#performance

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 RBD - Ser o Parecer Live Concert (2020)

RBD - Ser o Parecer Live Concert (2020)


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 RBD - Ser o Parecer Live Concert (2020)

RBD - Ser o Parecer Live Concert (2020)


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 RBD - Ser o Parecer Live Concert (2020)

RBD - Ser o Parecer Live Concert (2020)


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Mind over muscle: what limits human performance?The Rio Olympics will see athletes pushing their bodMind over muscle: what limits human performance?The Rio Olympics will see athletes pushing their bodMind over muscle: what limits human performance?The Rio Olympics will see athletes pushing their bod

Mind over muscle: what limits human performance?

The Rio Olympics will see athletes pushing their bodies to physical extremes. But what determines the limits for athletes? Does nonstop exercise limit performance because “the mind would, but the muscles can’t”? Or does a person stop because the “muscles could, but the mind won’t”?

When hit with this ‘central fatigue’, the central nervous system limits performance by losing the will to carry on. Even in athletic people, two-legged exercise becomes limited when only a tiny fraction – perhaps just 5% – of the active muscle mass is exhausted of its energy reserves. Why can’t the other 95% meet the call for action?

Researchers at the University of Leeds and University of Liverpool, together with the Los Angeles Biomedical Research Institute in California, are developing new tools and using advanced MRI imaging techniques to explore the relationship between mind and body in limiting endurance exercise performance, comparing older and younger people in the process.

The findings are being used to develop new therapies to reduce central fatigue, and increase the capacity for physical activity to maintain healthy living.  

Image credit: Bottom - Faculty of Medicine NTNU

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❗️CONGRATS❗️ @sza on your best new artist award You deserved it girl‼️✊ ____________________________

❗️CONGRATS❗️ @sza on your best new artist award You deserved it girl‼️✊
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#bet #betawards2018 #betawards #tde #kendricklamar #topdawgentertainment #sza #randb #bestnewartist #artist #music #singer #hiphop #performance #blackgirlmagic #melaninpoppin #melanin #blackwomen #girls


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ARIANA GRANDEPerforms at the 62nd Annual GRAMMY Awards at Staples Center in Los Angeles, California.ARIANA GRANDEPerforms at the 62nd Annual GRAMMY Awards at Staples Center in Los Angeles, California.

ARIANA GRANDE
Performs at the 62nd Annual GRAMMY Awards at Staples Center in Los Angeles, California.


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The Unexpected Subject – 1978 Art And Feminism In Italy, Flash Art, Milano, 2019 [Exhibition: CurateThe Unexpected Subject – 1978 Art And Feminism In Italy, Flash Art, Milano, 2019 [Exhibition: CurateThe Unexpected Subject – 1978 Art And Feminism In Italy, Flash Art, Milano, 2019 [Exhibition: Curate

The Unexpected Subject – 1978 Art And Feminism In Italy, Flash Art, Milano, 2019 [Exhibition: Curated by Marco Scotini and Raffaella Perna, FM Centro per l'Arte Contemporanea, Milano, April 4 – May 26, 2019]. Cover Art: Mirella Bentivoglio,Ti amo, (silkscreen on cardboard), Self-published, 1971 [© Mirella Bentivoglio]

Exhibited artists: Marina Abramović, Carla Accardi, Paola Agosti, Bundi Alberti, Annalisa Alloatti, Liliana Barchiesi, Mirella Bentivoglio, Valentina Berardinone, Cathy Berberian, Renate Bertlmann, Tomaso Binga, Irma Blank, Diane Bond, Marcella Campagnano, Françoise Canal, Lisetta Carmi, Paula Claire, Mercedes Cuman, Dadamaino, Betty Danon, Hanne Darboven, Agnese De Donato, Jole De Freitas, Agnes Denes, Chiara Diamantini, Neide Dias de Sá, Lia Drei, Anna Esposito, Amelia Etlinger, Maria Ferrero Gussago, Giosetta Fioroni, Simone Forti, Rimma Gerlovina, Natal'ja Sergeevna Gončarova, Nicole Gravier, Pat Grimshaw, Bohumila Grögerová, Gruppo Femminista “Immagine” (Silvia Cibaldi, Milli Gandini, Clemen Parrocchetti, Mariuccia Secol, Mariagrazia Sironi), Gruppo “Donne/Immagine/Creatività” (Mathelda Balatresi, Ela Caroli, Rosa Panaro, Bruna Sarno, Anna Trapani), Gruppo XX (Mathelda Balatresi, Antonietta Casiello, Rosa Panaro, Mimma Sardella), Nedda Guidi, Elisabetta Gut, Micheline Hachette, Ana Hatherly, Rebecca Horn, Sanja Iveković, Joan Jonas, Annalies Klophaus, Janina Kraupe, Ketty La Rocca, Katalin Ladik, Maria Lai, Liliana Landi, Sveva Lanza, Paola Levi Montalcini, Natalia LL, Lucia Marcucci, Paola Mattioli, Libera Mazzoleni, Gisella Meo, Marisa Merz, Annabella Miscuglio, Verita Monselles, Adriana Monti, Aurelia Munõz, Giulia Niccolai, Anna Oberto, Stephanie Oursler, Anésia Pacheco e Chaves, Anna Paci, Gina Pane, Giulio Paolini, Jennifer Pike Cobbing, Marguerite Pinney, Bogdanka Poznanović, Betty Radin, Carol Rama, Regina, Cloti Ricciardi, Giovanna Sandri, Suzanne Santoro, Mira Schendel, Carolee Schneemann, Greta Schödl, Eleanor Schott, Berty Skuber, Mary Ellen Solt, Wendy Stone, Chima Sunada, Salette Tavares, Biljana Tomić, Silvia Truppi, VALIE EXPORT, Patrizia Vicinelli, Jacqueline Vodoz, Gisela von Frankenberg, Simona Weller, Francine Widmer, Francesca Woodman


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You – Ketty La Rocca. Works and Writings 1964-1976, Edited by Angelika Stepken, Texts by Emi FontanaYou – Ketty La Rocca. Works and Writings 1964-1976, Edited by Angelika Stepken, Texts by Emi FontanaYou – Ketty La Rocca. Works and Writings 1964-1976, Edited by Angelika Stepken, Texts by Emi FontanaYou – Ketty La Rocca. Works and Writings 1964-1976, Edited by Angelika Stepken, Texts by Emi FontanaYou – Ketty La Rocca. Works and Writings 1964-1976, Edited by Angelika Stepken, Texts by Emi Fontana

You – Ketty La Rocca. Works and Writings 1964-1976, Edited by Angelika Stepken, Texts by Emi Fontana, Pier Luigi Tazzi, Angelika Stepken and Ketty La Rocca, Revolver Publishing, Berlin, 2018 [BOOKS@RET]


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waking up

#erection    #performance    

Size does matter, and in this case, smaller is better.

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It’s no secret that Husqvarna’s dirt bikes and dual sports sell themselves. Touting a storied motocross/scramble history, it’s easy to see why the off-roaders are so popular with the public. On the other hand, the company hasn’t seen much success with its street-oriented lineup. With 2019s still occupying the showroom floor and the pressure of Q3 looming, Husky recently visited Azusa, California to jumpstart the sales of their Svartpilen & Vitpilen lines. Labeled the Real Street tour, the series of demo events featured both models in their 401 & 701 variations, casting a veritable spotlight on their often overlooked street bikes. 

But the Svartpilen & Vitpilen aren’t afraid of the spotlight, you could even say they were crafted to bask in it. The first thing you’ll notice when you gaze at the Svartpilen & Vitpilen is the unconventional design. It’s not a stretch to say that the aesthetics of the lineup resemble something out of a Scandinavian furniture catalog. With minimal, flowing lines, the Svartpilen & Vitpilen would feel right at home with your Poäng and Klippan. 

Yes, beauty is in the eye of the beholder, but the neo-retro style aims directly at a younger, urban demographic that gravitate toward classic, simplistic forms with a utilitarian edge. Whether you fancy the looks of the bikes or not, you have to admit that the fit and finish is quite impressive. However, I do feel the designers tragically overlooked the speedometer, as its more akin to a gym teacher’s stopwatch than a proper gauge. Not to mention, the highly reflective glass and mounting angle make render the information illegible. Aside from the hideous - and quite useless - instrument cluster, the Svartpilen & Vitpilen reek of smart sophistication.  

But I can see how that elevated design could be a barrier for potential buyers. Due to the refined, “Swedish” aesthetics, one could quickly distinguish these models from their intra-brand cousins, KTM’s Duke and Enduro. With hopes that the public will embrace these models the same vigor as they’ve taken to KTM’s lineups, Husky is just trying to get more booties in the saddle, and I’m more than happy to oblige. 

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Sharing the motor of KTM’s 390 Duke and 690 Enduro R, Husky’s Svartpilen & Vitpilens benefit from two well-tested mills. Both engines push the boundaries of power that a single-cylinder engine should produce. Despite the lack of pistons to share the load, the vibrations on the 401 & 701 aren’t excessive (take that assessment with a grain of salt - I ride a Harley). 

While the 701 delivers its power in a smooth, linear fashion, I found myself smitten with the 401′s punchiness. Glancing at the spec sheet, I noticed that the 701 reaches peak torque of 53 ft-lb @ 6,750 rpm with 75 hp topping out @ 8,500 rpm. Comparatively, the 401′s max torque (27 ft-lb) hits @ 6,800 rpm and horsepower (42 hp) @ 8,600 rpm. With about half the power and three-quarters of the weight of the 701, the 401 shouldn’t feel nearly as torquey. Additionally, both motors achieve max torque and horsepower at practically identical rpms, leaving me perplexed with my preference for the 401 - aside from the butt dyno. 

No, I can’t support my fondness of the little thumper with cold hard data, but I can attest that the majority of the riders attending the demo agreed. I know anecdotal evidence is the least persuasive argument, but the 401 simply felt like a more agile from side-to-side and provided great acceleration in short bursts. And I may be rationalizing here, but those darting characteristics seemed appropriate for two models that translate to white arrow (Vitpilen) and black arrow (Svartpilen). The 701s weren’t bad motorcycles in the least, they just didn’t imbue the same excitement as they’re diminutive counterparts. Size does matter, and in this case, smaller is better. 

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But the size variation didn’t stop at the engine. The differing braking systems on the bikes occupied two different build quality standards. Even with the 401′s “budget” brakes, both systems felt well-suited for their classes with adial-mounted Brembo clampers blessing the 701s and ByBre calipers getting the job done on the 401s. 

Despite the fact that both models lack dual-discs, the calipers delivered a reassuring bite while riding in urban environments. Yes, an extra rotor and caliper up front would certainly push the models in a more performance direction but we didn’t take the Svartpilen or Vitpilen into the twisties and the stock brakes would suffice where most buyers would ride these bikes - in the city.

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When judging the two models on ergonomics, I kept their natural habitat - urban environments - in mind, as both maintain a fairly sporty position. Starting with the Vitpilen, I immediately noticed the aggressive, forward-leaning stance. Positioning my head directly over the front wheel, the Vitpilen made me want to slalom through mid-day traffic at full throttle. However, that state of mind prooved more enslaving than freeing. After all, I was on a demo tour. If “it’s better to ride a slow bike fast than a fast bike slow,” nothing is worse than living that platitude in reverse. If you’re looking for a nimble, aggressive, lane-splitter, the Vitpilen has you covered, but make sure your journey is manageable, as I already felt the tension in my wrists by the time we returned from the short ride.

On the other hand, the Svartpilen utilizes high-rise bars to position the rider at ease. From the upright posture, I was content to stay in line and putt along at a legally acceptable speed. Sure, I tugged on the throttle from time to time, but the relaxed stance felt more conducive to congested road conditions. If the Vitpilen’s ergonomics equate to a Supersport, the Svartpilen would be it’s Naked/Standard counterpart. Both bikes are aimed at city-dwellers and while it would be a stretch to say that either of them let you stretch your legs out, neither of them feel cramped. Though I’d probably opt for the Svartpilen in most situations, if I were visiting one of the local canyons (GMR, HWY 39, etc), I’d certainly side with the Vitpilen.

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While the ergonomics shift the rider into different postures - and different states of mind - the road manners of the bikes are quite similar. With all models under 6 inches of travel, I could easily flat-foot each bike. Despite its smaller stature, the 401s benefited from the same WP 43mm inverted forks that graced the front end of the 701s. On the road, each bike was compliant and responded immediately to my every input. Particularly, the Vitpilen - with its clip-ons and head-down posture - reacted to every adjustment of my body. 

Not only did the suspension allow the bikes to cut from side-to-side, it also made the 401s and 701s feel planted. From soaking up potholes to providing stable steering at speed, KTM’s proprietary suspenders highlighted how fun these machines can be. On the contrary, the lack of suspension travel on the Svartpilen did beg the question: couldn’t this model be much more fun? Aside from ergonomics and a few bits of design (paint mainly), how does the Svarpilen distinguish itself from the Vitpilen? 

And that’s where I got to thinking about the lack of sales for these two models. After taking everything into consideration, it seems like Husqvarna’s “Real Street” motorcycles are going through an identity crisis. Are these bikes retro or performance? Can you consider a motorcycle “premium” (as the price would suggest) the dash looks more like a digital alarm clock and it doesn’t come with dual-disc brakes? But maybe it’s less of an identity crisis and more of a false identity. For instance, Husqvarna outfits the Svartpilen with dirt tracker styling yet they can’t endorse taking the low slung machine off-road. Even with the aesthetic hinting at dirt-capabilities, the Svartpilen is essentially a naked bike with knobbies. 

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Broadcasting a false image can ensnare potential buyers - or it can turn them off (like it did for me). Intoxicated by the snappy acceleration of the 401, I actually looked into purchasing a Svartpilen following the demo. But the lack of off-road capability soon soured my initial enthusiasm. If it can’t hang in the brown, why outfit it with Pirelli Scorpions? Why adopt tracker design cues? What’s the point of making form decision if it’s contrary to the function? That disillusionment made me look at the Svartpilen & Vitpilen differently. 

With an MSRP of $6,299 for the 401 and $11,999 for the 701, it’s easy to see why the KTM-owned brand is having problems moving units. Coupled with the unconventional design (which I actually love but can understand how some wouldn’t), Husqvarna has it’s work cut out. Along with the lackluster sales figures of the Svartpilen & Vitpilen, the Real Street Demo stop in Azusa failed to highlight the full capabilities of models. With the near highway miles away, riders were relegated to a jaunt around the block. As a result, I never got the gearbox past 3rd and that doesn’t instill much confidence in potential customers. The combination of disorganization, bikes-to-rider ratio, wait times, and early wrap-up, I’d venture to say that the demo barely moved the needle on these two bikes.

With all that said, if you’re looking for a stylish motorcycle to ride in the city, Husky’s street lineup may be a good option. The brand continues to promote their 0% APR (up to 48 months), so you may score a new Svartpilen or Vitpilen for a great price. For my intents, the bikes are too niche in design and too specialized in purpose, but that doesn’t mean they won’t work for you. I guess the best advice I can give to potential buyers is to test ride as many motorcycles as possible. I know I will be!

Francesca Woodman, Untitled, Providence, Rhode Island, 1975–78

Francesca Woodman, Untitled, Providence, Rhode Island, 1975–78


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010518 - Ariana performing No Tears Left To Cry at The Tonight Show Starring Jimmy Fallon 010518 - Ariana performing No Tears Left To Cry at The Tonight Show Starring Jimmy Fallon 

010518 - Ariana performing No Tears Left To Cry at The Tonight Show Starring Jimmy Fallon 


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110614- Ariana performing at 102.7 KIIS FM’s 2014 Wango Tango

#kinbaku #shibari #bondage #bdsm #kirigami #kirigamitenshiko #redhair #redhead #ropetales #ropebonda

#kinbaku #shibari #bondage #bdsm #kirigami #kirigamitenshiko #redhair #redhead #ropetales #ropebondage #performance #snapshot #privateperformance #milan #tenshiko @tenshikowabisabi


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#ropetales #kirigamitenshiko #love #redhead #redhair #snapshot #rope #shibari #bondage #milan #kirig

#ropetales #kirigamitenshiko #love #redhead #redhair #snapshot #rope #shibari #bondage #milan #kirigami #kinbaku #tenshiko @tenshikowabisabi @kirigamiwabisabi #privatesession #privateperformance #performance


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