#norman foster

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Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,

Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983, completed in 1986.

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Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,

Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983, completed in 1986. Exterior shot, looking at the Lippo Center and Bank of China Tower

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Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,

Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983, completed in 1986. Interior & architectural plans

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Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,

Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983, completed in 1986.

Scan 2


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Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983,

Hongkong & Shanghai Banking Corporation Headquarters. Designed by Sir Norman Foster 1979 - 1983, completed in 1986.

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Dystopian Sphere30 St Mary Axe aka The Gherkin (Foster and Partners 2004) City of London.

Dystopian Sphere

30 St Mary Axe aka The Gherkin (Foster and Partners 2004) City of London.


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Woman on the Run(1950; Norman Foster)

Woman on the Run
(1950; Norman Foster)


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“ as an architect, you design for the present with an awareness of the past, for a future which is essentially unknown ”

architectNorman Foster at the 2007 DLD Conference in Munich

Bund Finance Centre Foster + Partners + Heatherwick Studio

Bund Finance Centre

Foster + Partners + Heatherwick Studio


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British Museum’s Queen Elizabeth II Great Court (2).Ceiling Designed by Norman Foster.London, Englan

British Museum’s Queen Elizabeth II Great Court (2).

Ceiling Designed by Norman Foster.

London, England   October 2015

Nikon D300 17-55 f2.8   Shot at 17mm f7.1 1/800th sec.


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PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic PrototypeNomos System. Norman Foster. 1986We have restored a Nomos Table, one of the most authentic

Prototype


Nomos System. Norman Foster. 1986


We have restored a Nomos Table, one of the most authentic high-tech furniture system designed by Norman Foster in 1986 produced by Tecno. 

“..The frame of the Nomos table is conceived as a rigid, zoomorphic skeleton. Like the other elements in the Nomos system, the table can be adapted to satisfy wide range of needs, at home and in the office.

The Nomos table’s striking appearance and refined design have made it one of the most recognisable products of international design in the Tecno catalogue.

The Nomos table differs from the other components of the Nomos system for the size of its tubular frame (25 mm instead of 30 mm), for the angled shape of its base and for the fact that its top is supported not by the usual structure but by dedicated castings. The top rests on suckers in the glass version and is screwed to the aluminium supports in wood top versions.The Nomos table can be assembled in two heights, 72 cm and 65 cm, simply by including or excluding spacers between the top and the supports..”

drawings+


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