Words can’t describe the excitement when you get one of your all time favorite records on vinyl after searching for 5 years… thank you Jeremy of Touché Amore!!
#vinyl #DefendPopPunk @manoverboardnj #vinylcollection #vinylrecords (at Suffolk County, New York)
Got this on fishpond.co.uk as it was sold out EVERYWHERE else, after seeing lots of bad reviews I was convinced it wouldn’t come and if It did the post office would charge fees, However, months later, the other day the postie dropped it at my door, no charges, so thankyou fishpond I guess
The Fortunate Isle kickstarter is at 75%!! 21 more days to go ️✨ thank you everyone who plegded or shared, i’m really happy we are so close already ❤️❤️
This is a PRE-ORDER - all orders with this item will ship after it is released March 15th.
“Things fade into obscurity when a populous has no interest” - Meitei / 冥丁
Meitei considers himself an old soul, often preoccupied with the customs and rituals of the past. Recently Meitei lost his beloved 99-year-old grandmother, a woman who he considered to be one of the last remaining people to have experience and understanding of traditional Japanese ambience. His music and art is driven by a desire to cast light on an era and aesthetic that he believes is drifting out of the collective Japanese consciousness with each passing generation, what he calls “the lost Japanese mood”. He chose to dedicate Komachi to his late Grandmother.
“I want to revive the soul of Japan that still sleeps in the darkness” - Meitei / 冥丁
Haunting and delicate, distant and timeless, Komachi is awash with white noise, complex field recordings and the hypnotic sounds of flowing water. Though confidently contemporary, like a bucolic J-Dilla, Komachi’s lineage can be traced back to the floating worlds of Ukiyo-e and Gagaku via the prism of 80s Japanese ambient pioneers, and 90s pastoral sample-based artists such as Susumu Yokota and Nobukazu Takemura.
Composed as individual sonic dioramas, each of the twelve tracks have been crafted to not only evoke feelings of nostalgia but to also explore the dichotomy of ancient and new in modern Japanese society. This pervasive narrative runs throughout, calling to mind the work of authors Yasunari Kawabata andNatsume Soseki, as well as the films of Yasujirō OzuandHayao Miyazaki, artists similarly fascinated by the reflective tranquillity that permeated traditional Japanese domestic life.
The limited vinyl release, produced in collaboration with label and distributor Séance Centre, includes a super limited special edition complete with beautiful twelve-page booklet featuring a number of prints in the Ukiyo-e style, a traditional style of woodblock print that dates back to 17th century Japan. The images were chosen by Meitei to showcase the old style Japanese sentiments that form a core inspiration to his musical output.
You can choose the version you would like in the drop down product menu, the regular version is limited to 350 copies, and the Special Edition with the booklet is limited to 50 copies.
All songs written and recorded by Meitei. Mastering by Brandon Hocura. Production and Distribution by Séance Centre. Art direction by Jack Hardwicke, Meitei & Métron. ‘Woman Admiring Plum Blossoms at Night’ Cover Artwork by Suzuki Harunobu.
Sad to hear of the death of electronic music pioneer Klaus Schulze, 4 August 1947 - 26 April 2022. A prolific composer and champion of German electronic music for five decades, he will be missed.
Heading out of my full length lp’s into my 10” collection, starting with this one by Antony and the Johnsons #antonyandthejohnsons #onerecordaday #music #records #vinyl #vinylcollection https://www.instagram.com/p/CKzXlgkh7i4/?igshid=k0ruoag6mux0
