#woodblock print

LIVE

Summer flower, by Shibata Zeshin (1880).

Onsen Range seen from Amakusa, by Kawase Hasui (1922).

Herons, by Ohno Bakufu (1888-1976).

Wisteria at Kameido, by Yoshida Toshi (ca. 1940).

Evening Cherry Blossoms at Gotenyama, by Utagawa Hiroshige (1831).

Cherry blossoms in a temple yard, by Hiroshi Yoshida (1935).

Cat etchings by Emi Sato (b. 1973), ‘Catching a star’ and ‘Dreaming’.

thekimonogallery:

oldtimejapan:

尾形月耕 「醍醐の花」

Ogata Gekko’s “Cherry Blossom Viewing”

Wisteria and Bee, by Shoda Koho (ca. 1930).

Flowers in a Stream, by Tsukioka Kogyo in the decorative Rimpa style (1900).

Avenue of cherry trees in full bloom, by Yoshida Hiroshi (1935).

Blossoming Plum Tree, woodblock-printed scroll by Utagawa Hiroshige (1847).

Heron in a storm, Ohara Koson (ca. 1930).

Pages from Nakamura Hochu’s Korin Gafu: puppies, cranes, plovers and waves.

The last page shows wildflowers and the publication date, 1802. The text reads: “Hochu drew this work at an inn near a reedy marsh in Edo.”

‘White Tree’ by Tadashige Nishida (2002).

Owl and Cherry Branch by Hirose Bihō, c. 1910

Owl and Cherry Branch by Hirose Bihō, c. 1910


Post link
onna-musha: “Kiyoshi Hikariin” (1876), Toyohara Kunichika (1835-1900)Print from the series “Thirty-s

onna-musha:

“Kiyoshi Hikariin” (1876), Toyohara Kunichika (1835-1900)

Print from the series “Thirty-six Good and Evil Beauties”

The princess Kiyoshi Hikariin draws her sword in order to avenge herself. The folding screen behind her is decorated with the mon (crest) of the powerful Tokugawa family, who ruled the shogunate during the Edo period.


Post link
loading