#mike flanagan

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finished watching Midnight Mass

I thought I avoided the whole “religious trauma” stuff but then I watched Midnight Mass and guess what it turns out I have

nessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actornessa007: “And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actor

nessa007:

“And then the wild card was Victoria Pedretti as Nell [Crain]. We looked at a lot of actors for Nell, and we got hundreds of auditions for it, and never really had that moment where we said, “Oh my God, it’s gotta be her.” And then that thing you hear about in Hollywood but you never really see, where we got a self-tape that Victoria had put together. She’d just graduated college. She’s never booked a job. She was brand new. She had an empty resume. I don’t even think she had a current headshot. But she had taped an audition herself and submitted it through her agency, and these tapes come in all the time. They usually land at the bottom of the pile of the casting director. And that tape had done what it’s supposed to do. It had bubbled its way up through all the different assistants, and every step, every person involved at Engine Casting. It made it to my casting director, Annie McCarthy, who I’ve worked with on everything I’ve done. And she called me while we were about to make an offer to another actor. She called me at eleven o’clock at night. And said, “You have to watch this tape. I think this is Nell.” And I said, “This person hasn’t done anything. Are you sure this is the right tape? There’s no resume here.” And that was Victoria. A minute into her self-tape, I knew she was Nell. And that she was a star. I also realised that if we didn’t cast her in this, someone was going to scoop her up very quickly and she would explode. And she has since this.” - Mike Flanagan

THEHAUNTINGOFHILLHOUSE(2018)
Dir. Mike Flanagan

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rewatching midnight mass on easter sunday the way He (mike flanagan) intended

is it really so much to ask to have RA be able to deliver a Mike Flanagan monologue

Midnight Mass background study.I liked this show for many reasons, one are the houses.Process images

Midnight Mass background study.

I liked this show for many reasons, one are the houses.

Process images:

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Reviving this place as a sort of visual diary (maybe?), probably also posting some works.Recently go

Reviving this place as a sort of visual diary (maybe?), probably also posting some works.

Recently got to watch ‘Midnight Mass’ by mastermind Mike Flanagan and fell in love with it. Brilliant through and through!

2021, from the Diary, taken during a drive with my mom.


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Rahul Kohli as Sheriff Hassan

Another Midnight Mass portrait!

“can you think of a miracle more amazing than that?” ✝️

{final version of this Father Paul painting!}

Hamish Linklater as Father Paul Hill

Finished up my Father Paul painting! I have to make some digital edits but here’s the final traditional painting

Father Paul from Midnight Mass

Y’all I’ve been in a state since Friday night. Expect more fanart! I adored everything about this show but primarily this, for obvious reasons if you know me lol.

And so as Monsignor Pruitt wandered, lost in the storm, the sand scratching his eyes, cutting into his face, he saw before him, there was a darkness in the dunes. Mouth of a cave, perhaps. A door to some ancient ruin. And his failing mind only sought shelter, so in he went, eagerly, into the darkness of the thing. The cave-like entrance that had just opened up in front of him. Until all the light went -
↳ Father Paul’s confession; Episode 103, Book III: Proverbs, MIDNIGHT MASS

Yeah so I finished Midnight Mass last night. I can’t get it out of my head how is this show so good, this entire scene right here with Erin and Riley on the sofa, and I can’t even say anything because you do not want this show spoiled. Just know that I’m yelling about it.

Seeing the Midnight Mass trailer with Keane’s “Somewhere Only We Know” for the first time, wondering why they picked that exact song:

Seeing the trailer again after having watched the show, finally understanding why they picked that exact song:

ladies! if ur boyfriend walks really fast and doesn’t want to face his emotional trauma that’s not ur boyfriend that’s victoria pedretti as dani clayton in the haunting of bly manor

Resulta incómodo recordar cómo el público, o la crítica especializada inclusive, subestimaron la dimensión creativa, el potencial ontológico y la osadía artística de numerosos autores por entregar obras enmarcadas en géneros populares de consumo y evasión. No hace tantos años, artistas de la envergadura de Ursula K. Le Guin o David Cronenberg tan solo escribían “novelas del espacio” o dirigían “pelis de miedo”. Deseo creer que en la segunda década del presente siglo han sido superados este tipo de prejuicios.
“Misa de medianoche” (Midnight Mass, 2021), la nueva serie de televisión de Mike Flanagan, se sitúa dentro del género de terror en su apariencia. En ella encontramos varios de los artilugios narrativos y visuales que nos han dificultado conciliar el sueño desde los fantasmas, las brujas y los vampiros del transgresor cine mudo. No obstante, el empeño autoral de su creador aproxima la serie inesperadamente a películas como “Ordet” (1955) de Dreyer o “Silence” (2016) de Scorsese, en su esfuerzo por descifrar la fe religiosa; y a cintas como “The Thin Red Line” (1998) de Malick o “Offret” (1986) de Tarkovski, en su meditación existencialista. Tal vez las referencias que cito sean “palabras mayores”, pensaréis, mas ¿qué importa el tamaño, la popularidad o el prestigio de una imagen, un verso, una melodía, si se apodera de tu mente y corazón en tan solo unos instantes? Si con “The Haunting of Hill House” Mike Flanagan firmó en 2018 la serie de terror perfecta, con “Midnight Mass” nos acaba de entregar una obra valiente y ambiciosa, intensa y elegante, poliédrica y extraordinaria que acredita de manera rotunda el talento de su autor. Aunque probablemente solo transite como una “serie de miedo”, este impaciente servidor ha cometido la osadía de no esperar a que el tiempo la juzgue… ¿Alguien más se atreve?


https://youtu.be/VU7TVEscPcc

♫ Pärt: “Te Deum” (Live)

Chor des Bayerischen Rundfunks.

Peter Dijkstra - Münchner Rundfunkorchester.

 KATE SIEGEL as ERIN GREENE in “MIDNIGHT MASS” (2021), by MIKE FLANAGAN

KATE SIEGEL as ERIN GREENE in “MIDNIGHT MASS” (2021), by MIKE FLANAGAN


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Absentia / 2011 / US / d. Mike Flanagan

Absentia / 2011 / US / d. Mike Flanagan


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A screenshot study I did a little bit back of Hannah, the best part of Bly Manor. commission info |

A screenshot study I did a little bit back of Hannah, the best part of Bly Manor.

commission info|patreon
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Sometimes a family isn’t a mom dad two and a half kids and a dog, sometimes a family is

  • A sad teacher with mommy issues
  • A smart lesbian doctor with daddy issues
  • An old lady Benjamin buttoning her way through life
  • A tired Sheriff with his hands on his hips
  • A disgruntled alter boy
  • A girl who can’t feel her legs
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