.

Place of origin: Italy, Verona

Date: 1511

Artist/Maker: Giovanni d'Andrea

Violin Music Instrument Miniature Replica on Stand with Case, Size 3 in. Very detailed miniature rep
  • Very detailed miniature replica
  • Made of polyresin
  • Approx. Dimensions: 3 x 1.5 x 1
  • Comes in nice box
  • Includes miniature instrument case
  • 5-star customer review: I bought this as a joke for work. I bring it out when other are whining for no reason. Let me say that this is very well detailed and people think it;s the real thing. I catch people trying to play it all of the time. Thanks!”

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Skilled hands, broken man. Broken boy, talented man, just another guy with calloused hands.

|||Both characters depicted are adults|||

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Melophone, ca. 1850-1855Paris, France- Materials: Maple, Brass- Notes: Melophones are mechanically sMelophone, ca. 1850-1855Paris, France- Materials: Maple, Brass- Notes: Melophones are mechanically sMelophone, ca. 1850-1855Paris, France- Materials: Maple, Brass- Notes: Melophones are mechanically sMelophone, ca. 1850-1855Paris, France- Materials: Maple, Brass- Notes: Melophones are mechanically s

Melophone, ca. 1850-1855
Paris, France

-Materials: Maple, Brass
-Notes: Melophones are mechanically similar to accordions, categorized as a free reed instrument and uses double-bellows. The player pushes and pulls the lever at the bottom, and uses the buttons along the fingerboard for individual and simultaneous notes.


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Fiddle, ca. 1700sGermany- Materials: Back/Sides: Maple • Top: Pine- Length: 62 cm- Strings: 3 [gut]

Fiddle, ca. 1700s
Germany

-Materials: Back/Sides: Maple • Top: Pine
-Length: 62 cm
-Strings: 3 [gut]


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Uilleann pipes, ca. 1850Michel Egan (England)- Materials: Leather, ebony, oak, ivory, brass- Other N

Uilleann pipes, ca. 1850
Michel Egan (England)

-Materials: Leather, ebony, oak, ivory, brass
-Other Notes: A type of bagpipes that use a bellows rather than a mouthpiece.


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Kettle drum, ca. 1830Jacob Petersen (Hanover, Germany)- Materials: Silver, vellum- Weight: 13.8 kg-

Kettle drum, ca. 1830
Jacob Petersen (Hanover, Germany)

-Materials: Silver, vellum
- Weight: 13.8 kg
-Other Notes: Commissioned by William IV of Great Britain. 


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Musical Glasses, ca. early 19th centuryUnknown (Germany)- Materials: Mahogany, Glass- Height: 81 cm

Musical Glasses, ca. early 19th century
Unknown (Germany)

-Materials: Mahogany, Glass
-Height: 81 cm


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Zūrnā, ca. 19th centuryUnknown (Turkey)- Materials: Apricot wood- Length: 29 cm- Other Notes: Oboe

Zūrnā, ca. 19th century
Unknown (Turkey)

-Materials: Apricot wood
-Length: 29 cm
-Other Notes: Oboe


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Nail Violin, ca. 19th CenturyUnknown (Germany)- Materials: Wood, Iron- Length: 36 cm- Range: 33 nail

Nail Violin, ca. 19th Century
Unknown (Germany)

-Materials: Wood, Iron
-Length: 36 cm
-Range: 33 nails
-Other Notes: “Played with a box” that is missing. Patterned after piano keys, naturals are straight nails and sharps/flats are bent.


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Bass Recorder, ca. late 1800sattr. Francis William Galpin (England)- Materials: Body: Walnut • Parts

Bass Recorder, ca. late 1800s
attr. Francis William Galpin (England)

-Materials: Body: Walnut • Parts: Brass
-Length: 133.1 cm [without bocal]
-Other Notes: In C


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Dulali, ca. 1800sUnlisted (Fiji)- Materials: Bamboo- Length: 64.8 cm- Other Notes: Nose flute

Dulali, ca. 1800s
Unlisted (Fiji)

-Materials: Bamboo
-Length: 64.8 cm
-Other Notes: Nose flute


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Keyed cittern, ca. 1798Longman & Broderip (London, England)- Materials: Body: Maple/Spruce • Fin

Keyed cittern, ca. 1798
Longman & Broderip (London, England)

-Materials: Body: Maple/Spruce • Fingerboard/Parts: Ivory • Keys: Mother-of-pearl
-Length: 69.5 cm
-Strings: 12 - 2 single, 2 double, 2 triple courses
-Other Notes: The key actions are inside the body, hammers hitting the strings through holes in the ivory rosette.


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Guitar, ca. 1690Alexandre Voboam (Paris, France)- Materials: Unlisted- Length: 96 cm- Strings: 20 -

Guitar, ca. 1690
Alexandre Voboam (Paris, France)

-Materials: Unlisted
-Length: 96 cm
-Strings: 20 - 5 double courses each [gut]
-Other Notes: Don’t play me or my son ever again


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Orphica, ca. 1795~1802Joseph Dohnal (Vienna, Austria)- Materials: Unlisted- Length: 121 cm- Other No

Orphica, ca. 1795~1802
Joseph Dohnal (Vienna, Austria)

-Materials: Unlisted
-Length: 121 cm
-Other Notes: Portable harp/piano hybrid. 


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Ranat Ek, ca. 1800sUnlisted (Thailand)- Materials: Wood- Length: 54.6 cm-Other Notes: Xylophone

Ranat Ek, ca. 1800s
Unlisted (Thailand)

-Materials: Wood
-Length: 54.6 cm
-Other Notes: Xylophone


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Violin, ca. 1749Wenzel Kowanski (Vienna)- Materials: Body: Tortoise shell • Parts: Ivory- Strings: 4

Violin, ca. 1749
Wenzel Kowanski (Vienna)

-Materials: Body: Tortoise shell • Parts: Ivory
-Strings: 4 [gut]
-Other Notes: This violin, that likely shouldn’t ethically exist, was crafted purely as a means to show off artistry - not for playing. All parts of the violin and bow, aside from the body, strings, and bowhair, are made from ivory. The purfling is of gold wire.

Source: Kunsthistorisches Museum Wein


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Glasglockenklavier, ca. pre-1596Anonymous (Austria)- Materials: Body: Softwoods • Keys: Beech, eboni

Glasglockenklavier, ca. pre-1596
Anonymous (Austria)

-Materials: Body: Softwoods • Keys: Beech, ebonised Hardwood 
-Length: 96 cm
-Range: ~3 octaves
-Other Notes: Found in the estate of Archduke Ferdinand II, whose crest is displayed. Translating to ‘glass bell piano’, the sound was produced by small glass bowls struck by felt-tipped bobbins. None of the glass pieces survive today.

Source:Kunsthistorisches Museum Wien


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