#complete
Unveiling Emotions was a contest hosted on Quizilla by MinkyBlue a long time ago. While each fic can technically be read on their own, I highly recommend reading them all in order even if you don’t know the fandom, since they are kind of interconnected. This is a reader insert series, but the reader doesn’t appear in the first fic or so.
Status: Complete/Uploading
- #1Rain ~ Tsunayoshi S. (Katekyo Hitman Reborn) & Kiba (Wolf’s Rain) / slice of life, fluff
- #2River ~ Tsunayoshi S. (Katekyo Hitman Reborn)
- #3Ice Cream ~ Tsunayoshi S. (Katekyo Hitman Reborn) & Reader
- #4Passionate ~ Ryohei S. (Katekyo Hitman Reborn) & Light Y. (Death Note)
- #5Sparks ~ Haru M. (Katekyo Hitman Reborn) & Reader
- #6Key ~ Ichigo K. (Bleach), Kyoya H. (Katekyo Hitman Reborn) & Reader
- #7Desire ~ Tsunayoshi S. (Katekyo Hitman Reborn) x Reader
- #8Letter ~ Ichigo K. (Bleach), Dino C. (Katekyo Hitman Reborn) & Reader
- #9Influence ~ Ken J., Mukuro R. (Katekyo Hitman Reborn) & Reader
- #10Sunset ~ Bleach, Katekyo Hitman Reborn, Death Note & Reader
“Behind me, not whispering, but low, his voice spills down my collar… and I’m not prepared for it, not braced, not ready for the unshaven fall of it, for the red ivy crawl of it down my spine. I am wet wood thrown in the flames when he says my name. I am taken apart by his tone, I am smoking all over, I want to be split open by that voice, I want to be bent over and driven in that fire.”— Peregrine
Mary-Kim Arnold
I dislike uncertainty. Take no pleasure in the element of surprise.
I’ll carry the clipboard and checklists around
at my own birthday party. No need to leave anything to chance.It was my son’s idea of course. There was a plastic pirate out front
and the promise of treasure at the end. I paid, then
shuffled behind, his voice ringing out, follow me—All glass and mirrors. I saw myself reflected a thousand times
all of them weary, impatient. Some days motherhood is just
din and obstacle. I was thinking aboutthe letter I had received. Another dead end
in my family search. No contact information, no forwarding address.
No one—no one—had been looking for me.At a certain point, I stopped trying. Extended my arms and felt
along the walls for edges. It was cheating maybe but plodding along
without pleasure or intent doesn’t get you to the end any faster.It’s been forty-five years. My mother, my father, they
are not getting any younger. Perhaps I waited too long. Perhaps
if I had started earlier there would have been other options. Otherpeople to reach out to. I read once in my file that I had
a “very good memory,” that I memorized the names
of all the neighborhood dogs. I would like to know them now.I saw him before he saw me. He was looking around and pacing
not panicked yet but on the verge. I stopped and watched him for as long
as I thought he could bear. He turned when I emerged at lastand ran up and showed me the flag he had won
for making it through first. You were so slow, he told me. It was so
easy. Next time, don’t take so long.
a few words for joan
Island in the Sky
i got your letter
still warm
arrived by hummingbird
early this morning
postmarked
with a sigh
from the island in the sky
jk
I open myself
& let out
a dawdling roar.
a prehistoric yawn.I am comfy as
bonfire. as
winter’s moon nude
on a tiger skin rug.I am cold & crawling.
kitten in a lake
last minute
before drowning.this bedroom has
creaking floors
& honed images
of giant jaws below.milk for breakfast.
I visualize it.
I slurp. I plunge
into sleep. smilodonsmilodon.hiding
& waiting. still sheathed
into the last
american glacier.
All night my fear like a candle
not bright enough
or hot enough
to do much damage
but ambient
flickering and spitting
a thick wisp of black smoke
licking the ceiling:
dreams of my undoing.—Amanda Moore,fromRequeening
tonight’s sharon olds poem
Tensile Strength
While the sun warms the world you start
to unspool. Set anchor lines from flowerpot
to wooden step, to railing, to siding with
calculation, tension, balance. Work
your way from ray to ray, don’t
worry about running out. Remember:
before you even began, you consumed
yesterday’s efforts, what worked
and what did not, and they supplement
your spinning today. You can spin
all kinds of lines – mostly nouns, but also
sticky adjectives, frizzy adverbs
that easily catch, taut verbs at junctures.
Don’t worry about falling: these words
can bear your weight, the weight
of your spirit on days when merciless
birds with hungry beaks and blithe
dogs with careless tails roam everywhere.
It’s a silk that could take you
anywhere, can float between trees,
span the distance from house to
garage, impressive and
a little frightening dew-beaded
like a mourning shawl.
But here, in the little lyric
web connecting pansies to steps,
each strand shines in sunlight.
—Merie Kirby, published in Stirring
Hildegard on the Lecture Circuit
These curling bodies come toward each other
like doughs in a bowl. Your fingers
depart me, and the smells of pears come wickedly
through the slim window. The man
in Trier watched me with both of his blue eyes, as you,
as the sparrow on the walnut branch fix
on me now.
O, you are the worst of the delights,
. You come to me
as thunder in my skull, as dim lights
through which I dearly strain to see.
—Sarah Payne, published in Digging Through the Fat
by Naomi Shihab Nye
We will call you “Agua” like the rivers and cool jugs.
We will persuade the clouds to nestle around your neck
so you may sleep late.
We would be happy if you slept forever.
We will tend the slopes we plant, singing the songs
our grandfathers taught us before we inherited their fear.
We will try not to argue among ourselves.
When the widow demands extra flour, we will provide it,
remembering the smell of incense on the day of our Lord.
Please think of us as we are, tiny, with skins that burn easily.
Please notice how we have watered the shrubs around our houses
and transplanted the peppers into neat tin cans.
Forgive any anger we feel toward the earth,
when the rains do not come, or they come too much,
and swallow our corn.
It is not easy to be this small and live in your shadow.
Often while we are eating our evening meal
you cross our rooms like a thief,
touching first the radio and then the loom.
Later our dreams begin catching fire around the edges,
they burn like paper, we wake with our hands full of ash.
How can we live like this?
We need to wake and find our shelves intact,
our children slumbering in their quilts.
We need dreams the shape of lakes,
with mornings in them thick as fish.
Shade us while we cast and hook—
but nothing else, nothing else.
I open myself
and Autumn moves in.Even a sincere lover can
freeze to death.The spiders will
lose their legs in the end.Endings are everywhere
if we let them /but who wants
a mountain to be endless.I never saw the deep end
of a mountain/ it hides itself
close to lava and death.No one should have to
carry a stoneall the way to
the ocean / just to see itsink: like a rusty old blade
into the fleshof the future.
Legs from dead spiders/ forged into the crown
on our headheld up high.
We hold every wound openand leave death to its own
mundane misery.
A Difficult Woman
I left the metaphor of myself I like best
in the rabbit warren and went to the office
to seem like the kind of person another person
might hire because it is a true fact that some
committee of persons hired me and this
because I pretended to be a Professionalism 4
once for an afternoon and that metaphor
was convincing enough to calcify over the flesh
of itself with a stiff-sleeved shirt and knee-length
skirt, and become the myself of myself now
who owes the office better than a Professionalism 3,
since the office is not the one who pretended
their way into this. The office is not the one
who didn’t realize people really believe you are
how you pretend to be. The office is not
responsible for the fact I think curse words
bring flavor to any conversation and gossip
is a form of social capital essential to the building
of relationships because it makes a person
vulnerable and powerful with information
at the same time and forges a feeling, if not
the fact, of trust and authenticity. In pursuit
of Professionalism 4, I use a lot of smiley faces
and exclamation points in my discourse to iron
myself disarming. Professionalism 5 needs no
emoticons, for it is already ironed. I’m sorry
not sorry I left the metaphor of my uncomfortable
work clothes in the rabbit warren and decided
to wear jeans every day to every meeting
regardless of the pomp because no one asked
at the interview what I think about pomp.
I think pomp is maladaptive. That is
a Professionalism 2 sort of opinion to hold.
And anyway, I think pomp is fucking maladaptive.
I don’t know why it is Professionalism 4
to keep that sort of opinion to ourselves.
I don’t know why it is Professionalism 5
to love pomp. What if I fucking love pomp?
Would they have to create a box for 6?
Every little box is a warren and I try to stay inside,
but my haunches are itching springs and I want
to fuck over everything like it is May
and the oak leaves have just uncurled to the size
of squirrel ears. They billow more open, I think,
to try to hear the wind of all the discarded
metaphors for what I am and you are too.
The whole green lawn around the cinder block
of our days is buzz and bloom for somebody to,
I want to say Kick up a tempest of themselves
getting fired, but really I just mean Tell me something
I don’t already know and must swear never to repeat.
—Kathryn Nuernberger,Rue
I open myself
and light pours out.I didn’t know about
all this lightin my guts:
contained / hiddenin the dark gore of
intestines /in the blood
that breaks the day.
i’m pretty much in love with him
Somos de quién nos encuentra en pedazos y nos ama hasta dejarnos completos. De quién no nos cambia, pero nos mejora
Dark Letters