#jesse plemons
I summarized the totality of all the comments I’ve seen across various platforms and they all said it’s a “slow burn” film. The first thing I noticed is the crossover of Mary Jane and the name Peter in the film lmao. Actually, you’ll realize that the film’s plot was just mundane but how did they make it spectacular and unforgettable. The runs in this film were in zigzag till the ending hit the vortex or something. The setting was excellent at the same time boring. So many dead air but those are the so called worth it silence. The music was — wait I forgot to search the one they played with the banjo and piano(?) I have to add that song in Spotify playlist right now lol. Ykw, the comment that hurt me the most is that Kodi and Jesses didn’t deserve their oscar nominations, bruh they do! I love you Mr. CUMberbatch though you love Bronco Henry that much — oops I love what I saw in the film jk. The little romance, lgbt theme, betrayal in the end and the surprise have me died. Thank you for that huh Overall, this is an amazing movie that not everyone can enjoy, but I did…. sleep, jk. I really did enjoy it!
The Power of the Dog (2021)
Hostiles (2017)
Director - Scott Cooper, Cinematography - Masanobu Takayanagi
“Don’t look back, my friend. Go in a good way. A part of me dies with you.”
Films I’ve Watched in 2020 (315/?)
Game Night (2018)
dir. John Francis Daley, Jonathan Goldstein
“You’re like a double threat. Brains and you’re British.”
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Bonus
Reflections on: Jungle Cruise (2021)
- Some might say this is not a horror film and that is in fact an action / adventure / comedy. Spoilers ahead.
- Jesse Plemons does a pretty good Werner Herzog impression as a nazi who controls a zombie Aguirre made of snakes.
- LOOK AT HOW JESEE PLEMONS ATE THAT PIRANHA!! (see above)
- LOOK AT HOW JESSE PLEMONS EATS THOSE PEAS!! (see above)
- The Rock turns into an actual rock and is 400 years old.
- The soundtrack is Metallica.
- Do you still think this isn’t a horror movie?
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I’m glad Breaking Bad likes the name Todd enough to make it the name of a recurring character. I’m also glad Breaking Bad was able to add a fantastic actor like Jesse Plemons to its ensemble. But did they have to go and pair the two, forever making America associate the name with a person who looks like the dimwitted Matt Damon dollfromTeam America: World Police? We Todds were just beginning to put the yam killing Iraq War vet behind us, and now this…
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As reward for your amazing following abilities, I give you the Matt Saracen (ok ok, Zach Gilford, but shout out to all the Friday Night Lights fans who fell in love with this sweet guy) wedding! I’m not going to begin to describe all the perfect things, but its got them all–most of which are beverages, a VERY well dressed groom, and some acoustic tunes by his fellow FNL actor Jesse Plemons (Landry, or Todd in Breaking Bad). TWO MORE POSTS TO COME!
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I’M THINKING OF ENDING THINGS (Charlie Kaufman, 2020)
“Coming home is terrible
whether the dogs lick your face or not;
whether you have a wife
or just a wife-shaped loneliness waiting for you.
Coming home is terribly lonely,
so that you think
of the oppressive barometric pressure
back where you have just come from
with fondness,
because everything’s worse
once you’re home.You think of the vermin
clinging to the grass stalks,
long hours on the road,
roadside assistance and ice creams,
and the peculiar shapes of
certain clouds and silences
with longing because you did not want to return.
Coming home is
just awful.And the home-style silences and clouds
contribute to nothing
but the general malaise.
Clouds, such as they are,
are in fact suspect,
and made from a different material
than those you left behind.
You yourself were cut
from a different cloudy cloth,
returned,
remaindered,
ill-met by moonlight,
unhappy to be back,
slack in all the wrong spots,
seamy suit of clothes
dishrag-ratty, worn.You return home
moon-landed, foreign;
the Earth’s gravitational pull
an effort now redoubled,
dragging your shoelaces loose
and your shoulders
etching deeper the stanza
of worry on your forehead.
You return home deepened,
a parched well linked to tomorrow
by a frail strand of…Anyway…
You sigh into the onslaught of identical days.
One might as well, at a time…Well…
Anyway…
You’re back.The sun goes up and down
like a tired whore,
the weather immobile
like a broken limb
while you just keep getting older.
Nothing moves but
the shifting tides of salt in your body.
Your vision blears.
You carry your weather with you,
the big blue whale,
a skeletal darkness.You come back
with X-ray vision.
Your eyes have become a hunger.
You come home with your mutant gifts
to a house of bone.
Everything you see now,
all of it: bone”
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