#my translations
Hey Guys,
Happy Lunar New Year - I wish all of you a prosperous new year ahead, and for it to be a great one.
I would also like to update everyone that the new Uraraji links have been updated in the same page that NozoEli videos are at.
So enjoy, have fun, and till the next time.
Regards
KuuRin
kuuxkat
And happy new year everyone.
To a great new year.
I didn’t get a great new year - but that’s how the cookie crumbles.
*bite obscure reference*
That said - I updated the LL wikia links for NozoEli Radio Garden.
I got all the episodes uploaded into Gdrive for everyone to view, but not download (I’m still selfish =O)
I have the nagging feeling it got reported so I got banned.
Vimeo rejected my appeal without reading much into my appeal (as they repeated the same form message to me twice fairly quickly)
So there’s that.
I don’t need hits, I don’t need comments, I’m just a subber spreading joy for NozoEli and translations.
I’m not going to really link everyone to it? But I hope everyone in the know will find the hidden gem.
Else - the reddit will find a way, I know they can =)
So all the best for the new year everyone.
Regards
KuuRin x kuuxkat
Flower Troupe Survey! The Best of Yuzuka Rei (PART 3)
The Troupe Survey is a current segment in the TakarazukaGRAPH magazine in which each month a different troupe is given a survey on their Top Star and a selection of their answers are printed in the magazine.
There are 4 parts to this article:
1.The things about (Top Star) that have made a big impression on us
2.Stage: Shows or scenes which have stayed in our hearts
3. We want to see (Top Star) as a…
4. The (Top Star) Awards
(The Top Star gives out special awards to troupe members)
As this article is so long I will be publishing the translation in parts!
You can read part 3 under the cut!
Part 3: We want to see Yuzuka Rei as a…
First Place, 9 votes: A Teacher
Haryu Mitsuki: In rehearsals, I often see her politely teaching Madoka (Hoshikaze Madoka, Top Musumeyaku) and giving advice to the younger actresses in a soft and gentle voice. So I think that if she was a teacher she would pick up on her students’ weaknesses and kindly teach them how to overcome them! And maybe during break time, she’d play dodgeball and other games with her students?!
Tsubasa Anju:If Yuzuka was my teacher I would give it my all and study so that she would give me her praise! And I would never sleep during class (laughs).
Yuzuka’s Comment: Being a school teacher must be a very hard job to do, but maybe if I could teach something completely unrelated to the performing arts it would feel like a hobby. For example, how much I enjoyed history classes at school always depended on what period was being taught. Also, I always found it exciting how the structure of each class would change based on the period we were studying. So I think it would be fun if I could teach with some pizazz like they do in high school dramas and films.
Second Place, 8 votes: A Pilot
Hina Ririka: I’d have heart-eyes if I saw her as a handsome pilot!!! She would definitely be the number one most popular of them all!!
Serina Ei:When I saw her on the national tour pulling along her case as she walked, I thought she would definitely look amazing wearing a pilot’s uniform and pulling a carry-along suitcase!!
Yuzuka’s comment:It would be cool to have an impressive job like that wouldn’t it? I’ve often thought about how wonderful it would be to speak fluent English and get to go back and forth between loads of different countries like international flight attendants do. I haven’t done anything to qualify for a job like that though! (laughs)
Third Place, 7 votes: A Doctor
Natsuki Manato: Imagine she’s your doctor. The moment she would enter the doctor’s office time would stop! And then she’d say “Why have you come to see me today?” with a sweet voice and her eyes drawing you in, and your symptoms would just get worse! (laughs) But as it’s Yuzuka, I’m sure she would use her abundant knowledge and accurate judgment to nurse you back to health!!
Nanairo Hazuki: I think if Yuzuka was a doctor she would be able to cure any illness with just her good looks!
Yuzuka’s comment:
If I make your symptoms worse then surely that’s a bad thing? (laughs) Doctors are amazing, they look after their patients and make sure that no matter how busy they are they never compromise the care that they give. I’ve had to go to the doctors countless times. I make sure to prioritise my health, but I still end up having to go… I can’t thank them enough for all the times they have helped me.
Other answers:
A ninja (Takasho Mizuki), Michael Jackson (Kaga Ririka), An Itamae (a type of high-class Japanese chef) (Minami Maito), Literary Master (Tsugumi Maho), an owner of a karaage chicken restaurant (Misora Maru), a Shinto priest (Shizuno Megumi) and a tv announcer (Kiran Rune)
BTS Photos:
End of Part 3, the forth and final part is coming soon!
For more takarazuka translations, click here
Flower Troupe Survey! The Best of Yuzuka Rei (PART 2)
The Troupe Survey is a current segment in the TakarazukaGRAPH magazine in which each month a different troupe is given a survey on their Top Star and a selection of their answers are printed in the magazine.
There are 4 parts to this article:
1.The things about (Top Star) that have made a big impression on us
2. Stage: Shows or scenes which have stayed in our hearts
3.We want to see (Top Star) as a…
4. The (Top Star) Awards
(The Top Star gives out special awards to troupe members)
As this article is so long I will be publishing the translation in parts!
You can read part 1 here
Part 2 is under the cut!
Part 2: Stage - What Shows or Scenes have remained in your heart?
1st place, 23 votes: “Boys over Flowers” (2019)
Miharu Ayu: The fight scenes she has against Sakurako (played by Oto Kurisu) and Rui (played by Seino Asuka). I always love seeing Yuzuka in fight scenes but this show was extra special because they were staged as fistfights, which is pretty rare for Takarazuka and made the otokoyaku even more masculine! Seeing her using her whole body to protect Tsukushi (played by Shoroki Mirei) really moved me.
Takasho Mizuki: Domyouji (Yuzuka)’s dance during the song Metamorphoses. I have no other words for it other than that it’s the definition of coolness.
Oto Kurisu: Maybe this is in part due to the show itself being set in modern day, but she felt so real as Domyouji that I found myself thinking she was him even when we weren’t performing. Yuzuka’s acting is always so natural.
(in the photo, Domyouji in the original Boys over Flowers Manga, and the stars of the original 2005 Jdrama adaptation, Matsumoto Jun and Inoue Mao, with comparison shots to Yuzuka Rei and Shiroki Mirei)
Yuzuka’s Comment:This show is really important to me too! Even now whenever I think back to it I’m just overwhelmed by all the fond and warm memories I have from that show. I’ve done quite a few fight scenes with swords and guns before, but very rarely with my bare hands. That scene was one of those “fights between men” that is very typical of teenage boys. All the members of the F4 have a strong sense of chivalry which was suuuuper fun to play.
2nd place, 20 votes: “Haikara-san: Here Comes Miss Modern” (2020)
Ichinose Koki: The back and forth she had with Miss Benio (played by Hana Yuuki) would change every day. I never stopped being excited the whole run because I’d always be wondering “Ooh what’s going to happen between them today?!!”. The kiss scene at the end of the show was especially well done. Whilst I watched I’d be thinking “wow the Lieutenant (Yuzuka) is real! He’s come straight out of the manga!”! I really wish there had been a compilation made of every performance of that kiss scene! (laughs)
Keina Maya:In the finale number where she dances in the silver military uniform she has this beauty that is so dignified and cool! That number is filled with a certain charm that you can’t see in any other show. I love it.
Haruya Yuri: She was just so cool in everything she did on stage, from how she would wrap Miss Benio in her arms, to when she fought to protect her men during the attack in Siberia! Also, let’s be honest, otokoyaku in uniform are the best.
Yuzuka’s comment:It’s such a wonderful show isn’t it? The Lieutenant is meant to have an almost fantasy-like beauty and charm, the kind that you don’t find in the real world, so I was quite anxious about how I could make him come to life on stage. But I also have fond memories of those days, even when I was having trouble with the character. I like the army uniforms too but they make it hard to show the lines of the body, so it took me a while to figure out how to wear it well.
3rd place, 11 votes: Dance Olympia (2020)
Yuunami Kei: The flamenco scene. Not only was her technique amazing, but she managed to make the whole theatre focus on one point, the sound of her feet. She performed an outstanding solo number that will go down in takarazuka history.
Mano Kazuma: The flamenco dance. It was a passionate performance full of life and soul which was so moving that I teared up watching it. I won’t forget it for the rest of my life.
Futaba Yuyu:The flamenco number is one of those moments where Yuzuka’s every movement takes your breath away and shakes your very soul! Yuzuka, are you actually spanish?
Yuzuka’s comment:In that scene, I wasn’t thinking about how to present myself as a takarasienne, but rather, as a human being. With the help of our choreographer, Satou-sensei, I focused on dedicating myself to the essence and feeling of flamenco.
END OF PART TWO
Read in Part 3!
For more zuka-relatedtranslationsclickhere
Part 3 coming soon!
Flower Troupe Survey! The Best of Yuzuka Rei (PART 1)
The Troupe Survey is a current segment in the TakarazukaGRAPH magazine in which each month a different troupe is given a survey on their Top Star and a selection of their answers are printed in the magazine.
There are 4 parts to this article:
1. The things about (Top Star) that have made a big impression on us
2.Stage: Shows or scenes which have stayed in our hearts
3.We want to see (Top Star) as a…
4. The (Top Star) Awards
(The Top Star gives out special awards to troupe members)
As this article is so long I will be publishing the translation in parts!
You can read part 1 under the cut!
The Flower Troupe Survey! The Best of Yuzuka Rei
We carried out a survey asking all the members of the flower troupe questions about Rei’s charm!
Part 1: The things about Yuzuka that have made a big impression on us!
Wataru Hibiki:
When she goes off-script her feelings and thoughts are naturally expressed. You can feel it in both plays and revues. I’m always secretly looking forward to the speeches she gives on the first day and the last day of a production because we get to hear her express her feelings honestly to all of us.
Yuzuka’s comment:
That’s something I care a lot about so I’m really happy to hear that. Even when I have things planned to say, I make sure to not forget what’s most important to me when I speak.
Mikaze Maira:
When she gives her name on Takarazuka Sky Stage and says “I’m the Flower Troupe’s Yuzuka Rei”. Ahh her AURA! Her NATURAL SEX APPEAL! Oh! She’s…The! Cool! Beauty!!! She makes my heart beat faster (laughs).
Yuki Daiya:
Her voice is so gentle…
And not only that, every word she says is so carefully considered and graceful, I respect her so much.
Itotsuki Yukiha:
She will always smile at you, not just on stage but off stage too! No matter whether it’s during a quick change between scenes or waiting in the wings, she’ll always catch people’s eyes and smile!!! I’m so touched by what a big heart she has. So now, every time I realise that me and Yuzuka are off stage at the same time, I make sure I’m always stood in the same place and staring at her so that she looks my way! (laughs)
Yuzuka’s comment:
I’ve noticed (laughs). You always look so cute and smiley! (laughs)
Hatsune Yume:
Bugs sometimes fly into the rehearsal room but Yuzuka is always so kind to them, even the really annoying bugs!She catches them in her hands gently and releases them outside with such warmth. You can feel the love in everything she does. She’s evil, no moment are we safe from falling in love with her!
Yuzuka’s comment:
They travel a great distance to come and see us, so I feel sorry for them. When I can release them, I make sure to release them!
Misora Maru:
When we’re chilling in rehearsals just minding our own business, suddenly Yuzuka will pop out of nowhere and start a conversation with us. She has such a big heart!! Her love hurts my chest it’s like “Oooooof! The pain!” (seriously my chest hurts).
Yuzuka’s comment:
Are you okay? I’m worried (laughs)
Miku Rinka:
Whether she’s playing a man or a woman she is so overwhelmingly sexy that she just breaks people down with one look and holds us captive. Both on stage and off stage she’s so ridiculously charming!!!!! Even when she is sat backstage filling herself up on delicious-looking meals of rice and meat she still looks charming! I love that contrast!
Minami Maito:
The more tired she is, the harder she works. I think she doesn’t want people to know how tired she is. She’s passionate about paying close attention to the needs of her partners as well as her own. That’s what I love about her.
Hoshikaze Madoka:
On stage there is no end to Yuzuka’s charm, it’s too much! But when we are off stage she has a ridiculously warm and gentle nature. This may sound very very impertinent of me to say but, I feel the happiest I have ever felt when we talk one on one. I feel so much warmth it’s as if we are chatting, feet under the kotatsu eating oranges together. So, I would say that it is this part of Yuzuka, the part that can make people feel so much warmth, that has made the biggest impact on me.
Yuzuka’s comment:
Eating oranges under the kotatsu, I totally get it. Talking with Mado-chan (Madoka) feels like “home” (laughs).
Towaki Sea:
Her good looks! Whenever I see the posters that have been put up to advertise the latest show or photos of her, she just looks so beautiful that I find myself thinking “Is that really the same woman I do rehearsals with and stand next to on stage?”. I can’t believe it!
Hozumi Mahiro:
HER ARM MUSCLES! During the summer, in rehearsals she would dance in short sleeve t-shirts, she looked so cool! Ever since then all I can think is ‘Ahhh summer please come back around soon!’
Yuzuka’s comment:
I’ll get my arms out whether it’s summer or winter you know(laughs).
Mahou Tsugumi:
I’m touched by how she shows compassion in small ways. Whenever someone is in trouble she will always try to help, even if it seems trivial to others.
Wakakusa Moeka :
She can be so innocent but look so cool at the same time! The other day, on the long bus journey to our first venue of the national tour, she stuck her head out the window to get some fresh air, like an innocent little dog! But at the same time, the view I had of her from the seat behind looked so handsome, like a painting!
Ryoha Mare:
Her beautiful muscles. Everything about Yuzuka is beautiful. But her leg muscles have had the biggest impact on me, her beautiful lean calves and firm ankle muscles!
Rei’s comment:
I haven’t shown anyone this yet but, during “Cool Beast!!” I developed ab muscles too! (laughs)
Serina Ei:
Even when she is stood apart from the rest of the troupe, once she sees us having fun together she smiles a big happy smile! I feel so much warmth from that smile of hers!
END OF PART ONE
Read more in part 2!
For more zuka-relatedtranslationsclickhere
Here is my master list of all the My Hero Academia School Briefs “Cherry Blossom” Vol. 6 light novel chapter summaries that I’ve translated thus far!
I have done Part 1, 2, 3, and 5! The links will go my Twitter threads, and the “Read More” cut will go to text versions (when available)! Enjoy~
PART 1: The Red Ogre Who Didn’t Cry
PART 2: Who’s the One Who Gets the Chocolate?
PART 3: The Snowy Mountain Camp Spring Festival
PART 4: Eri’s Shicigosan (Children Coming of Age) (N/A)
PART 5: U.A. Studio Promo Video Shooting
PART 6: The Teacher’s Cherry Blossom Picnic (N/A)
Horikoshi’s Comment
MY HERO ACADEMIA SCHOOL BRIEFS LIGHT NOVEL “CHERRY BLOSSOMS”
CHAPTER 1: The Red Ogre Who Doesn’t Cry?
The chapter takes place in February before the Meta Liberation War but after Aizawa and Present Mic visit Kurogiri at Tartarus.
It’s still Winter, and the sakura are not blooming yet. Class A undergo an exercise with Aizawa and Eri to teach her the Japanese holiday “Setsubun” (Coming of Spring).
During Setsubun, it is common to play traditional games with children where one person acts as the “oni” (ogre) and the children chase the “oni” around and throw beans at them, symbolizing chasing away the bad to the bring in good fortune. Class A are emulating this and are divided into two teams, the “Oni” team and the “Momotarou” team.
They get placed in the teams based on a random draw of tickets. Kaminari teases Bakugou saying that he looks like an ogre, so by appearances alone, he would belong on the Oni team without even drawing the ticket. Bakugou gets angry, but Aizawa tells them to finish drawing the tickets.
The teams are Momotarou Team: Deku, Ochako, Tsuyu, Mineta, Kaminari, Jirou, Sero, Ashido, Ojiro, Hagakure, Satou, and Koda.
The Oni Team is Bakugou, Todoroki, Tokoyami, Iida, Shoji, Kirishima, Yaoyorozu, and Aoyama.
Iida asks why the teams are unbalanced as there are far more people on the Momotarou team than the Oni team. The rules are that each team has to either throw beans at each other (Momotarou team members) or get hit by an ogre club (Oni team members) to get that team member out. The Momotarou team needs to hit an ogre three times with a bean to get that person out whereas the Oni team only needs to hit the opponent with the ogre club once to get them out.
The only way for the Momotarou team to win is if they can rescue Eri, who is being held “hostage” by the Oni Team. Aizawa then stares at Bakugou, and Bakugou feels uneasy. He then explains that he has a special assignment for Bakugou, which is he will need to get along with Eri.
Bakugou doesn’t get why this is necessary. The rest of Class A are also surprised as to why Bakugou has this task. Aizawa explains that in order to save people, you can’t just grab them with no care and hope they survive. Doing so makes you seem like the villain instead. If he keeps up his scary demeanor, then in the event he’s trying to save a child, if the child starts crying, then it’ll also attract the attention of the villain. Therefore, this exercise is to help Bakugou control his emotions and attitude around children.
Bakugou is annoyed that he has to do this task but keeps quiet anyway. The Oni team proceed to scale the mountain, and Kirishima comes up to Bakugou and says “seems like you’ve got a real tough task there. I’ll work with you, and we can befriend Eri together!” and Iida says “of course, let’s all work together!” Yaoyorozu voices concern, wondering if Bakugou can actually get along with Eri. Aoyama suggests that Bakugou brings out a dashing sparkly smile, just like him and Midoriya. Todoroki also adds that since Midoriya is close to Eri, all Bakugou needs to do is imitate what Midoriya does.
Bakugou yells at Todoroki and says that even if the world gets flipped upside down, he would never copy Deku’s moves.
Meanwhile, the Momotarou team are heading to the forest but are also worried about Bakugou trying to get along with Eri. Deku wonders if Kacchan will be okay with Eri, and the rest of the team members also wonder how it will go. They decide that the best thing they can do is just try to save Eri in either case.
The Oni team on the other hand are trying to warm up to Eri. Eri looks really nervous, so they decide to introduce themselves to her. Kirishima and Yaoyorozu both greet her, and Kirishima knows her since they met during the Overhaul mission. Yaoyorozu also knows Eri since she saw her when she accompanied Ochako to the Teacher’s Dormitory several times. The others were not very familiar with her. Eri still looks nervous, especially since Bakugou is behind her staring at her as well.
He scoffs, and Iida reprimands him, saying that it’s not nice to click your tongue in front of a little girl. Bakugou tells him to shut up. However, the teachers who take care of Eri also sometimes use rough language in front her too.
They eventually get to the location where Eri is supposed to stay with Bakugou. The buzzer rings in the air, signaling that the game has started.
Kirishima looks at Bakugou a bit worriedly and says that in either case, Bakugou should look after Eri.
As he says this, both Bakugou and Eri stare at each other in surprise, and feeling awkward, both avert their gaze.
As the Momotarou team approaches to try to save Eri, Hagakure quietly comes around to sneak up on them, but as she does, she steps on a fallen branch on the floor. Shoji notices and Hagakure tries to run away, but Shoji whacks her with the ogre club. Hagakure is out.
Sero uses his tape to swing through the branches. However, he notices that Iida is on his tail. Iida is able to catch up to him and swings his club. Sero is out too.
Ojiro hears Aizawa’s voice ringing across the mountains and says, “man, already two out?” He then runs into Kirishima, who’s holding the ogre club casually on his shoulder. Kirishima says this is the end of the line for Ojiro.
Kirishima smirks and Ojiro puts on a bitter smile. The two proceed to duke it out.
Meanwhile, Tsuyu and Deku are trying to sneak up towards Eri’s location, but Todoroki stops them with a wall of ice. Tsuyu uses her tongue to wrap around Deku to save him from the ice. She tells Deku to go ahead as she tries to hold Todoroki back. He easily freezes her legs and chases after Deku.
It’s been a while since Deku sparred with Todoroki, and the two of them smile playfully at each other like children as they proceed to fight.
Jirou and Ochako are also trying to sneak up to where Eri is being held “hostage,” but they suddenly hear sounds coming from a distance, which they deem to be Todoroki and Deku. They try to proceed but are intercepted by Yaoyorozu. They try to throw beans at her, but Yaoyorozu makes a vacuum cleaner and uses it to suck up all the beans.
Tokoyami then appears up above and uses Dark Shadow to whack both Jirou and Ochako. The battle is heating up.
As the others are fighting, Bakugou is in the small hut with Eri, and silence fills the room. Bakugou is still trying to figure out why exactly he has to do this task. He wonders if Aizawa is trying to teach Eri about Stockholm Syndrome but then berates himself for even thinking that silly thought.
He thinks to himself “what the hell do you even talk about with kids!?” He then thinks about Todoroki’s words about how Deku is close with Eri, so all he needs to do is copy what Deku did. He yells “goddamnit!!” and accidentally surprises Eri.
Bakugou is adamant to not copy Deku, so he resolves to just doing what he’d think is best for this situation. He tries to think about how to get a kid to open up to him while he’s in the role of the “ogre.”
He then thinks to himself, “as if there’s something like that!” He goes through a bit of an internal struggle but then settles on asking Eri what is her favorite food.
Eri responds, “Oh…? Um….a—apples…”
Eri looks confused, and Bakugou struggles internally again and says, “what are you, some kinda damn weirdo…!?”
Outside, the battle has turned as Tokoyami managed to get Ochako, Jirou, Ashido, and Ojiro out. The only ones left on the Momotarou team are Deku, Tsuyu, Kaminari, Mineta, Satou, and Kouda. The Oni team has no outs at all.
The Momotarou team regroups and tries to figure out a good strategy on what to do. They only have five members left, and they’re also running low on beans. Mineta asks if Deku has a plan, and Deku proceeds to open his mouth to explain when…
Back at the the hut, their fears became true. Bakugou hardly made any progress befriending Eri. Iida tries to get Eri to warm up to Bakugou by saying, “Eri-chan-kun, Bakugou might look the way he is, but he actually has some good parts too! Right, everyone!?”
He hopes that if they can all talk about Bakugou’s good side, then maybe Eri would warm up to him.
Kirishima says, “Even though Bakugou looks the way he is, he’s a straightforward guy who will never tell lies!” Kirishima gives a thumbs up and smiles at Bakugou. Yaoyorozu adds, “That’s right! Bakugou might look this way, but umm…oh uh..that’s right! He has great table manners! He’s very neat!”
With Yaoyorozu’s words of encouragement, Shoji also adds “Bakugou might uh, look like…look like this but uh…he gets up early! I’ve never seen him rush in the morning!”
Shoji then looks towards Tokoyami, and Tokoyami says “what, me!?” He then says, “Bakugou might look like err, this…but…oh right. He cleans up the bathroom sink well after he uses it, wiping away all the water splatters.”
Todoroki then adds, “Bakugou might look like this uh….might look like this…?”
Todoroki ponders a bit and gets quiet. Aoyama butts in and says “I’ll go first! Bakugou might look like this but has talents! For example, he wears his pants really low, but they actually never fall down!”
Todoroki remembers what he wants to say and continues with, “Bakugou might look like this, but he takes his studies seriously. He is also Midoriya’s childhood friend.”
Bakugou gets mad and says, “What the hell! Why are you saying that my good side is being childhood friends with that damn nerd Deku!?”
Upon hearing Deku’s name, Eri asks, “Oh, Deku-san?”
Even though Eri seemed interested in the conversation, Bakugou goes on to yell at Todoroki, saying that he never wanted to be childhood friends with Deku. He also asks why the hell is everyone saying “he might look like this…” when trying to talk about him?
Everyone realizes he’s got a point, and they get quiet. Todoroki says, “my bad.”
They then go back to strategizing on how to get the other five Momotarou members out. They know that their opponents are running out of beans, so the only plan they probably have is to try to take Eri.
Suddenly, a long tongue wraps around Aoyama. He screams, and Kirishima tries to help him. Iida follows them.
Deku and the others are jumping through the trees. Mineta throws his mogi mogi sticky balls at them, and they get stuck. Koda then summons a murder of crows to distract them. Satou then makes a hole in the ground, and they all fall down.
Kaminari then zaps them, making the freeze in their tracks. The Momotarou team throws beans at the fallen victims, and Iida, Aoyama, Todoroki, Kirishima, Tokoyami, Shoji, and Yaoyorozu all get out at the same time.
Even though Kirishima is out, he pleads to Deku, saying, “I know it’s probably weird to ask of you guys since you’re on the opposite team, but please help Bakugou get along with Eri, I’m begging you!”
Kirishima puts his hands together to plead. Deku asks Kirishima, “is it really that bad?” and Kirishima nods his head. Iida also mentions that they haven’t made any progress, so please lend them a hand.
Deku and the other Momotaro team members agree to help Bakugou get along with Eri. They think of a strategy and recall a popular folktale called “The Red Oni Who Cried.” They will play a game of “ogres out, fortune in” where they will act like the ogres, and when Bakugou helps defeat them, it will make him look better in front of Eri. This might let her warm up to him.
Back at the hut, Bakugou hears that everyone on his team is out except him. He knows that if they come for him, then there’s no way the Oni team can win.
However, Tsuyu stealthily hands Bakugou a note using her tongue. He reads it and says, “so I’m the red ogre?” The Momotaro team act tough and say “ohh, I’m the villain!” and “I’m here to take the girl!” to sound more intimidating. Bakugou gets angry and takes the ogre club and says, “if you’re not coming in, then I’m coming after you!!”
Bakugou readies his explosions, and Deku realizes if he lets it out, he might actually destroy the entire hut. Deku says, “Wa—wait, Kacchan!” and Bakugou says, “Stop moving, damnit, Deku!!”
Deku tells him to remember his special assignment with Eri! Bakugou doesn’t care and is about to swing the club at Deku when he hears Eri say, “ogres out, fortune in…!”
Bakugou feels something small hit him. It turns out that Eri actually had the beans and was part of the Momotarou team too! She gets Bakugou out, and the Momotarou Team wins!
Eri says she didn’t know when she would have the chance to throw the beans at him to escape. Deku looks at Eri and thanks her for saving him. Bakugou sees Eri looks much different than earlier, and he says “You…did well…”
Eri was scared that Bakugou might be mad at her, but her eyes widen as she hears what he says to her. Bakugou says, “Hey, I’m just saying this to someone who was held captive, all right!?”
Deku’s eyes widen as he tells Eri that Bakugou actually complimented her, which means she really did a good job! He continues to praise her, and Bakugou says “I didn’t compliment her, I was just speaking my mind!”
After Thirteen comes to pick Eri up to see her safely home, Aizawa tells Class A that although the Momotarou team won, they shouldn’t have wasted time doing something aside from the assignment. The class dejectedly say “Yes, sir.” Aizawa then turns to Bakugou and says that Eri’s impression of Bakugou got better compared to before the class started.
She told Aizawa that she was happy he complimented her and that he probably worked his best to try to act like an ogre. Kaminari then lets out a laugh and says, “Pfft, you think he was trying his best to act? That’s just how he is!!” and Bakugou yells, “shut the hell up!” Aizawa tells Bakugou that he at least passed his special assignment.
Kirishima then comes up to Bakugou and throws an arm across his shoulder. He exclaims, “You did it, Bakugou! I knew you would pass!”
Iida says that seeing Bakugou pass makes him happy as Class President. Ochako and the others all offer words of praise as well. Bakugou says they’re being damn annoying. Aizawa watches his class as he says with a hint of happiness “getting along, huh.”
THE END!
—
Chapter 2, 3, and 5 in text format will be posted soon. For now, please check the links to my Twitter threads!
TheBoku No Hero Academia TEAM UP MISSION manga Chapter 9 follows Bakugou, Todoroki, and Kirishima as they team up with Shiketsu’s Camie to act in a stage play at a theme park. The chapter is really hilarious and lighthearted.
The title of the chapter is “That’s Totally Overdoing the Illusion!”
Here’s the entire chapter summary! Enjoy~
Boku No Hero Academia TEAM UP MISSION
By Akiyama Youkou
Chapter 9 That’s Totally Overdoing the Illusion!
The chapter starts off with Bakugou, Kirishima, and Todoroki on a Team Up Mission at a theme park called “Future World.” They arrive at the theme park and Kirishima says the theme park is amazing. Todoroki notes that it’s really big, and Bakugou says, “Whatever, it’s just for kids.” They then are approached by Camie, who says, “Omg no way! U.A. is like, here too??”
Camie says “I’m like so totally excited to be meeting up with some hotties again, like woah!”
Bakugou says he has no idea what the hell Camie is saying, and Kirishima exclaims, “Oh! It’s a Shiketsu student from the Provisional Hero License Exam!” Kirishima proceeds to introduce himself in his intense manner, and Camie says that he kinda acts like Inasa.
It turns out that the Team Up Mission requires U.A. Academy to team up with Shiketsu at the amusement park to assist the staff with something. They meet up with the CEO of the park to figure out what exactly he needs help on. The CEO is a tiny man with a large mustache dressed up like a jester.
The CEO asks them to follow him to another side of the park, called Retro Land. This theme park is a run-down and old looking traditional theme park with barely any customers. The CEO of the theme park says that he brought them here to take part in a stage play to attract more customers.
He hands them a script, which is about a town being attacked by villains. The heroes show up and fight the villains, and the heroes end up in a pinch. However, with the help of the citizens cheering them on, the heroes are able to restore peace back to the city.
Kirishima hears the outline of the play and gets excited, saying it’s such an awesome mainstream story. Bakugou scoffs and says, “but it’s damn basic.” Kirishima then says, “Nah, I like it!”
The students then go into a rehearsal of the scene where the heroes are in a pinch. One of the professional actresses, a Dog Lady wearing a skull choker, low v-neck vest, studded belt, and long pants, says, “Oh you guys are actually heroes? Then you probably haven’t acted before?”
Kirishima then tries to do his best acting, saying “Gahh…I’m…strong….guhhh I won’t…fall down…I’ll never turn my back…because I….I….!!!” and overdoes his acting.
Camie then says “Like holy crap the Villain blindsided me, and now I’m on the floor like discarded bubble tea!”
Todoroki just falls onto the floor silently. Bakugou tries acting, screaming “I WILL NEVER FALL TO THE LIKES OF A VILLAIN!” The Dog Lady actress asks them if they were actually even trying to act, and they all say they were doing their best. The Dog Lady says she’s a bit worried about how this will go.
In either case, they need to decide which role everyone will be taking part. The Dog Lady instructs them to decide among themselves who will get what role.
Bakugou and Camie both say at the same time they want to be the lead Hero role. Camie says, “Wait, but I’m older than you so I totally should be the lead Hero role!” Bakugou gets mad and screams, “BUT I AM THE STRONGEST ONE HERE. BESIDES, I AM Q.E.D.!**”
Camie says “Damn yo, that’s the lowest of the low” and Bakugou yells, “Shut the hell up and speak your mother tongue, damnit!”
Kirishima tries to calm him saying, “Calm down guys, Camie-senpai too…!” He then notices that Todoroki is looking at a child’s playground bear spring rider, and Kirishima asks, “Oh, do you want to ride it? The staff did say we could enjoy the park as much as we’d like!” Kirishima mentions that they never really had a chance to go to a theme park ever since entering High School, and being at a theme park feels nostalgic as it brings back memories of his childhoold.
Todoroki then says, “No…I don’t have any memories of ever going to a theme park.”
Camie looks at Todoroki and says, “Uh, like no way?”
Kirishima then grabs Todoroki and says, “WELL IF THAT’S THE CASE…JUST PRACTICING OUR LINES WILL GET STALE, SO LET’S ENJOY THE THEME PARK!” and rides the bear spring rider together with Todoroki.
Camie wants to join them too, and she, Kirishima, and Todoroki go on a carousel while Bakugou gets irritated. Camie is taking a picture for Kirishima and Todoroki on her cellphone while Kirishima calls out to Bakugou saying, “Heeyyy! Bakugou, come join us!”
Bakugou scoffs, “Hmph, waste of time.”
Kirishima, Todoroki, and Camie then ride a roller coaster together and Kirishima shouts, “It’s fun you know!”
Bakugou says, “This is no time to be playing with these stupid toys…!”
Kirishima then grins and says to Bakugou “All right then, if that’s the case, let’s decide who gets the lead Hero hero role by seeing who can get the least dizzy from the tea cup ride!” This piques Bakugou’s interest, and Kirishima further taunts him saying, “If you’re not confident about it, then you don’t gotta force yourself!”
This gets Bakugou fired up and he says, “I’m going to spin this shit and kill all of you guys!!!!!!!” He sits in the tea cup next to Kirishima, Camie, and Todoroki and spins it like crazy. Camie looks like she’s going to throw up and says, “Wait…Bakugou…you’re like, turning it way too fast!”
Bakugou looks at Kirishima and taunts, “HOW IS IT!? YOU DON’T LOOK SO GOOD. GONNA GIVE UP YET!?” and Kirishima yells back, “YOU MUST BE JOKING! NOT EVEN CLOSE! TURN IT UP!!”
Bakugou then screams, “PLUS ULTRAAAAAA!!!” as he spins the cup so fast it looks as if they are not moving at all. Camie squeaks “Helllaaaaaaa…”
After they get off the ride, Bakugou, Kirishima, and Camie are wobbling around and walking unevenly, with Kirishima accidentally heading towards the direction of the girl’s bathroom in his dizzy state and Camie about to throw up on the floor. Bakugou sways and proudly points at no one, saying “You bastard, you’re all dizzy!”
Kirishima says, “Guh…did…didja see that, Bakug….erghh!” Camie says she’s going to hurl. Todoroki asks, “Uh, where are you guys even going?”
Kirishima then notices that Todoroki is completely unphased, and he asks “Todoroki…you’re okay!?” Todoroki responds, “I feel a bit uneasy…”
With that, it’s decided that Todoroki gets the lead Hero role. They then head back to the stage, and there’s a few people in the audience already as well as two camera men who will be filming this performance and uploading it online later.
All the students are ready for their performance, and as they act out the first scene, a group of people corner the CEO and threaten him. The group are land developers who tell the CEO to give up Retro Land since it’s going out of business anyway. He grabs the CEO in a chokehold, but the CEO says he won’t hand over the park to these people.
As this is happening, Camie, Bakugou, Todoroki, and Kirishima go backstage after their first act. Camie says they can take a short break until the next scene. Kirishima remarks that the camera was focused a lot on him, but Bakugou says he’s pretty damn sure he was the one getting more spotlight.
As they walk backstage, they see the group of people threatening the CEO. Kirishima, Todoroki, and Bakugou easily take out these villains, but the villain tells the CEO that they had planted a trap at the roller coaster in Retro Land where a part of the roller coaster tracks were destroyed. The ride operators did not know this, and there’s currently a cart that will be falling off the roller coaster tracks soon. The villain mentions that no one would want to go to a theme park after hearing of such a bad accident. Kirishima realizes this and rushes first to the roller coaster ride.
Meanwhile, Camie is wondering what to do because their break is over, and they’re due to be on stage again. Since the boys are dealing with the villains, she decides to create illusions of all of them and wing the performance off script with her illusion versions of Bakugou, Todoroki, and Kirishima.
She recreates the pretty boy Todoroki illusion, who turns to the Dog Lady, who’s playing the role of the villain, and says, “Won’t you…please stop being a villain? You should become a Hero instead!” and the Dog Lady blushes and immediately falls for it, saying “YES…!”
Since Camie can’t access the script right now, she just decides to ad lib everything and make up a new story. She makes the Illusion Kirishima turn out to be the actual villain of the story, and the camera men who are in the audience wonder what happened to the original script.
On the other side of the park, Kirishima is already on top of the roller coaster tracks and uses his hardening to stop the oncoming roller coaster cart. He tries to stop it but the cart still keeps going.
Bakugou then comes behind him and steps on his back, and Kirishima looks back and says “Bakugou!”
The guy on the front seat of the ride screams “Why are there two people [on the tracks]!?”
Bakugou says that there’s not enough manpower to stop the roller coaster. He places one hand on Kirishima’s back to support him while using his other hand to set off a huge explosion, propelling them forward to nullify the movement of the roller coaster cart.
Back at the stage, Camie is doing her best trying to improv the play. Her Illusion Villain Kirishima gloats that he will fulfill his revenge. The Illusion Todoroki cries out, “No! Please stop this fight!” while a very quiet and calm looking Bakugou places his hand on Illusion Todoroki’s shoulder.
The real Bakugou and Kirishima are still trying to stop the roller coaster cart from going further, and Kirishima hugs the front of the roller coaster as Bakugou continues to use his explosion to stop the cart. They finally successfully stop the coaster, and Kirishima falls back in relief, showing a dent in the front of the roller coaster cart in the shape of his body.
Just as they saved the roller coaster cart, Camie was finished with the play as well. The two camera men who were filming the play were so moved they started crying at how good the play was. One of the camera men mentions that he wants to bring this Hero Stage play around the entire country because it was so moving.
The resolution scene shows the Illusion Villain Kirishima shaking hands with the Illusion Quiet Bakugou with the closing line, “And with that, the hero that looked the most like a Villain was able to open the actual Villain’s heart and let him turn a new leaf.”
The crowd cheers as Illusion Bakugou and Illusion Villain Kirishima continue to shake hands.
At the roller coaster, Todoroki assists the people in the roller coaster cart off the tracks by using his ice to create an emergency ladder. Kirishima then smiles at Camie and says, “Good work Camie-senpai! You did it!” Camie looks like she’s going to hurl again since she overused her quirk, saying “I feel hella sick…I like, overdid the illusions…hella…”
With that, the four students finish their training at the amusement park together. Later that week, the Retro Land Stage Play was uploaded onto a video streaming site, and the video got 1,200 likes and counting. The show was a hit online, and because of that, Retro Land’s popularity bounced back and more people started going to the theme park.
However, because of the stage play, Kirishima, Bakugou, and Todoroki also gained some new fans.
The last scene shows the two camera men hiding in the bushes with cameras while Bakugou, Todoroki, and Kirishima are walking.
Kirishima ask them, “Hey uh…do you guys get the feeling we’re being watched…?”
THE END!
This is the Master List for all Final Fantasy 7 Remake MATERIAL ULTIMANIA BookandWalk Through Midgar Guidebook translations I have made! This thread will be updated accordingly when new information is posted on my Twitter. All links in this comprehensive post will redirect to my original Twitter posts. Enjoy!
UPDATED: November 3rd, 2020
CHARACTER DESIGN INFO
1) Cloud’s Design
2) Tifa’s Design
3) Tifa’s Outfit
4) Aerith’s Design
5) Barret’s Design
6) Sephiroth’s Outfit
7) Rufus’ Outfit
8) Tseng’s Outfit
9) Reno’s Outfit
10) Rude’s Outfit
11) Young Tseng
12) Cloud’s Blue Dress
13) Cloud’s Light Blue Dress
14) Tifa’s Dresses
15) Aerith’s Dresses
16) Chadley’s Design
17) Rufus’ Character Design
18) Reno & Rude’s Character Designs
19) Rude’s Earring
20) Reeve’s Design
21) The Ancients Clothing Design Inspiration
CHARACTER BACKGROUND INFO
1) Rude is willing to risk his own life to protect Reno
2) Rufus, Dark Nation, Rufus’ Pistol and his training
3) Tifa’s Deleted Quest
4) Sephiroth is fearsome and powerful
5) Zack’s Victory at the ending
6) Battle against Sephiroth
WORLD AND LORE
1) Edge of Creation Symbolism in the Sky
2) Aerith’s Church and the Rocket
3) Shinra Building’s restrooms modeled after that of Square Enix’s building
4) Ending Scene with the Lifestream versus Meteor
5) The Turks writing a letter of apology if they fail missions
6) Reno telling Rude “you have to write that letter of apology” in Chapter 12
7) Whisper Harbinger actual size and Rubrum, Viridi, & Croceo designer after Kadaj, Loz, and Yazoo
8) Whisper Viridi’s special moveset against Tifa is based off of Loz’s move in Advent Children
10) Toriyama hopes that we can see Jessie perform at the Gold Saucer
CHARACTER ACCESSORIES AND HAIRSTYLES
1) Cloud
2) Aerith
3) Zack
4) Johnny
5) Sephiroth
6) Rufus
7) Reno
8) Rude’s Beard
9) Reno’s Goggles & Rude’s Sunglasses
10) Midgar Hair Tonic
MISCELLANEOUS
1) Cloud, Aerith, and Sephiroth’s Voice Actors Comment about the Remake’s story being different
Here is my master list of translations I’ve done for the Final Fantasy 7 Remake Ultimania Book as well as translations of other things regarding the Compilation of FFVII. This thread will be updated accordingly when new information is posted on my Twitter! All links in this master list will most likely go to my Twitter as that is where I usually post my translations.
Hope this helps those who are looking for a comprehensive post of all information regarding the series!
UPDATED: 7/13/2020
FF7R Ultimania Book Character Profiles
1)Cloud Strife
2)Barret Wallace
3)Aerith Gainsborough
4)Tifa Lockhart
5)Sephiroth
6)Red XIII
7)Reno
8)Rude
9)Rufus
10)Tseng
11)Reeve
12)Scarlet
13)Zack Fair
14)Betty & Marlene
15)Johnny
16)Roche
17)Chadley
18)Biggs, Wedge, Jessie
19)Cait Sith
20)Leslie
21)Kyrie
22)Ifalna, Brian Lockhart, and Claudia Strife
23)President Shinra, Hojo, and Heidegger Ages
24)Andrea Rhodea and Jules
25)Elmyra Gainsborough
26)Mayor Domino and Deputy Mayor Hart
27)Jessie’s Parents
FF7R Ultimania Book Character “Impressive Words” Quotes
1)Cloud Strife
2)Sephiroth
3)Aerith Gainsborough
4)Tifa Lockhart
5)Barret Wallace
6)Red XIII
FF7R Ultimania Book “Original FFVII Playback” Section
1)Rufus, Tseng, Reno, Rude
2)Aerith Gainsborough
3)Tifa Lockhart
4)Sephiroth
5)Barret Wallace
6)Red XIII
FF7R Ultimania Developer Interviews
1)Nomura, Kitase, and Nojima Full Interview
2) Toriyama, Hamaguchi, and Endo (Part 1,2,5,8)
3)Ryota Iwagami Battle Designer about Red XIII’s Collar
4)Nomura on Cloud’s initial Remake Design
FF7R Ultimania Secrets Revealed
1)What does Aerith know?
2)The Different Forms of Sephiroth in the Remake
3)What is the meaning of Zack’s Victory?
4)Who are Whisper Rubrum, Whisper Viridi, and Whisper Croceo?
5)Deepground
6)Who can see the Arbiters of Fate?
FF7R Ultimania Battle and Gameplay Info
1)Reno & Rude Combination Moves
2)How to get Tifa, Aerith, and Barret’s Resolution Scenes in Chapter 14
3)Criteria to get different dresses in Wall Market
4)How to get Chocobo Sam or Madame M’s Extra Side Quests
5)How to get Andrea Rhodea’s Earrings
6)Shinra Building Stair Climbing Sequence Bonus Scenes (Japanese version)
7)Character Order of Appearance in Sephiroth Fight
FF7R Ultimania Trivia
1)The Turks’ Suits
2)Honeybee Inn Dancer
3)Rude’s Victory Fanfare Ringtone
4)Professor Gast Faremis’ Book
5)FF7 Locations outside of Midgar
6)S & G Class SOLDIER References
7)Maximum amount of items and gil allowed in game
8)Shinra Company Hierarchy Chart
9)AVALANCHE Hierarchy Chart
10)Rufus’ Two Sided Coin
11)FF7R Ultimania Book Front Page
12)Jenova
13)The Ancients
Dengeki Playstation Vol. 686 Interviews
1)Nomura talking about Roche
2)Nomura on the Honey Bee Inn Scene
3)Nomura on the Remake’s Ending
Inside Games Japan Article
1)Reno & Rude’s relationship and trust with each other
Famitsu Interview in April and May 2020 about the FF7R OST
1)The song “Hollow” reflects Cloud’s inner thoughts
2)Toriyama’s Comment about the Honey Bee Inn Dance Battle
FF7R Original Soundtrack Pamphlet Quotes (official translations)
1)Tetsuya Nomura
2)Yoshinori Kitase
3)Nobuo Uematsu
FF7 Old Ultimania Book
1)Canon info that Reno dyes his hair red
This is the full interview from the Final Fantasy 7 Remake Ultimania Book where Director Tetsuya Nomura, Producer Yoshinori Kitase, and Scenario Writer Kazushige Nojima discuss the Final Fantasy 7 Remake, talking about how the game’s development, ending secrets, and more! Enjoy~
PART 1: This is the fifth installment within the Compilation of FFVII.
—When did the FFVII Remake project start?
Kitase:Actually, this project has been in existence for a very long time.
Nomura:When we developed the Compilation of FFVII, the installments included Advent Children, Before Crisis, Crisis Core, and Dirge of Cerberus, so we knew that we wanted to make a fifth installment. However, we were a bit short on resources as I was the only one heading the project, and since we were busy with other things, the project was put on hold.
—If the project was put on hold, what made it come back officially?
Kitase:When the Final Fantasy series almost reached its 25th Anniversary, I thought about what we should do to commemorate that milestone. That’s when I thought that if we were to go through with the FFVII Remake project to coincide with the 25th Anniversary of the Final Fantasy series, we would have to start it as soon as possible. That’s what got the ball rolling. After that, we had a meeting with producer Shinji Hashimoto as well as Tetsuya Nomura to discuss the details of the remake. Hashimoto was also the one who said he wanted to correct some of the graphics from FFVII Advent Children, and that’s the stage where all three of us decided that we should officially start this project.
—Initially, the project was to be made using staff from external divisions, right?
Kitase: Of course the company’s staff were still involved in the development, but most of the team that had worked on Final Fantasy series were assigned to other projects, so we started the Remake project with other external division staff. However, because we wanted to upkeep the quality of the Final Fantasy series, we decided that we still needed members who had experience working on Final Fantasy. Because of this, we had to do a major shift of staff positions to accommodate for this project.
—Since the Remake will be comprised of multiple parts, when did you decide that the first part will take place up until the escape from Midgar?
Nomura:We made that decision at the start of the project. Midgar stands as a very recognizable symbol of the world of FFVII, and for the Remake Project, we wanted to expand on that. The first installment will establish the root of the battle system as well as the type of basic structure, data assets, etc. that we needed to prepare, so it would take some time to do so. On that note, we had to accommodate in terms of the scale. Since the game would cover up until the escape from Midgar, the contents we needed to develop, such as the world system, level designs, etc., would increase, so we had many reasons to make the decision that we made [to create the story into multiple parts]. When we announced that the project would take on multiple installments, there were many who were worried about how we would be able to make a whole game based solely on Midgar, but I didn’t think it would be a problem. I’ve repeatedly watched videos of gameplay, and in the original game, it takes about 7 hours to go through the Midgar section. In the Remake, the map would need to be in 3D, so there would be much more information to account for as well as time that it will take to go from one point to another, and all that adds up. Since we knew that we would have to add scenarios to the story too, I knew that the overall gameplay of the Remake would be well enough to cover a whole game.
Nojima:We also felt that stopping it at this point would also allow for an adequate amount of story scenarios to be put in as well.
Nomura: After you leave Midgar, you move to a world map, and I mentioned this earlier, but level designs would have to yet again change. If we were to do that, we would also have to split up other scenarios and even if we add new gameplay, it would have to end in an abrupt point of the story. That’s why we felt that if we had everything focused in Midgar, we wouldn’t have to split up any of the story elements that happen there. We had requests to add more content or to make only one installment for the whole remake, but if you take into consideration the quality put into this game, I’m sure players would understand why we made this decision.
Kitase: The Remake is not something that we can finish all at once, so when we decided that the first installment would take place in Midgar, the FFVII Remake Project became a reality.
PART 2: The title “Remake” has two meanings…?
—Nojima-san was added to the team when the project was still being handled by the external division staff, correct?
Nojima: That’s right. I was the one who initially wrote the main scenarios, and the external division staff was responsibile for writing the sub scenarios as well. However, when we transferred the project to internal staff, Toriyama-san (Co-Director) joined and looked over the scenarios we had written up until that point. He then gathered all the scenes we had and rewrote them, and after looking over it myself once more, we decided that the project would take on this shape.
Kitase:After Toriyama joined, we were able to formulate the scenarios and input them into areas within the game itself, and in order to keep the integrity of the story, we let him rewrite some of the story.
—Nojima-san, in what degree do you write the scenarios and how specific do you make them?
Nojima:I lose myself in my writing a lot. I’m always concerned about keeping characters in character, so I constantly make corrections. However, after I finish writing the scenarios, Toriyama-san and his scenario team add revisions, which is then handed off to the dubbing stage, which also makes adjustments to the dialogue. So by the time the scenario reaches completion, I’m not even sure what exactly remains from my initial draft.
Kitase:Of course, the main story’s developments are usually left as how Nojima-san wrote them. The changes that are made are usually minor details that are formulated into the story.
—The title for the remake is just “Remake,” which is a bit rare to put in a title. Is there any specific meaning to it?
Nomura:I am the one who decided on the title “Remake,” but there are two meanings to the title. The first being that we wanted to quell the doubt that arised when we first announced that we were doing a remake. When the first trailer was released, there were people who weren’t sure if this installment of FFVII was merely a remaster or an actual remake, which made them worry. When we revealed the trailer at E3 in 2015, the reactions were as I expected, with some even asking if this was going to be a movie. That’s why I decided to clearly express to those with doubt that this is a complete remake of the original with the title “Remake” as well. In regards to the other meaning to the word “Remake,” well, I can’t answer that right now. Ask me again in a couple of years (laughs).
—The title’s logo with the Meteor is now outlined with a type of metal finish. How did you come up with this design?
Nomura:We wanted to put the Meteor in the title logo when we showed the trailer at E3, but we had not decided on the logo yet at the time the trailer was made. I personally wanted to have the Meteor be in a metallic finish to go along with the mood of this project, so when I conveyed my idea to the trailer editors, they came up with a design for me. The logo wasn’t just for use in the trailer, but it would be used for the main title logo as well. Also, during the E3 trailer, the word “Final Fantasy” isn’t shown, only the Meteor as well as the word “REMAKE.” This was because I wanted to make the announcement of the FF7 Remake with only the Meteor symbol. When the original Final Fantasy 7 was released, the marketing producer at the time suggested that the package design only have the Meteor and said to me, “Even if we don’t write the title, people would know that this is Final Fantasy 7.” Back then, we decided against that, but I wanted to have that idea come to fruition this time around.
PART 3: Wanting to Delve Deep into the Characters from these Realistic Scenes
—What part of the Remake did you pay extra attention to?
Kitase: In the original game, many people were able to live comfortable lives thanks to the power of mako energy; however, the same could not be said for those living in the slums underneath the plate, which left a great impression. In fact, I don’t really remember seeing much about the lives of those living above the plate where mako energy powered the cities in the original game. We wanted to draw out those details, such as in the opening movie where you see people and children riding bicycles throughout the city. The scene then turns darker where you see the effects of a lifestyle reliant on mako, where the light and dark contrasts. We wanted to brush upon this by having the player visit Jessie’s home above the plate.
Nomura:I wanted to keep the elements of the original story. In terms of the battle system, things like the ATB gauge or materia, limit breaks, etc. made up an important part of the game, and I wanted to try to bring over that to the remake. However, we had to consider not only the old fans of the game but the new ones as well. For the veteran players who knew the ropes already as well as the new players who were just getting into it, we wanted to create a satisfying experience for both. Not only did we take the original game’s structured elements and modernized them, but it was important for us to make it so that old fans would also be able to come to terms with the changes as well. Since the original game was released more than 20 years ago, if we were to change the styles to reflect modern ones, I’m sure people would accept them. However, let’s say that we changed Cloud’s hairstyle to not be spiky anymore- that would be weird, right? It was difficult to find a good balance [between realism and the original].
Nojima:When writing the scenarios in the game, I had to pay great attention to the fact that the characters that appear are no longer shown in cute graphics from the original game, but actual people now. For example, in the original game, there weren’t many houses shown in the slums, but in this game, there are tons of houses that allows you to strongly feel the presence of people living within a city. I thought to create scenarios where people are living and breathing in this space. Whether it be the AVALANCHE members or other characters in the story, I always dug deep and thought “Why are they living like this here?” when creating the backgrounds.
—One case of that would be when it was shown that Jessie used to be an actress at the Gold Saucer, right?
Nojima:I wanted Jessie’s mannerisms to be like that of someone who has experience in theater, and I delved into creating episodes about her past leading up to her current family situation. There were many plans to create these types of sub-scenarios for the game when the project first started.
Kitase:When we were in the middle stages of development, we decided to put as many sub-scenarios into the main story to give breathers and pauses from the over-arching plot. We put several sub-scenarios about the Turks as well.
Nojima:That’s right, we had conversations such as “What are the Turks doing right now…?” or “What kind of character from the Compilation of FFVII would appear here?” and etc. Other scenarios we thought of was Tifa asking her landlord to help her figuring out which dress to wear in order to infiltrate Corneo’s Mansion, among other episodes.
Kitase:For example, after Cloud fell into the Sector 5 slums, what was Tifa doing? How did she get into that Chocobo Wagon that took her to Corneo? We had a few things planned during the first half of production, but due to time restrictions, we had to cut it out.
PART 4: Cloud Tries to Act Cool like an Adult but Fails
—As we played through the game, Aerith’s lines left an impression on us.
Nojima:Aerith is the utmost important person in the FFVII Remake, and I was very careful with her lines. Each and every part of her carries a great meaning throughout the story, and I used that premise to write her character.
—In particular, during the nighttime flower field scene in Chapter 14, Aerith tells Cloud “You can’t fall in love with me. Even if you do, it’s not real.” For those who are familiar with the original story, this line carries a lot of meaning.
Nojima:To be honest, some staff actually told me that this line made it seem like Aerith was looking down on Cloud, so it got rejected a few times. If you know Aerith’s fate, then this line would really pull at your heart strings, but if you did not know what happens to Aerith, then you might interpret the scene in a completely different way. I thought the gap between the two interpretations was very interesting. On another note, in Tifa’s scene in the flower field, I wanted Cloud to not look cool in this scene. Even though Cloud and Tifa are close in age, he has a 5 year blank slate, and he doesn’t have enough life experience to consider himself an adult. Even though most of the characters are around 20 years old, there’s one guy, Cloud, who has the mentality of a 16 year old, and that person tries to be like an adult. I really wanted to write that into the story. After the Sector 7 plate fell, Barret comforted Tifa with the temperament of an adult, and Cloud saw that and wanted to do the same for her [in the flower scene], but it didn’t go as planned. I wanted to try writing him as being awkward.
Nomura:On that same note, when recording Cloud’s voice, we had his voice actor perform his lines slightly differently depending on who he was talking to. For example, when Cloud speaks with Aerith, he stands up and tries to act cool, with Tifa he loosens up a bit, with Jessie he sounds confused. When Cloud speaks with Aerith, he’s too self-conscious and gives weird replies.
Nojima: Cloud isn’t able to keep the distance between Aerith and him, right? (laughs). He seems pretty impatient with Jessie, but she finds that amusing and pokes fun at him for it.
Nomura:However, when we did voice recording, initially Jessie came off as a bit too nosy, more than we expected, which might have given the impression that she was being rude. In order to avert that, we had her say lines jokingly each time she teased cloud, giving off a sense of charm and attractiveness, kind of like a “haha, just joking” type of attitude. We decided these things in the recording studio.
PART 5: The Remake’s Scenarios Provide a Vast Setting for Events to Follow
—The Remake’s story has many new episodes that I thought followed the flow of the original storyline, but then there’s suddenly a huge plot device that gets revealed, and that surprised me.
Nomura:Is that so? (laughs)
Nojima:I’m sure you were thinking, “What will happen next?”
—How did this development come to being?
Nomura:When I requested a scenario to Nojima, I first thought, “if I am to create the FFVII Remake, I would like to do it this way.” I then conveyed my ideas to him. During that phase, I planned to make this be more than just a mere “Remake.” For example, the battle system this time around is in real timee instead of using an ATB gauge, and with that, the story itself took a turn that isn’t just the basic FFVII, but something new. That’s the kind of story I wanted to create.
Nojima:As for me, I knew that even though at the very core, this story is about Cloud, the works from the “Compilation of FFVII” have greatly increased [over the years], and I wanted to make something that takes all of those works and combine it into one. Each person who played the original version also has their own vision of the world of FFVII, and I wanted to preserve that too. The results of those feelings are shown within the Remake’s story. These were all the ideas I had, so in the beginning I would initially show it to Nomura-san, and I tried my best to explain them clearly to make sure he didn’t reject them (laughs).
—In regards to the story’s important key points, there must be a flashback scene from here on out, right?
Nomura: At first, the direction we took was that we did not want to put any of these hints while still in Midgar.
Nojima:Right, we originally planned to have the storyline diverge only slightly.
Nomura:We thought to have only a subtle change where in the ending you see Biggs alive, which makes you think, “Wait, this is weird…” and gives a slight sense of unease. But then the staff thought, well if there’s room for more scenes, then let’s just add it (laughs). When we did that, there were scenes that we had to say, “No this won’t do,” and removed it from the story. We didn’t add too many new things, but we did leave a few scenes in.
Nojima:I myself added about two or three scenarios to that too….I’m not too sure what happened to those scenarios at the end. (laughs)
—The scenes where Sephiroth appear in have also be greatly added into the storyline.
Nojima:In the beginning we didn’t plan to have him appear so often, more as an overlooming presence instead. During the middle of production, we changed our minds and decided to have him appear more frequently, and suddenly he was in a ton of scenes.
Nomura:At that time, Hamaguchi-san (Co-Director) quietly pulled me aside and said, “I want the characters to fight Sephiroth in Midgar” and consulted me with this idea. In the original story, Sephiroth exists in a different space, and apparently he gathered materials to persuade me to have the battle play out in this way, but I just said, “Okay sure,” and greenlit the idea. (laughs)
PART 6: Doubts that Arise from Things Not Explained in the Game
—In the Remake’s story, there are a few doubts that are left that I would like to brush upon…
Everyone:…..
Nomura:The story will still continue, so I don’t think we can answer much.
—Then let’s talk about things you can answer starting with the Opening Scene in the alleyway, which was also portrayed in the original game. What was Aerith looking at when she was crouching down?
Nomura:I remember someone saying that she was trying to gather warmth from it…
Kitase:I don’t think so (laughs). If you’re in front of a bonfire, you would see the embers pop, but what you see is the flickers of light from mako.
—In the Remake’s version of this scene, after she looks at the light, it seems like she’s running from something. Why?
Nojima:She felt the presence of the Whispers and wanted to run away from them. Perhaps it’s because Aerith had several bad experiences with the Whispers up until then?
—Why is it that Aerith knows about things that happen in the future or of things she hadn’t heard of before?
Nomura: I wonder why……Please wait until the next installment for that answer.
—At the end of the Midgar Highway, before you pass through the wall, Aerith says, “This is the point of no return. Destiny’s Crossroads.” What was she referring to?
Nojima: If Cloud and the others pass through the Wall of Whispers, then they will be outside the boundaries of the Whispers, meaning they will be going into a place where there is no predestined fate. She meant that they will be at a crossroads where they might or might not be able to cross.
—After you defeat the last boss, Cloud and Sephiroth have a conversation with just the two of them. What was the meaning of that?
Nojima:Exactly what their conversation said. Actually, the lines that Sephiroth said in that scene were written during the beginning stages of production where we did not know the exact placement of when they will be delivered.
—In the ending of the Remake, Zack is alive, which leads to a contrasting development to the original story. What is the meaning of that scene?
Nomura:That’s the biggest highlight of the mysteries that have been been set up in this scene, isn’t it? (laughs)
Nojima: And you can also clearly see the dog Stamp too…
—Stamp looks different in this scene though.
Nojima:Oh, does he know…? (laughs)
—Did you have plans in the beginning for the mascot Stamp?
Nojima:Yes, when we decided on the Remake’s storyline, we said “Well then, let’s have this loyal dog Stamp be the mascot.” Stamp is a popular mascot that everyone in this world recognizes, and we decided to also use him as AVALANCHE’s secret way of conveying messages.
Nomura: By the way, the Stamp that you see drawn by AVALANCHE members is actually the design that I was in charge of. I usually don’t get involved in these designs, but I felt that this character would be very important, so I decided to draw him myself.
—During the ending, Aerith murmurs, “The sky, how I hate it.” [English localization “I miss it, the steel sky.”] Is there some deep meaning to this?
Nomura: For Aeritih, the sky symbolizes sadness. The people who were dear to her, such as Zack and her mother Ifalna, had all returned to the sky, and the sky that she sees above her in the slums was covered by Shinra too. The calamity that destroyed the Ancients, Jenova, also fell from the sky. All of these incidents remind Aerith of the sky, which is why she says she hates it.
—At the end of the game, the words “The Unknown Journey Will Continue” show up. What does it mean?
Nomura: Initially, there was another sentence we were going to put instead, but under various circumstances, we decided to change it [to what it is now]. Kitase told me there should be something that connects to what lies beyond the ending. I also wanted to put something there too, so we ended up using that sentence. I think some might think that the meaning of the sentence is unsettling, but we’ve already taken that into consideration.
PART 7: Original Elements Expected to Happen but Do Not Want to be Erased
—After this first installment, the number of expectations must be very high for the next installment, but how many installments do you think the entire project will be?
Kitase:We have a general idea of how the story will play out, but we haven’t decided exactly how many parts, nor can we confirm anything.
—There has been talk that the story will be in three parts…
Kitase:We have not said anything concrete about how many installments this will be, so people are probably just speculating with no proof.
—The fans would like to know when the next installment will be released.
Nomura: It depends on how many installments we decide to make. If we divide the story into large chunks, then it will take a much longer time to develop. However, if we divide the story into smaller parts, then it might be possible to release them in a shorter amount of time.
Kitase:On that note, if we are to maintain the same quality and volume as the first installment, then it is unrealistic to say that we can churn out the next one in just one year.
Nomura: Personally, I would like to release them as soon as possible so we can take a breather. I’m sure the fans would also want the next installment to come quickly too (laughs).
—If we follow this Remake’s story, then the next installment might have major changes compared to the original, right?
Kitase:I’ve talked about this extensively with Nomura, but I’m sure fans of the original are expecting to revisit familiar locations and scenes, so we have strong feelings to not stray away from that. From here on out, we’re not drastically changing the story and making it into something completely different than the original. Even though it’s a Remake, please assume that FF7 will still be FF7 as usual.
Nojima:For me, I create scenarios that follow the general flow of the original story but with the assumption that the way things are presented or how events occur might be slightly different. Personally, I would like to include towns and areas that originally appeared first in Crisis Core FF7.
—Lastly, do you have any messages to the fans who have played the FFVII Remake?
Nojima: I’m sure that they had a lot of fun playing it and might have doubts on what will happen from here on out, but please remember those doubts you had since you’ll probably find your answer in future installments.
Nomura:This was a very popular game in the past, and since we are remaking it, the amount of attention it had garnered even before it was released was high, and there are many who voiced their concerns about the game too. However, those concerns did not affect our staff as we put in our all to create this work, and we just hope that people will be interested in it. The base for the Remake has been successfully established with the first installment, so we hope to meet your expectations in the next installment too! However, personally, I think there might be some who think “Since this is the Remake, I don’t need to play the original game anymore and just play the Remake instead,” but I want to prevent people from doing that. The original and the Remake are two separate entities. So even if you play FFVII Remake, I would also like you to play the FFVII original game afterwards as well.
Kitase: In this first installment, I think we were able to figure out the exact direction and shape we would like to take with the FFVII Remake. Within the Remake, many hints were strewn along, and we would like fans to get excited and think about on what exactly will happen in the next installments. The theories posted on the internet do reach us, and I think that type of communication between the fans and us will help in creating a story together for all to enjoy.
(Square Enix Interview recorded on March 19th, 2020)