#pier paolo pasolini

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Teorema (1968) by Pier Paolo Pasolini Book title: Elementi delle costruzioni civili (1950) by Carlo

Teorema(1968) by Pier Paolo Pasolini

Book title:Elementi delle costruzioni civili (1950) by Carlo Roccatelli


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Teorema (1968) by Pier Paolo Pasolini Book title: Racconti e novelle (1852 - 1886) by Lev Nikolàevič

Teorema (1968) by Pier Paolo Pasolini

Book title:Racconti e novelle (1852 - 1886) by Lev Nikolàevič Tolstòj

This Mursia edition was published in 1964.


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Teorema (1968) by Pier Paolo Pasolini Book title: Oeuvres - Opere by Arthur RimbaudThis Feltrinelli Teorema (1968) by Pier Paolo Pasolini Book title: Oeuvres - Opere by Arthur RimbaudThis Feltrinelli

Teorema (1968) by Pier Paolo Pasolini

Book title:Oeuvres - Opere by Arthur Rimbaud

This Feltrinelli edition was published in 1964.


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Teorema (1968) by Pier Paolo Pasolini Book title: L’anello di Re Salomone, the Italian translation o

Teorema (1968) by Pier Paolo Pasolini

Book title:L’anello di Re Salomone, the Italian translation of King Solomon’s Ring (1949) by Konrad Lorenz


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 Salò o le 120 giornate di Sodoma - Dir. Pier Paolo Pasolini (1975) Salò o le 120 giornate di Sodoma - Dir. Pier Paolo Pasolini (1975)

Salò o le 120 giornate di Sodoma - Dir. Pier Paolo Pasolini (1975)


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 Pier Paolo Pasolini at Antonio Gramsci’s tomb, 1970

Pier Paolo Pasolini at Antonio Gramsci’s tomb, 1970


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 “Az már elég, ha mindenkiérzi az élet szívverését.A többi nem fontos, ifjú,“ Vigyázz magadra, és mi

“Az már elég, ha mindenki
érzi az élet szívverését.
A többi nem fontos, ifjú,“ Vigyázz magadra, és minden jót"Pier Paolo Pasolini /
képen fent: én Olivetti Lettera 22-vel, képen alul: Pier Paolo Paolini, Olivetti Lettera 22 típusú írógéppel.


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Pier Paolo Pasolini (1922-1975)

Il vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo PasoliniIl vangelo secondo Matteo (1964) // dir. Pier Paolo Pasolini

Il vangelo secondo Matteo (1964) // dir. Pier Paolo Pasolini


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anitapallenberg: Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolinianitapallenberg: Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolinianitapallenberg: Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolinianitapallenberg: Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolinianitapallenberg: Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolinianitapallenberg: Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolini

anitapallenberg:

Silvana Mangano in Teorema / Theorem (1968) | Dir. Pier Paolo Pasolini


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Uccellacci e uccellini (1966) - Pier Paolo Pasolini

Il cammino incomincia e il viaggio è già finito.

prince-marolo:The other picture of this lovely man I posted has been a success so here are some otheprince-marolo:The other picture of this lovely man I posted has been a success so here are some otheprince-marolo:The other picture of this lovely man I posted has been a success so here are some otheprince-marolo:The other picture of this lovely man I posted has been a success so here are some otheprince-marolo:The other picture of this lovely man I posted has been a success so here are some othe

prince-marolo:

The other picture of this lovely man I posted has been a success so here are some other images of from this mysterious actor from Il Fiore Delle Mille e Una Notte (Arabian Nights) by Pier Paolo Pasolini


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“Quanto alla campagna, la differenza fra ciò che essa ha insegnato a me e ciò che essa sta insegnando a te, è ancora più enorme. Per me essa è stata la certezza di una continuità con le origini del mondo umano, e ha valorizzato, fino a dar loro carattere quasi di rito, ogni minimo gesto, ogni parola. Per te, al contrario, la campagna parla di se stessa come di una spettrale e quasi paurosa sopravvivenza. Quanto al resto, essa è un luogo esotico per atroci week-ends e per non meno atroci villette da alternare con l'atroce appartamento in città (tutto atroce per me, s'intende).” Pier Paolo Pasolini “Lettere luterane”.

thelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused ithelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused ithelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused ithelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused ithelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused ithelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused ithelittlefreakazoidthatcould:You must have come here to destroy. The destruction you’ve caused i

thelittlefreakazoidthatcould:

You must have come here to destroy. The destruction you’ve caused in me couldn’t be more complete.

Teorema (1968) // dir. Pier Paolo Pasolini


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porcile, 1969

pier paolo pasolini

porcile, 1969

pier paolo pasolini

accattone, 1961

pier paolo pasolini

accattone, 1961

pier paolo pasolini

accattone, 1961

pier paolo pasolini

mamma roma, 1962

pier paolo pasolini

mamma roma, 1962

pier paolo pasolini

last-picture-show:Piergiorgio Branzi, Il salotto di casa Pasolini/ Pasolini’s living room, Casarsa,

last-picture-show:

Piergiorgio Branzi, Il salotto di casa Pasolini/ Pasolini’s living room, Casarsa, 1995


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bistovri:

Teorema (1968), dir. Pier Paolo Pasolini

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