#supporting actress

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 P⬤21Actriz de Reparto Ana de ArmasNo Time to Die Olivia ColmanThe Father Naomie HarrisSwan Song Dak P⬤21Actriz de Reparto Ana de ArmasNo Time to Die Olivia ColmanThe Father Naomie HarrisSwan Song Dak P⬤21Actriz de Reparto Ana de ArmasNo Time to Die Olivia ColmanThe Father Naomie HarrisSwan Song Dak P⬤21Actriz de Reparto Ana de ArmasNo Time to Die Olivia ColmanThe Father Naomie HarrisSwan Song Dak P⬤21Actriz de Reparto Ana de ArmasNo Time to Die Olivia ColmanThe Father Naomie HarrisSwan Song Dak P⬤21Actriz de Reparto Ana de ArmasNo Time to Die Olivia ColmanThe Father Naomie HarrisSwan Song Dak

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Actriz de Reparto

Ana de Armas
No Time to Die

Olivia Colman
The Father

Naomie Harris
Swan Song

Dakota Johnson
The Lost Daughter

Léa Seydoux
No Time to Die

Youn Yuh-jung
Minari


Actor de Reparto

Andrew Garfield
Spider-Man: No Way Home

Oscar Isaac
Dune

Alan Kim
Minari

Troy Kotsur
Coda

Shia LaBeouf
Pieces of a Woman

David Strathairn
Nomadland


Featured Actor

Ciro Capano
È Stata la Mano di Dio

Chang Chen
Dune

Oliver Jackson-Cohen
The Lost Daughter

Barry Keoghan
The Green Knight

Chris Lowell
Promising Young Woman

Charlotte Rampling
Dune

Molly Shannon
Promising Young Woman

Algee Smith
Judas and the Black Messiah

Iko Uwais
Snake Eyes: G.I. Joe Origins


Stunts / Choreography

Black Widow

Eternals

In The Heights

No Time to Die

Shang-Chi and the Legend of the Ten Rings

West Side Story



Ensamble

Eternals
Gemma Chan, Richard Madden, Kumail Nanjiani, Brian Tyree Henry, Ma Dong-seok, Barry Keoghan, Lauren Ridloff, Lia McHugh, Harish Patel, Bill Skarsgård, Kit Harington, Salma Hayek, y Angelina Jolie

The French Dispatch
Bill Murray, Benicio Del Toro, Adrien Brody, Tilda Swinton, Léa Seydoux, Frances McDormand, Timothée Chalamet, Lyna Khoudri, Jeffrey Wright, Mathieu Amalric, Stephen Park, y Owen Wilson

The Lost Daughter
Olivia Colman, Jessie Buckley, Dakota Johnson, Dagmara Dominczyk, Paul Mescal, Panos Koronis, Jack Farthing, Oliver Jackson-Cohen, Peter Sarsgaard, y Ed Harris

Minari
Steven Yeun, Ye-ri Han, Noel Cho, Alan Kim, Will Patton, y Youn Yuh-jung

No Time to Die
Daniel Craig, Rami Malek, Léa Seydoux, Ana de Armas, Lashana Lynch, Naomie Harris, Ben Whishaw, Rory Kinnear, Christoph Waltz, Jeffrey Wright, y Ralph Fiennes

Spider-Man: No Way Home
Tom Holland, Benedict Cumberbatch, Zendaya, Jacob Batalon, Willem Dafoe, Alfred Molina, Jamie Foxx, Thomas Haden Church, Rhys Ifans, J.K. Simmons, Benedict Wong, Tony Revolori, Charlie Cox, Marisa Tomei, Andrew Garfield, y Tobey Maguire


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“Bong Joon-ho’s knives are unquestionably out for the prosperous and prepossessing family of one-per“Bong Joon-ho’s knives are unquestionably out for the prosperous and prepossessing family of one-per“Bong Joon-ho’s knives are unquestionably out for the prosperous and prepossessing family of one-per“Bong Joon-ho’s knives are unquestionably out for the prosperous and prepossessing family of one-per“Bong Joon-ho’s knives are unquestionably out for the prosperous and prepossessing family of one-per

“Bong Joon-ho’s knives are unquestionably out for the prosperous and prepossessing family of one-percenters who become the unwitting dupes of a lower-class family’s cunning machinations in Parasite. But Cho Yeo-jeong triggers something other than disdain. As matriarch Yeon-gyo, the actress eliminates all irony and self-awareness from her performance, instead walking around in a lulling fog of blithe, dimwitted amiability, the personification of Bong’s idea that kindness is one of the only luxuries that the rich deign to share with those below them. Yeo-jeong is not playing a broad caricature of affluent vapidity but actual vapidity. Her character is a flibbertigibbet who has submerged any sense of an ego beneath the immediate concerns of home and family; there doesn’t seem to be an intimidating or interrogative bone in her body. Yeon-gyo’s inquiring, open-mouthed mien and artless, often idiotic inquiries in her scenes with the Kim family are never less than amusing, but they’re also unexpectedly pitiful because Yeo-jeong renders them with such peculiar wholeheartedness. By personating her character as someone fundamentally impaired by her social rank, the actress guarantees our critical sympathy, rather than our ridicule, and makes this class-conscious satire so much richer for recognizing the mortal insecurities of its well heeled targets.” — Matthew Eng

Memorable Moments from Great Performances of 2019

(Source:TribecaFilm.com)


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