#retrofuturism

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This artblock is killing me so I’m shamelessly drawing pinups of very generic aliens.

This artblock is killing me so I’m shamelessly drawing pinups of very generic aliens.


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 “I chose an android because the android to me represents ‘the other’ in our society,” she said in 2 “I chose an android because the android to me represents ‘the other’ in our society,” she said in 2 “I chose an android because the android to me represents ‘the other’ in our society,” she said in 2

“I chose an android because the android to me represents ‘the other’ in our society,” she said in 2010. “I can connect to the other, because it has so many parallels to my own life – just by being a female, African-American artist in today’s music industry. … Whether you’re called weird or different, all those things we do to make people uncomfortable with themselves, I’ve always tried to break out of those boundaries.”

Dirty Computer opens with an ominous voiceover spoken by Monáe, who coldly informs us of the bleak reality we’re about to enter. “They started calling us Computers,” she intones. “People began vanishing – and the Cleaning began. You were dirty if you looked different. You were dirty if you refused to live the way they dictated. You were dirty if you showed any form of opposition at all.”

From Rolling Stone, Why Janelle Monae’s ‘Dirty Computer’ Film Is a Timely New Sci-Fi Masterpiece 


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3vecesporsemana: Waterproof. Junya Watanabe SS 2000. 3vecesporsemana: Waterproof. Junya Watanabe SS 2000. 3vecesporsemana: Waterproof. Junya Watanabe SS 2000. 3vecesporsemana: Waterproof. Junya Watanabe SS 2000. 3vecesporsemana: Waterproof. Junya Watanabe SS 2000. 3vecesporsemana: Waterproof. Junya Watanabe SS 2000.

3vecesporsemana:

Waterproof.

Junya Watanabe SS 2000.


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2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n2/2The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could n

2/2

The Enneads have to fight Apep, the arch-enemy of the sun god, Ra, a malevolent force who could never be entirely be vanquished. Apep has his own powerful cult, The Iconoclasts, and villains who are also from all over the globe and different walks of life (and time).

They travel the world on a Zeppelin called Mandjet! I just loved the idea of mythology being recontextualized! 

Part 1


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Douglas Chaffee cover art for sci-fi magazine Worlds of If, August 1968.

Douglas Chaffee cover art for sci-fi magazine Worlds of If, August 1968.


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Contemplation. In the present, look at the past and see the future

Contemplation. In the present, look at the past and see the future


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jessgaspar: high springs.posters and more available - shops in my bio :)

jessgaspar:

high springs.

posters and more available - shops in my bio :)


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a new project and a humble request

a new project and a humble request

I haven’t been blogging much over the course of the pandemic, but despite challenging times it has been a productive year for my studio work. I made a conscious choice to step away from illustrating nonfiction graphic novels, the bread and butter of my freelance, in pursuit of fictional storytelling and worldbuilding, a desire I’ve had since I started out as a freelancer about 18 years ago.

One…


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