#kim min hee

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this was my heartstopper

deathlywounded:

Sad eyes.

Based in a scene of “On the beach at night alone” (Bamui haebyun-eoseo honja) directed by Hong Sang-soo.

this is an arthouse film that probably cannot be appreciated without knowing the tabloid gossip around hong sangsoo and kim minhee. an unapologetic mea culpa for kim through hong, the film is about an actress whose affair with a married director has brought her career to a halt. she returns to korea and her friends tiptoe around her, only alluding to the scandal for fears of her mental wellbeing and outbursts.

i found kim minhee’s character to be unlikeable and admirable - admirable because she defiantly tries to make herself happy at every turn, but unlikeable because this personality takes a toll on her friends around her. at times her friends have to cajole her “you’re really pretty / talented / charming, you know?” “don’t say that… i’m not” “really” “am i…? (in a coy voice) i guess i am … hahaha” – this gets nauseating and repulsive by the second occurrence. stop the self pity please.

i felt the film was hong’s way of apologising to kim, and kim’s way of trying to vindicate herself and gain sympathy with her audience. i appreciated, though, the simple style of hong, whose observation of daily conversations some may find boring. this is vastly different from the corner of korean cinema i have been dwelling in, where wretched histrionics and plot twists are generously employed. – 5/10

Hong Sang-soo - The Day After2017

Hong Sang-soo

-The Day After

2017


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wednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are worwednesdaydreams:Gloves in THE HANDMAIDEN (2016), dir Park Chan WookIn The Handmaiden, gloves are wor

wednesdaydreams:

Gloves in THE HANDMAIDEN (2016), dir Park Chan Wook
InThe Handmaiden, gloves are worn by the character of Lady Hideko (Kim Min Hee) in almost every situation, even when she is in a state of déshabillé. Notice the colors and different types of gloves she wears in different situations. As her relationship with Sookhee (Kim Tae Ri) progresses, the audience will notice that her gloves quite literally come off. Her gloves are symbolic of her performance of demure, submissive womanhood and when they come off they symbolize the physical and emotional intimacy she shares with Sookhee, and the freedom to be who she truly is.


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solchongpark:Kim Saebyeok, Kim Minhee (also pictured Cho Yunhee) in The Day After, dir Hong Sangsoo.solchongpark:Kim Saebyeok, Kim Minhee (also pictured Cho Yunhee) in The Day After, dir Hong Sangsoo.solchongpark:Kim Saebyeok, Kim Minhee (also pictured Cho Yunhee) in The Day After, dir Hong Sangsoo.solchongpark:Kim Saebyeok, Kim Minhee (also pictured Cho Yunhee) in The Day After, dir Hong Sangsoo.

solchongpark:

Kim Saebyeok, Kim Minhee (also pictured Cho Yunhee) in The Day After, dir Hong Sangsoo. Kim Saebyeok was a first time for me, she surprised. Hilarious over the top performance maybe unintentional but still so fun to watch, and of course Kim Minhee just floats on her cloud, is anyone more badass than her


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uglycryings:me to kim min hee

uglycryings:

me to kim min hee


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Natalie Ng talks about how good costume design can add more layers to a film’s storytelling and refers to the specific use of gloves in Park Chan-wook’s THE HANDMAIDEN.

Read her original review at Filmed in Ether

Natalie Ng talks about how good costume design can add more layers to a film’s storytelling and refers to the specific use of gloves in Park Chan-wook’s THE HANDMAIDEN.

Read her original review at Filmed in Ether

No Tears for the Dead (2014) dir. Lee Jeong-beom

shesnake: The Handmaiden (2016) dir. Park Chan-wookshesnake: The Handmaiden (2016) dir. Park Chan-wook

shesnake:

The Handmaiden (2016) dir. Park Chan-wook


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