#agnes varda

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tvln:nausicaa (fr, varda 71) tvln:nausicaa (fr, varda 71) tvln:nausicaa (fr, varda 71) tvln:nausicaa (fr, varda 71)

tvln:

nausicaa (fr, varda 71)


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From Le Petit Amour (Agnes Varda, 1988)From Le Petit Amour (Agnes Varda, 1988)From Le Petit Amour (Agnes Varda, 1988)

FromLe Petit Amour (Agnes Varda, 1988)


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Contribution Agnès VardaPiero della Francesca / L’adoration du bois sacré par la reine de Saba / ca.

Contribution Agnès Varda

Piero della Francesca / L’adoration du bois sacré par la reine de Saba / ca. 1542

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Agnès Varda / La Pointe courte / 1955

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Portrait de Philippe le Bon / d’après Van der Weyden (?) / 1451-1500


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Faces Places (2017) | dir. Agnès Varda, JR

discourir (:parler longuement, de façon ennuyeuse ou avec affectation)La Pointe Courte (1955), dir. discourir (:parler longuement, de façon ennuyeuse ou avec affectation)La Pointe Courte (1955), dir. discourir (:parler longuement, de façon ennuyeuse ou avec affectation)La Pointe Courte (1955), dir. discourir (:parler longuement, de façon ennuyeuse ou avec affectation)La Pointe Courte (1955), dir.

discourir (:parler longuement, de façon ennuyeuse ou avec affectation)

La Pointe Courte (1955), dir. Agnès Varda


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ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985Sandrine Bonnaireozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985Sandrine Bonnaire

ozu-teapot:

Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985

Sandrine Bonnaire


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cinematicjourney:

The Gleaners and I (2000) | dir. Agnès Varda

ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985 ozu-teapot: Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985

ozu-teapot:

Sans toit ni loi (AKA Vagabond) | Agnès Varda | 1985


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FACES PLACES (Agnes Varda & JR, 2017).FACES PLACES (Agnes Varda & JR, 2017).FACES PLACES (Agnes Varda & JR, 2017).

FACES PLACES (Agnes Varda & JR, 2017).


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Cleo from 5 to 7 (1962) dir. Agnès VardaCleo from 5 to 7 (1962) dir. Agnès Varda

Cleo from 5 to 7 (1962) dir. Agnès Varda


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sheherazade-deactivated20210507:

quotes that help me survive:

  • “You are not lost. You are here. Stop abandoning yourself. Stop repeating this myth about love and success that will land in your lap or evade you forever. Build a humble, flawed life from the rubble, and cherish that. There is nothing more glorious on the face of the earth than someone who refuses to give up, who refuses to give in to their most self-hating, discouraged, disillusioned self, and instead learns, slowly and painfully, how to relish the feeling of building a hut in middle of the suffocating dust.” — Heather Havrilesky, Ask Polly
  • this tumblr text post:
  • “To live in this world you must be able to do three things: to love what is mortal; to hold it against your bones knowing your own life depends on it; and, when the time comes to let it go, to let it go.” — Mary Oliver
  • From an interview with Kazu Makino:
  • Instructions On Not Giving Up, Ada Limon:
  • And this poster by Yumi Sakugawa
  • “You have to believe, in your heart, that even if you don’t work hard and exercise and think positive thoughts and make new friends and march triumphantly into the future, you are still enough. You will always have bad days. Being broken doesn’t make you a loser. You can crumble, and you will still be enough. Make that your religion moving forward. You are here to feel this moment. You are not here to become someone better. You are not here to impress or compete. You are not here to prove yourself. You are here to savor this life. Let down your guard. You are already enough. Believe it.” — Heather Havrilesky
  • “The first feminist gesture is to say: “Ok. They’re looking at me. But I’m looking at them.” The act of deciding to look, of deciding that the world is not defined by how people see me, but by how I see them.” -Agnès Varda
  • lyrics from the song Grow by The Oh Hellos:
  • “The world’s otherness is antidote to confusion, that standing within this otherness—the beauty and the mystery of the world, out in the fields or deep inside books—can re-dignify the worst-stung heart.” — Mary Oliver
  • “I hope you will go out and let stories, that is life, happen to you,and that you will work with these stories from your life–not someone else’s life–water them with your blood and tears and your laughter till they bloom, till you yourself burst into bloom. That is the work. The only work.” — Clarissa Pinkola Estes
10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri10 Inspirational Women In FilmKathryn Bigelow (Director)Chantal Akerman (Director), Sara Driver (Wri

10 Inspirational Women In Film
Kathryn Bigelow (Director)
Chantal Akerman (Director), Sara Driver (Writer/Director), Maya Deren (Director)
Reed Morano (Cinematographer)
Agnes Varda (Director), Lynne Ramsay (Director), Catherine Breillat (Director)
Shirley Walker (Composer), Wendy Carlos (Composer)



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A 26-year old Agnès Varda on the set of La Pointe Courte in 1955 graces the poster for the 2019 Cann

A 26-year old Agnès Varda on the set of La Pointe Courte in 1955 graces the poster for the 2019 Cannes Film Festival


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image

Agnes Varda and JR’s documentary film Faces Places(Visages Villages) has taken the Golden Eye prize, which recognizes a documentary from across all sidebars.

The prize was awarded by a jury of French actress Sandrine Bonnaire, Oscar-nominated The Tsunami and the Cherry Blossom director Lucy Walker, Oscar-nominated The Gatekeepers director Dror Moreh, Toronto Film Festival programmer Thom Powers and film critic Lorenzo Codelli.

The Golden Eye, or L’Oeil d’Or, is awarded to the best documentary across all official selections with the French Writers Society. It was initiated in 2015 with the support of the festival and awards the winning director €5,000 prize.

Faces Places will have a theatrical release in the US this fall.

Full story at The Hollywood Reporter.

agnès varda

shihlun:Agnes Varda, “Sophia Loren em Portugal” Povoa de Varzim, 1956.

shihlun:

Agnes Varda,“Sophia Loren em Portugal” Povoa de Varzim, 1956.


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yama-bato:agnes varda sculptures Sète, sculpture sur la plage de la corniche, 1958  https://www.pi
365filmsbyauroranocte: Du côté de la côte (Agnès Varda, 1958)DOPs : Agnès Varda, Hélène Louvart, A365filmsbyauroranocte: Du côté de la côte (Agnès Varda, 1958)DOPs : Agnès Varda, Hélène Louvart, A365filmsbyauroranocte: Du côté de la côte (Agnès Varda, 1958)DOPs : Agnès Varda, Hélène Louvart, A365filmsbyauroranocte: Du côté de la côte (Agnès Varda, 1958)DOPs : Agnès Varda, Hélène Louvart, A365filmsbyauroranocte: Du côté de la côte (Agnès Varda, 1958)DOPs : Agnès Varda, Hélène Louvart, A365filmsbyauroranocte: Du côté de la côte (Agnès Varda, 1958)DOPs : Agnès Varda, Hélène Louvart, A

365filmsbyauroranocte:

Du côté de la côte (Agnès Varda, 1958)

DOPs : Agnès Varda, Hélène Louvart, Alain Sakot, Arlene Nelson, Julia Fabry, Jean-Baptiste Morin


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