#animated films

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The hawk from Rango, ballpoint pen sketch

Decided to try using ballpoint pen in my sketchbook for the first time and was able to whip this out with no reference in about 5 minutes. The hawk is one of my favorite animal characters of all time and to this day one of the most realistic looking birds in an animated film.

myothertardisisonthemun:

winterserpent:

screamingscorpionstuff:

Old Disney and Pixar movies be like: you have trauma because your parents are dead

New Disney and Pixar movies be like: you have trauma because of your parents

Before: Trauma for having no parents

Now: Trauma for having parents

The real question, is how can we use this trend to predict the future? What will 2040 Disney be like?

By this logic it’s either the parents being traumatized for having a dead child or parents being traumatized for having a child

screamingscorpionstuff:

Old Disney and Pixar movies be like: you have trauma because your parents are dead

New Disney and Pixar movies be like: you have trauma because of your parents

Before: Trauma for having no parents

Now: Trauma for having parents

gominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wrgominshi:In the name of the wind and water within thee, unbind her. Spirited Away 千と千尋の神隠し (2001) wr

gominshi:

In the name of the wind and water within thee, unbind her.
Spirited Away 千と千尋の神隠し (2001) written and directed by Hayao Miyazaki


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I drew Gogo in a kimono while waiting for files to render out. I’m really loving Manga Studio!

I drew Gogo in a kimono while waiting for files to render out. I’m really loving Manga Studio!


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Beavis and Butt-head Do America (1996)Rotten Tomatoes: 72%IMDb: The dimwitted teen duo of Beavis and

Beavis and Butt-head Do America (1996)
Rotten Tomatoes: 72%
IMDb: The dimwitted teen duo of Beavis and Butt-Head travel across America in search of their stolen television set.


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Happy Halloween, my fellow Vincent Price lovahs! Time now for my final delicious, demonic VP movie review of the month:

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TRY not to pee your pants.

I would be remiss if I got all the way to the end of October without reviewing this amazing gem of a movie – after all, it holds a special place in my dead-man-lovin’ heart: The Great Mouse Detective was the first Vincey movie I ever saw. 

That’s right, homies. I’m a certified child of the nineties and I spent many a countless hour in the second grade reenacting scenes from The Great Mouse Detective with my friends on the playground. Truth, y’all.

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As most of you fanatics already know, The Great Mouse Detective was released by Disney in 1986. Vincey voices the nefarious Professor Ratigan (aka: the rodent version of Moriarty), and lemme just say: the man was born to play this role. He’s simply one of those rare and gifted actors who can pull off the cartoony thing – effortlessly! And the fact that the movie is animated only serves to highlight his one-of-a-kind voice. Especially when he does that adorable puppy dog thang with it (y'all know what I’m talkin’ about!).

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To add to the scrumptiousness of this role, Vincey even does his own singing! Twice! First in The World’s Greatest Criminal Mind, an unforgettable song and dance number with music by Henry Mancini (namedrop!), and second in Goodbye So Soon (“you followed me, I followed you, we were like each other’s shadows for awhile” – yeah, I’ve had those lyrics stuck in my head every day for the past fourteen years).

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A few of my favorite Professor Ratigan quotes (these prrrrrobably won’t make any sense to you unless you’ve seen the movie – and if you haven’t, you got bigger problems on your hands, mah friend): 

“Thank you, thank you…but it hasn’t always been champagne and caviar…" 

“Youwill remember to smile for the camera, won’t you?”

And my number one favorite Ratigan line of all time:

“Oohhhhh, you want to lighten the loaddddd?”

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Seriously folks, watch this film if you want to study how to be a deliciously evil, fun-as-hell-to-watch movie villain. The character of Ratigan is one of the more complex, and therefore more intriguing, Disney villains to date, and the uniqueness of this character is also one of the things that set this movie apart from most Disney films in general. I love characters who are conflicted about who they are, who are trying to suppress their true selves in order to be accepted. And let’s face it: how much more genius can you get than a “foul stenchus rodentus sewer rat” (“dooon’t say it!”) pretending to be an upper-crust mouse? Knowing that this character has had to fight an internal battle all along makes the climactic Big Ben clock tower scene, in which Ratigan finally allows his dark side to emerge, all the more fascinating to watch.  

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I adore this movie and I always will. Not just because it was my first Vincey movie ever, but because it manages to encompass all of the things that made Vincent Price the unique and unforgettable actor he was. 

Concept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The PastoraConcept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The Pastora

Concept art for Fantasia (1940) of the Naiads that was deleted from the final segment in The Pastoral Symphony.


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