Certainly an unsubtle option. This operator, despite her appearance, is one of the first commissioned in the program and the sole reason fully integrated healing was completely abandoned. While it does make an operator relentless and nearly impossible to eliminate, it has the drawback of strictly regulating their biochemical reactions.
If you have a particularly thrill-seeking operator, overcoming that regulation can result in dangerous and erratic behavior.
Not to mention the liability of extremely effective assets not having an expiration date.
All that said, this operator is best utilized by pointing her in the general direction of your enemies and letting her loose. And is particularly effective at eliminating heavily entrench enemy command personnel as long as covertness is not essential to the operation.
Regardless of interest, it is always prudent to track this operator’s AO. If you find yourself in a particularly vulnerable scenario, it may be worth hiring her services to be deployed elsewhere. She may carry a high price but the investment is preferable to having her kick in your office door.
************ Just a little OC stuff from the long weekend
This Queen is one who prefers to deal in concrete facts and experiences over dreamy ideas and theory. Like Extraverted Sensation types, as an ISJ her perceptions are based on her experiences, however instead of reacting and adapting to these perceptions (Anna ESFP), Elsa internalizes them. These experiences build up her identity.
Her dominant introverted sensation perception is best exhibited in her perception of her powers throughout the two films. At first Elsa plays around with her powers with Anna. As her powers make Anna happy, Elsa is happy with her powers. However, once she hurts Anna and her parents react negatively to her powers she learns from this experience to fear her own powers the way her parents do. She internalizes this experience beyond any outside person’s intentions. She represses it and pushes it down to a point of wearing gloves and continuing to seclude herself after her parents are no longer forcing her isolation.
Once her powers start to go out of her control she doesn’t try to learn about her powers or about where they came from. She isn’t seeking a deep meaning. Instead she decides to further isolate herself even from Anna. Her experience has continually taught her that the only way to keep others safe is to stay away from them. Therefore she makes her own ice castle where she can fully use her powers but in no way can she hurt others with them. At least that is what she thinks. It takes being pulled outside of herself and seeing the bigger picture to come back. Her connections with people saves her. But clearly this was a temporary fix because she doesn’t truly address her power in Frozen.
It takes being shaken and forced out of her comfort zone to truly confront the mysteries of her powers and break her home life routine in Frozen II. This is something she wants to do, but is scared and hesitant of. She isn’t looking for some great adventure as she is comfortable and safe in the predictability of her routine. Not until she leaves her home and collects more positive experiences with her powers is she able to change and accept who she is fully. Elsa needs this experience to change her mind. She isn’t one to rely on troll prophecy or wishful thinking.
SECONDARY FUNCTION: EXTRAVERTED THINKING [Te]
When judging a situation Elsa is far more comfortable with logic rather than working with people. She works specifically with extraverted logic which is grounded in accepted and shared knowledge. This gives Elsa a sense of control, which is huge to her character. She needs to feel in control of herself and the world around her. She doesn’t like to appear out of control to anyone. It is part of what contrasts her with Anna so much. Anna is all about getting out and having new experiences. She takes risks. Elsa does not like being seen as someone who would just let something happen to her like that.
Elsa does not have the best tact. We see that when she verbalizes her thoughts and opinions she isn’t always thinking of the social harmony of it all. Her instinct isn’t diplomacy or navigating the social norms of a situation. She is sharp to Anna about what is best for both of them. Always the practical one, she doesn’t have time for Anna’s flights of fancy at the beginning of Frozen. The more in emotional turmoil she is, the less comfortable she is with her own feelings. This leads are to be harsher to those around her.
Another aspect of Te we see in Elsa, is her search for finding a role. She wants to be able to use her gifts to help. She initially thinks this is as queen, but it doesn’t sit right. Through her experiences into the unknown she finds what that role truly is. Not until she feels useful in her new role as the in-between of spirits and humans is she fully realized. As an ISTJ, she finds herself calmer and more confident now that she has found a way for her gifts to be used.
TERTIARY FUNCTION: INTROVERTED FEELING [Fi]
Although Elsa can come off as logical she is a well of deep emotion as well. Because it is lower in her functional stack and is focused inward, being an introverted function, her emotions and feelings are largely unseen on the outside. It can be hard for those who don’t know her intimately to know if she is doing okay or not.
However, Elsa often gets her Fi confused. We see this the most in the first film. Her over reliance on Fi rather than Te judgement is what brings us to her self isolation. First she takes in her experiences with Si, her inferior Ne scares her, and instead of going to her Te she recedes into Fi judgment. This is tricky, because it fuels her Si perceptions that grant her comfort in isolation. She thinks it is the moral thing to do. Elsa becomes stubborn in the idea that this is the good thing to do and that she will only cause harm to others. The feeling of being morally right guided simply internally and not by anything or anyone outside herself really shows itself in how much she digs her heels in to stay away from everyone.
INFERIOR FUNCTION: EXTRAVERTED INTUITION [Ne]
Elsa has a particularly difficult time with change. Don’t get me wrong, once she internalizes the change through her other functions she is open to a new path, but she initially struggles with the chaotic world around her altering. As things initially started to change with her and her sister being able to leave the palace grounds, she sticks to isolating herself and the familiar. She finds comfort in the predictable. Which makes her repression of her powers all the worse as they start coming out.
As an ISTJ, Elsa can feel comfortable going inward when really it is outward that she should really be looking. Because of this she misses her sister trying to reach out to her. A huge part of her journey throughout both films is being more comfortable with the external world and the meanings hidden within it. We see her really engage with her inferior Ne journey in the second film. Although it was experience that pushed her to it, she learns where her powers come from and what they mean. This was crucial to her finding happiness but was not something that came innate to her.
We see her embrace an Ne perspective by the end of the second film as she accepts her role and the amount she can control within it. Although it is great she found her way to her role in the forest, a big part of that was letting go of control of the kingdom and Anna. She had to learn what she can’t control the world around her and she can’t keep overly controlling herself to find comfort. She learns to accept the external world that has meaning outside of herself.
*Attire- (Human) Black skirt, Tights, Dark purple sweater, Black jacket (Monster) Purple shirt, Long black coat, Black jeans, Purple scarf
*Weapon- Magic
*Extra- (Monster) Diagonal top right crack on her right eye
*Age- 20
Family- W. D. Gaster (Father)
Background- Verdana is a Monster-Human hybrid. She has both the soul of a monster and human and can switch about between human and monster, although her right hand is still in monster form in case an emergency arises while going about as a human.
She is a bit socially awkward, though she speaks her mind and even sarcastic wjen she’s comfortable with someone. After an incident at a young age, Gaster took her out of school and she grew up caged in with no one to associate with other than her father and her Gaster Blasters.
But soon her father sends her on a mission and soon she has to step out into a world she had been forced to abandon so many years ago.
When he touches someone, he can exchange “the information that the other person wants the most from him” with “the information he wants most from the other person.”
Age: Unknown
Birthday: Unknown
Height: 177cm
Weight: 62kg
Blood Type: Unknown
Likes: casino, high places, talents, cookies
Dislikes: desert, empty stomach, people who approach him to take advantage of him
<Character profile translated from Vol. 18 of Bungou Stray Dogs manga>
Official concept art of the main character Catnip, courtesy of @mao-art! Catnip is the magical witch who has run the Pastel Patisserie for over 200 years. Her favorite scent is fresh mint!
Today is also Catnip’s birthday! Let’s all wish her a happy birthday. <3
Pastel Patisserie is a free to play idle game for Android and iOS currently in development.
Don’t worry, this is just another developer drawing. I’ve been playing around with the main character’s profile. Catnip is the 200 year old witch who runs the Pastel Patisserie. She loves cute girls and she’s as wise as she is spacey.
Pastel Patisserie is a free to play idle game for Android and iOS currently in development.
Due to the dangerous nature of her natural magic Fiona relies on the energy of the Lightforce to fuel most of her spells.
The Darkstorm:
The Darkstorm is a magical anomaly that was created when the World-Seed, a magical artifact designed with knowledge of Chaos Magic by Fiona’s great great grandmother and her coven, was ruptured prematurely and corrupted by Chthon when the witch betrayed her agreement with him. To prevent the power of the corrupted magic from consuming the world the witch took it into herself. The power went silent after and it was forgotten by the proceeding generations until it reemerged in Fiona and destroyed her village.
The Darkstorm is capable of warping reality around it and can sustain itself indefinitely by feeding on the innate chaos of the universe if not contained. It can also siphon the energy of living things to extend the life force of its host.
❝catherine cullen, born out of wedlock to the late carlisle cullen and elspeth fynch, was born late spring of 1664. presently in the year of 2015, catherine cullen, the ancient being that she is, is extremely tired of bella swan’s monster-fucking ways.❞
I finally got around to redoing the original character chart since the previous version from 2015 sorta looked like a disorganized mess, it’s almost empty, the images used don’t match, and half of the info is outdated.
So yeah don’t go back to the original version, it’s no longer canon to my story, this up here is the final true version of the character chart I wanted to use.
I also removed Neashi’s parents since we don’t see them much(due to being deceased at the start of the story), that and I plan to do a remake of them soon.
I also replaced Zexion with Nemu since the former was murdered by the time she and Neashi entered the Organization, so he’s not really important here(sorry Zexion fans).
Drawings belongs to Tetsuya Nomura Nemu and Neashi(characters and drawings) belong to me.
Mallory Larue is the main character in this fantasy book series. In a world where most people are either Volvar, spellcaster, or Varang, those who lack magic entirely, Mallory is a rare Viken. A Cursebreaker.
Cursebreakers are the only being in Verlad who can alter a spell once it has latched onto a subject, but the magic of Verald has a life of its own, and it doesn’t like being tampered with. Because of how magic lashes out, practicing the art of Cursebreaking is dangerous, but highly sought after.
Mallory has spent her life hiding what she can do, at the urging of her mother Leda Larue. Leda and Mallory have kept her abilities a secret, and protected MAllory from those who would use her, by playing the part of simple barmaid. Daughter of the local fletcher. And nothing more.
That is until her childhood friend, Torval, returns home after several years, and admits to her that his curse has begun to morph. He doesn’t want her help, he says, but for how long can Mallory watch her oldest friend suffer without intevening?
Even if it might drawn the attention of other cursed creatures…
![ELSA FROM FROZEN [ISTJ] “The Examiner”DOMINANT FUNCTION: INTROVERTED SENSATION [Si]This Queen is one](https://64.media.tumblr.com/9f615dd037f3a21b459add6c39102ad3/a3e725c51d7d1767-ac/s1280x1920/b35af7f64f97132b89238a79b7cbd38ce63709ab.png "ELSA FROM FROZEN [ISTJ] “The Examiner”DOMINANT FUNCTION: INTROVERTED SENSATION [Si]This Queen is one")
