#ukiyo-e

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Evening Cherry Blossoms at Gotenyama, by Utagawa Hiroshige (1831).

Cherry blossoms in a temple yard, by Hiroshi Yoshida (1935).

Cat etchings by Emi Sato (b. 1973), ‘Catching a star’ and ‘Dreaming’.

thekimonogallery:

oldtimejapan:

尾形月耕 「醍醐の花」

Ogata Gekko’s “Cherry Blossom Viewing”

Wisteria and Bee, by Shoda Koho (ca. 1930).

Flowers in a Stream, by Tsukioka Kogyo in the decorative Rimpa style (1900).

Avenue of cherry trees in full bloom, by Yoshida Hiroshi (1935).

Blossoming Plum Tree, woodblock-printed scroll by Utagawa Hiroshige (1847).

Heron in a storm, Ohara Koson (ca. 1930).

Pages from Nakamura Hochu’s Korin Gafu: puppies, cranes, plovers and waves.

The last page shows wildflowers and the publication date, 1802. The text reads: “Hochu drew this work at an inn near a reedy marsh in Edo.”

‘White Tree’ by Tadashige Nishida (2002).

bacchicbitch:

hello loves, i made a uquiz to determine which art movement you are

onna-musha: “Miyagino the filial”, (1847/1848 ?), Utagawa Kuniyoshi (1797-1861)Print from the series

onna-musha:

“Miyagino the filial”, (1847/1848 ?), Utagawa Kuniyoshi (1797-1861)

Print from the series “Stories of dutifulness and loyalty in revenge”. 

Depicts one of the two sisters who avenged their father during the 17th century. Their story inspired the kabuki play “Go Taiheiki shiraishi banashi” for instance. 

Here the older sister, Miyagino, is represented carrying both a naginata and a sake cup.


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onna-musha: “Kiyoshi Hikariin” (1876), Toyohara Kunichika (1835-1900)Print from the series “Thirty-s

onna-musha:

“Kiyoshi Hikariin” (1876), Toyohara Kunichika (1835-1900)

Print from the series “Thirty-six Good and Evil Beauties”

The princess Kiyoshi Hikariin draws her sword in order to avenge herself. The folding screen behind her is decorated with the mon (crest) of the powerful Tokugawa family, who ruled the shogunate during the Edo period.


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