#film aesthetic
Something Soft & Warm like Yellow Roses (on Instagram) by Marisa Renee
: Fujifilm Instax Square SQ1
: Instax Square Instant Film
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Is This What I Waited For? Pt. III
FromSecrets I Tell the Trees
(on Instagram) by Marisa Renee
: Fujifilm Instax Wide 210
: Instax Wide Instant Film
Each letter of this phrase was hand-cut from honey locust leaves and hung on hemp twine to create a conceptual art installation. I love both the immediacy and the physical object that instant film provides. In this series, it’s a swift way to give me some of solace I seek.
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Is This What I Waited For?(on Instagram) by Marisa Renee
fromSecrets I Tell the Trees
: Mamiya RB67
: Kodak Ektar 100 120
Each letter of this phrase was hand-cut from honey locust leaves and hung on hemp twine to create a conceptual art installation. This image was shot in September 2020 in Thornton, Colorado.
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Wong Kar Wai.
His films provides a source of an aesthetically pleasing and insightful psychological study of the human psyche. His unconvetional approach with everything sparked the nostalgia one can harbor. He shows reality in pretty lenses but writes words too simple that it makes you ache. Unrequited. The sort of thing you’d feel from his films. There is a sense of longing for a childhood, for a home, or even a person you want to share your demons with. It’s pretty unconvetional. Like with Life. The characters in his film has this realness and slight child-like quality to them. You begin to see human beings— or ourselves— projected as irrational, bitter, or just lonely fools who yearn for company.
—excerpt from a description of my Six Word Stories
