#blue boy
Voltron Paladins - Distant Planets Aesthetic
I really like how those turned out. You can find them on my [redbubble] ✨
Post link
[holding hands]
lance: bb ur hand is so cold
keith: that me knife
Like tbh if Klance becomes canon I don’t want it to be at the very end of the show like with Korrasami, I want it to be maybe like, about halfway through the series or even earlier so that we actually get to see how their relationship progresses and grows and how they go from being Awkward Bfs to Would Literally Fight The Fucking Sun For Each Other. I just wanna see a cute Blossoming Gay Love okay like that can’t be too much to ask right.
Can we please just acknowledge the fact how fucking HOT LANCE LOOKS IN THIS PHOTO !!!!!!!!!!!!!!!!!!!!!!!
Post link
Gustave Courbet(1819-1877)-Still-Life with Apples, Wine, Chestnuts and Pears_Koller Auctions September 28, 2018
Post link
The#ProjectBlueBoy gallery experience is almost complete. For the last few months, conservator Christina O'Connell has been working on inpainting, a process in which new conservation colors are added to areas where the original paint is lost or missing.
As part of the ethics involved in the profession, any paint added by the conservator is easily reversible and separated from the original surface of the painting by a layer of new varnish; and the conservation colors added during inpainting are carefully mixed to match in color, texture, and transparency.
To see the delicate process in person, stop by this Thursday for the final day of scheduled conservation work in the gallery. Starting Oct. 1, Blue Boy will be off view and in the conservation lab for final analysis and inpainting. More details here: https://www.huntington.org/project-blue-boy
Post link
After a stay in the conservation lab for some delicate repairs to the painting’s canvas lining, Phase 2 of #ProjectBlueBoy is complete! Here’s a closer look at some of the treatments Blue Boy underwent:
To repair the torn and fragile areas of the tacking edges of the canvas, conservator Christina O’Connell carefully realigned the tiny frayed and torn threads. This type of thread by thread mend honors the original structure of the canvas.
To reattach portions where the original canvas was separating from the support lining, O’Connell added adhesive between the layers. Work was also done to repair cracks and splits found in the wooden stretcher.
Before moving back into the gallery, O’Connell took photographs of Blue Boy, as written and photographic documentation are an important part of the conservation process.
Next up: Inpainting in the gallery! O’Connell will be reintegrating areas of past loss and damage to the painting during Phase 3. For more details on the project and to see the in-gallery conservation schedule, check out huntington.org/projectblueboy.
painter!yoongs
