#character philippa georgiou
Study after the Emperor’s Portrait of Captain Georgiou
[Image description: a red and blue painting of Emperor Georgiou with Philippa Georgiou’s head in her lap. The Emperor is in full imperial regalia, staring impassibly before her. A harsh cold light falls from above on her face, armour and hand, highlighting skull, ribcage and knuckles. Her hand is held over Philippa’s eyes. Philippa is screaming. End description]
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When I love
I become liquid light
invisible to the eye
and the poems in my notebooks
become fields of mimosa and poppy.
— Nizar Qabbani
[Image description: an illustration of Philippa Georgiou and Michael Burnham in Shenzhou’s quarters. Bathed in the orange light from the windows and the blue light from the ship, they are kissing with passion. In a plain strapless bra and uniform trousers, Philippa pulls Michael towards her, a hand on her neck. Michael only has her uniform jacket on, revealing plain white shorts and a strapless bra. She is tugging Philippa’s trousers open. End description]
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Ah yes. Me. My Captain. And her 20-year old two-foot tall Samoyed.
[Image description: a drawing of Michael Burnham on the Shenzhou’s bridge. She is looking in the distance as Philippa Georgiou can be seen on the Captain’s chair holding a huge Samoyed dog in her arms. End description]
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“Okay…” Michael whispers. “Okay.”
Her arms twitch at her sides, her fingers work. She leans forward on the balls of her feet, open yearning written on the soft planes of her beautiful face, and it’s clear to anyone with eyes what she wants.
It breaks Philippa’s heart to be the one to deny it to her, and further stomps on the pieces in that she must deny it to herself as well.
— The Opposite of Hate, Chapter 37 : Old Friends
[Image description: a drawing of Michael Burnham and Philippa Georgiou from the shoulders up. In the foreground, Philippa’s profile is lit by a pale blue light. Her expression is focused, closed-off; she is avoiding Michael’s gaze. In the background, Michael is staring at her with a pained expression. She is bathed in the same cold light and wearing her uniform. End description]
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In the Crepusculan language, Assa taught her a word expressing the regret that a moment passing cannot be enjoyed to its full extent, its scope being too large. They used it to refer to the storm in the morning, and Michael pointed out the storm lasts forty-six revolutions, eighty-nine years, and that day rose every thirty-six hours. Assa did not understand Michael’s numbers and repeated the interlocked movement and accompanying purr.
She did not grasp their point then.
— Sand and Water, Chapter 18: First Light
[Image description: a digital painting of Michael Burnham and Philippa Georgiou from the shoulders up. Leaning in to kiss, eyes half-closed, they are bathed in a soft golden light and particles are dancing around them. Michael’s hair is short, slightly longer than when she stepped on the Discovery.Philippa’s hair is cut over her shoulders,with white strandspeekingout.They areboth wearing dark loose blouses. End ID]
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probably not taking this anywhere, but baby Philippa Georgiou, am I right?
[ID: a black and white sketch of a young Philippa Georgiou in her uniform from the chest up. She is sitting at a table, elbows propped up and fingers interwined. She is looking toward the viewers with a mischievous expression. Her hair is untied and long, slightly messy. End ID]
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little milippa thing I will rework the composition of, but I liked the tenderness of the pose as it is now.
[ID: sketch of Michael Burnham and Philippa Georgiou from the chest up. Michael is sitting, eyes closed, expression peaceful, with a hand to her chest. From the back, Philippa is leaning toward Michael and studying her face with a faint smile. Her forehead is pressed against Michael’s and her hand is holding Michael’s. They are both wearing simple t-shirts. Philippa’s hair is in a ponytail and Michael wears short coily hair. End ID]
“Hiding, but maybe hoping to be found.“
for ‘Captain Georgiou January - February’@wearecaptaingeorgiou
[ID: digital painting of a younger Philippa Georgiou sitting with her elbows on a large table, hands interlaced under her chin as her eyes gleam in mischief. At her side sit Katrina Cornwell and Christopher Pike, both lost in concentration. The table is dark and its surface shiny, reflecting Philippa’s face and a sky full of stars. A lone pen and PADD lie on the table. In the background, stylised silhouettes are talking. End ID.]
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[Image description: a digital drawing of Captain Philippa Georgiou from the upper leg up, standing in her ready room filled with personal objects and bathed in blue light. Wearing a Starfleet uniform, she is leaning over a conference table on which various papers and photos are scattered. She is looking expectantly toward the observer with a faint smile. Her hands show a banner reading “Submit your work to the Captain Georgiou Fanbook.” On another paper appear the twitter logo followed by “werecptgeorgiou” and the tumblr logo followed by “wearecaptaingeorgiou.” End description]
To celebrate Philippa Georgiou’s telescope making it 930 years into the future, join us to celebrate Georgiou’s spirit in the present!
⭐️ All content types welcome (except fanfic and its close equivalents). Writing! Nail art! Recipes!
⭐️ All languages welcome
⭐️ Can be new or previously-posted contentSubmission deadline still TBD due to the global health crisis, but probably early 2021! (Feedback welcome; please ping us about when would be a workable deadline for you.)
More info and submit: @wearecaptaingeorgiou
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Personal log. Captain Philippa Georgiou. Stardate 1104.8.
The rescue mission aboard the Dirac proved more challenging than expected even after Michael’s successful (and death-defying) Hail Mary. Because of the significant damage sustained by the outer hull, we may have to tow the ship home with most of her crew aboard the Shenzhou.
Saru is not ecstatic about the idea. The crew is accomodating but already cramped.
On the bright side, Michael discovered naps.
[Image 1 description: a digital drawing of Michael Burnham and Philippa Georgiou from the chest up against a plain orange background. They are sitting side by side, wearing their uniform. Michael is resting her head against Philippa’s shoulder, while Philippa is leaning on the top of Michael’s head. Their eyes are closed and their faces relaxed. End description]
[Image 2 description: a close-up of the first image, focusing on Michael and Philippa’s faces in rest. They are relaxed, bathed in soft orange light. End description]
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