#the lobster

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medusabraids:the lobster poster by vasilis marmatakis // dante and virgil in hell, (after william medusabraids:the lobster poster by vasilis marmatakis // dante and virgil in hell, (after william

medusabraids:

the lobster poster by vasilis marmatakis // dante and virgil in hell, (after william adolphe bouguereau) by irfan hasan


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just learned that elizabeth olsen could’ve been in yorgos lanthimos’ the lobster

this is my villain origin story

lmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimoslmxmhr:The Lobster (2015) dir. Yorgos Lanthimos

lmxmhr:

The Lobster (2015) dir. Yorgos Lanthimos


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thefilmstage:The Lobster Blu-ray is now available to pre-order ahead of an August 2nd release. Lis

thefilmstage:

The Lobster Blu-ray is now available to pre-order ahead of an August 2nd release.

Listen to our discussion.


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a-e-v-i-t-e-r-n-i-t-y:From the first day I saw her I knew she was the oneShe stared in my eyes and

a-e-v-i-t-e-r-n-i-t-y:

From the first day I saw her I knew she was the one
She stared in my eyes and smiled
For her lips were the colour of the roses
That grew down the river, all bloody and wild

The Lobster(2015)


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The LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo LenThe LobsterDOP –Thimios Bakatakis Format - Arri Alexa XT ArriRAW 3.4KLenses - Panavision Primo Len

The Lobster

DOP Thimios Bakatakis
Format - Arri Alexa XT ArriRAW 3.4K
Lenses - Panavision Primo Lenses
Aspect Ratio - 1.85 : 1
Delivery- Digital Intermediate 2K

Notable Strengths – Camera Movement, Slow Motion, Colour, Style, Composition, Use of Natural Light (All Natural Light), Leading Lines, Framing


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“it is more difficult to pretend that you do have feelings when you don’t than to pretend you don’t

it is more difficult to pretend that you do have feelings when you don’t than to pretend you don’t have feelings when you do.
the lobster (2015) / dir. yorgos lanthimos


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The Lobster (2015) - Yorgos Lanthimos.We developed a code so that we can communicate with each othThe Lobster (2015) - Yorgos Lanthimos.We developed a code so that we can communicate with each othThe Lobster (2015) - Yorgos Lanthimos.We developed a code so that we can communicate with each othThe Lobster (2015) - Yorgos Lanthimos.We developed a code so that we can communicate with each othThe Lobster (2015) - Yorgos Lanthimos.We developed a code so that we can communicate with each othThe Lobster (2015) - Yorgos Lanthimos.We developed a code so that we can communicate with each oth

The Lobster (2015) - Yorgos Lanthimos.

We developed a code so that we can communicate with each other even in front of the others without them knowing what we are saying. When we turn our heads to the left it means “I love you more than anything in the world” and when we turn our heads to the right it means “watch out, we’re in danger”. We had to be very careful in the beginning not to mix up “I love you more than anything in the world” with “watch out, we’re in danger”.


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Rachel Weisz - The lobster (2015)

amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of amatteroftiming:We’ve developed a code so that we can communicate with each other, even in front of

amatteroftiming:

We’ve developed a code so that we can communicate with each other, even in front of the others, without them knowing what we are saying. When we turn our heads to the left, it means, “I love you more than anything in the world.” And when we turn our heads to the right, it means, “Watch out, we’re in danger.” We had to be very careful in the beginning not to mix up“I love you more than anything in the world” with “Watch out, we’re in danger.”
The Lobster | Yorgos Lanthimos, 2015


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