Even more interesting is that Jenny was sent to Sunnydale as soon as Angel revealed himself to Buffy and they started getting too close. At this point, her Kalderash backstory wasn’t even written, but the show got the greatest gift of the ultimate timing coincidence. There’s also the coincidence that Calendar has a vague similarity to Kalderash. Jenny arrived just then after being told that Angel’s pain was lessening and to separate him from the Slayer. Her infiltration one episode later from an in-canon perspective is not a coincidence.
At the time of Mutant Enemy finally deciding on Angelus as season 2’s Big Bad after Whedon’s underestimation of David Boreanaz’s ability to carry the role and the Anointed One as season 2’s originally-intended Big Bad not working out at all, the original intent was actually for Angelus to kill the new character of Oz. However, the popularity of Seth Green and the potential for the Willoz ‘ship eventually settled on Jenny being on the chopping block. It also was a greater emotional hit, as Angel had more of a connection to Jenny (saving her life), whereas he didn’t really know Oz at all. The audience also hadn’t known Oz for that long. There’s also the fact that Angel had saved Giles’ life (not to mention Xander and Willow’s) and a much more profound connection to him, even if Angel was also becoming fairly close to Willow before all that was snatched away.
It also gave Giles the most emotional storyline he ever had, on top of the extra cruelty was the fact that Giles actually liked Angel a lot prior to the Angelus arc, which Giles never forgave Angel for. It was Giles who originally told Xander that Jesse was no longer his friend, but rather the thing that killed him, but it becomes Giles who can’t make that separation between Angel and Angelus. And of course, Xander hated Angel long before Angelus ever showed up, as can be seen by his numerous jealous comments well before the reveal in 1x07.
They kept doing research together and Angel was one of the few other “adults” Giles could interact with. Giles was even fascinated by the maudlin romance of a vampire in love with a Slayer. He’s not against the relationship at all.
One of the non-canon tie-in novels even had Angel spending the entire summer saving Sunnydale with Giles and Jenny as Buffy’s replacement while she was at Hank’s house in L.A. That book tells us the probable context of how Angelus got that off-screen invite into Giles’ house.
After Angelus, Giles gave Angel some begrudging credit for having the mature foresight needed to leave Buffy, which was his criticism of Spike in Lies My Parents Told Me, but that is quickly dashed when it is Giles on the phone who Angel is begging for help to save Fred’s life, only to be utterly rejected and insulted with visits by Andrew. As much as I’m loathe to consider the comics canon, one of the few good calls was to have everything that came out of Andrew’s mouth be more lies that never came from Buffy, but unfortunately that doesn’t excuse Giles being on the phone call refusing to help Fred only because it’s Angel who made the call.
Again, as much as I’m loathe to acknowledge the comics, one of the only bright spots, despite the utter character-assassinating clusterfuck of how it got there (including Twilight!Angel killing Giles), was Angel saving Giles from having sold his soul to Eyghon, which also calls back to Angel (or, more accurately, Angelus) saving Jenny from Eyghon.
In later seasons, it’s interesting to go back to these early pre-Angelus interactions with Giles and Angel where they actually had a lot in common (two nerdy, well-educated bookworms, not unlike the relationship that developed between Angel and Wesley) and often had similar perspectives on what would be best for Buffy and Angel’s own impossible situation. Angel broadcast all his misgivings about the relationship in 1x07 and repeated all the reasons standing between them numerous times, so it really wasn’t just hearing it from Joyce (much is made of her having a better relationship with Spike and never getting past Angel taking her daughter’s virginity, despite the fact that they actually have more interests in common, most especially art and collecting, and were in complete agreement that the relationship was never a good idea) and the Mayor (a fellow immortal who lived out the same tragedy) that led to The Prom. It is Giles whom Angel tells concerning why he’s been so absent in Out of Mind, Out of Sight.
Angelus didn’t just destroy any future for Angel having a relationship with Buffy, but also destroyed most of the budding relationships he had in Sunnydale. Angel, Wesley and Cordy were thus the only characters at the end of season 3 who had nothing left to lose by leaving.
When Buffy couldn’t go to Giles for advice or use Willow as a kind sounding board (without Xander’s judgment), it was always Angel whom she ran to. Angel was whom Buffy ran to whenever what worried her was about her parents’ divorce, wanting to be a normal girl, not getting to live long enough to have a future (or the children Angel can’t have) or why they fight. Gingerbread has the philosophical precursor to the Epiphany speech. Buffy has an interesting history of replacement father figures (Giles being the most prominent) and Angel’s paternal tendencies are a huge part of his arc. He’s a Prodigal Son with another Prodigal Son, after all, not to mention his own often-paternal protector/provider relationship with his team at Angel Investigations. So, when Angel was taken from Buffy (blaming herself for killing the person she loved most, thus the connection of her to James Stanley), she also lost one of her biggest confidants. The whole season is having her relationships and reasons to stay in Sunnydale stripped from her.
Wesley, of course, was written entirely as Giles’ mirror when first introduced. He’s there to make Giles look cool and hip by comparison. He was even more of a bookworm than Giles ever was and had much faster recall, more readily having information without all-night research. The only character who challenges Angel for the character with the biggest eidetic memory database concerning history, languages and demonology is Wesley. It’s often Angel who has all the answers in the first season and a half that Giles often doesn’t (the Hellmouth, the Harvest, the Master, the Pergamum Codex, what the Anointed and his followers are up to, Spike, Drusilla, the Judge, etc…). Witch not only lies about Giles’ spell casting history, but it turns out Giles’ entire tweedy persona is a big lie and that he’s actually more street smart than book smart. Wesley is the exact opposite initially, though ends up so brutal that he gives Angel a run for his head-over-heart, big-picture-thinking tendencies. Wesley and Angel end up mirroring each other as well, and you can see the start of it as early as Wesley’s willingness to sacrifice Willow to stop the Mayor.
Many new shows will film a few filler episodes first while the actors are still building their chemistry, so that the first episodes aired will be even better. This was absolutely the reason why Witch was filmed prior to Welcome to the Hellmouth and The Harvest. Might be worth noting in terms of green performances and chemistry. The chemistry is great already, though this is luckily a very fatherly episode for Giles, so it’s not as jostling as that slightly creepy, personal space-intrusive version in Welcome to the Hellmouth shot later. In Nicholas Brendon’s case with his visible waiting for the next line, outside of the unaired pilot, *this* was actually his first episode.
Obviously, this is one of the cases where the pilot was never aired (for good reason–and not just because of replacing Willow and Flutie) and many times those will have scenes redone for airing. Sometimes things are reshot due to replacing an actor, but without reshooting the whole thing. For example, Smallville had a Martha Kent stand-in due to Annette O'Toole being already cast, but only available at a later date.
In Buffy’s case, the unaired pilot was obviously a lost cause. They were still working out how to do major SFX staples of the show like the dusting effect (they tried stop motion before settling on dodgy CGI with no skeletons until season 3), as well. Even the makeup changed a bit over the first season from Julie Benz being the original test dummy for The Lost Boys prosthetics, as can be seen by the white/purple makeup being made more flesh tone. It was her first scene that coincidentally changed the least in the rewrite and performance (except for a costume change) from the unaired pilot to Welcome to the Hellmouth. She also was originally meant to die in what became The Harvest’s showdown, but was kept for another episode (and then a lot more episodes!) by having her run away (note how often Darla runs away from danger!) from Willow’s holy water.
Darla’s costume change became the Catholic schoolgirl look (she was just wearing a floral ‘90s grunge dress before) that got an explanation in 1x07. Darla doesn’t know she’s trying to jealously scare off a Slayer (she doesn’t know until the mausoleum scene) with the dead guy in the gym locker, but she knows Angel is in Sunnydale and has been following a schoolgirl. Darla later mocks Angel for this, but also exposes her insecurity and jealousy, all the way later in Dear Boy on his spinoff. Angel, of course, is Catholic, so that’s another pointed jab. A lot of viewers don’t even pick up on the Catholic schoolgirl uniform, which was worn prior to Darla knowing Buffy’s secret identity, being that meaningful. The other thing viewers don’t pick up on in regards to 1x07 is the in-hindsight meaning of Angel having human blood in his fridge after two decades eating rats and how that potentially affected his ability to socialize with humans and why he knew about delivery day at the hospital in The Dark Age, despite Whistler mentioning blood from the butcher. Something as simple as a costume change got a whole character-building backstory in a later episode. That layer of storytelling was absent in the pilot.
For continuity reasons that weren’t because of anything being performed badly like Buffy’s hair color and the school library becoming a set (Torrance High’s spiral library staircase would’ve clearly become a hazard for Tony Head!), the footage had to all be redone. Buffy had a slightly longer dialog in the library scene, for example, that is actually something of a loss because it goes into more depth about what happened to her in L.A.
Xander’s tour of the school isn’t strictly necessary for the plot, but was a chemistry-building scene, and perhaps a remnant of Joss Whedon’s intent for him to be the every man who wins the fantasy girl who is out of his league, rather than the female protagonist instead winning her unattainable, forbidden fruit fantasy (the male gaze vs. the female gaze).
Whedon was still being talked into having the Angel character at all back then, originally intending for Xander (notoriously known for being Whedon’s not-so-nice “nice guy” self-insert) to be the love interest. David Greenwalt, Marcia Shulman and Gail Berman were Angel’s biggest cheerleaders and the latter two (rather degradingly described as “puddles of drool”) outvoted Whedon during casting. The WB also only agreed to renew the show (they were actually quite disappointed by season 1) if season 2 contained more Angel and the Bangel romance, which was heavily promoted (look at any of the WB’s ad campaigns) and brought in the show’s highest ratings (the entire show’s ratings peaked at Surprise/Innocence).
Not only was Whedon against casting David Boreanaz, comparing him even to the jocks who beat him up in school and talking about how he hated making a spinoff about a white Alpha male lead as a hero, but he was reluctant to have any good vampires at all. Come season 2, Whedon was also pushing James Marsters up against a wall and threatening to fire him because he was getting too popular. Whedon made the remark that Marsters had it easier than him getting laid because of how he looked (that was on Marsters’ second day of work well before School Hard ever aired!). Whedon didn’t like it when he ended up with a good vampire sex symbol the first time, then ended up with two sympathetic vampire sex symbols on his show.
Coincidentally, both characters weren’t meant to stick around and survived intended final death scenes, as well. Angel was never meant to be more than a cryptic messenger for a few episodes (before he became the love interest or a vampire), then wouldn’t have come back from hell if it weren’t for the spinoff (which the WB wanted–it wasn’t just Whedon being finally impressed by Boreanaz’s performance as Grace Newman). Spike was originally intended to be killed by the church organ falling on him. Faith was originally going to hang herself after staking Finch.
For that matter, the original villain of season 2 was meant to be the Anointed One (hence the absurd build-up in season 1 that goes nowhere) until it was apparent that Collin’s actor had grown up too much and wasn’t that successful (cue Spike flash-frying him in a cage), with Whedon reluctant to believe Boreanaz could carry the Big Bad role. Angelus arguably turned out to be the Buffyverse’s greatest villain and Buffy’s most personal. The most subtle foreshadowing was undoubtedly the fact that the production didn’t feel the need to hire Mark Metcalf for a silent performance of the Master in When She Was Bad, so it’s actually Boreanaz (look for his wider mouth shape) beneath the Master’s prosthetics. Buffy’s having nightmares of the Master, but it’s really Angel underneath! When She Was Bad also teases what would happen if it came down to a fight between Buffy and Angel.
Whedon’s intentions being outvoted so forcefully by other writers, producers, the network and audience is mirrored by the likes of Sera Gamble attempting to villainize and kill off Castiel (whose Little Mermaid-esque arc arguably overshadowed the Winchesters and created an unintended third lead, no matter how much he was nerfed of his powers and left out of Monster of the Week episodes due to him making human hunters irrelevant) on Supernatural, only to fail with a massive audience outcry and was forced out of the show herself. Shows occasionally get away from their creators or showrunners.
Greenwalt had to also create the soul/curse mythology (massively to the franchise’s benefit!) to explain how Angel was the first gray-area exception to Whedon’s black & white world-building where vampires and demons are always bad and only there to be allegories for human problems. This is in stark contrast to today’s vampire mythologies that are no longer default-evil and mostly about “choosing boyfriends, the movie”, whereas the Buffyverse ended up taking most of its vampire archetypes from Anne Rice, despite Whedon absolutely hating “that crap”. Ironically, Rice’s vampires are all sexually impotent and murderously evil, despite Louis feeling guilty and eating rats in alleys (sound familiar?). Come the spinoff, it wasn’t just Angel, but characters like Doyle and Lorne (not to mention Wolfram & Hart’s human lawyers) further muddying that original intent. The Buffyverse was straddling two eras of genre fiction in regards to the development of the evil-to-sympathetic/misunderstood-to-good monster.
The pilot definitely felt like it was a better set-up for Xander to not be so easily friend-zoned, but the friend-zoning is complete here in Witch. That one scene here in Witch actually turns out to be a significant one, and it’s especially significant in an episode that was shot first and doesn’t contain Xander’s rival. By the time that Witch was filmed, it appears the writing staff were aware that Xander wasn’t going to be the love interest. The next few episodes also are aware of it, even when Angel doesn’t or barely appears. Earlier drafts for Never Kill a Boy on the First Date and The Pack didn’t have Angel juxtaposed against Owen/Xander (this episode got the heaviest rewrites of all) or the scene of Buffy (wearing Angel’s jacket) and Willow discussing Angel in the Bronze + Xander’s jealousy under the hyena spell at all.
Only 25 minutes were presented of a full-length pilot script (dated January 1996) that even contained Angel (back when they hadn’t even decided he was a vampire yet and you’ll notice the bigger Angel episodes were all the last episodes written and shot with scenes dropped into earlier scripts that didn’t contain him before) as a mysterious motorcycle guy who stakes a vampire outside of the auditorium showdown. Boreanaz even mentioned shooting the motorcycle scene in the 20th anniversary special that probably confused anyone who hadn’t read the unaired pilot script (which is only a minute fraction of the franchise’s older diehards who even know where to get a hold of it!)!
Despite Boreanaz being already cast with a cut scene, it is only Mercedes McNab who is in both the unaired pilot (yet not Welcome to the Hellmouth) and Not Fade Away. Boreanaz is the only actor in both Welcome to the Hellmouth and Not Fade Away. He’s also in the most episodes by a far margin. Angel is in 167 episodes, with Willow coming in at 147 and Buffy only 146.
It’s not over. I-I-I suppose you know that. He’ll come after you, particularly. His profile, uh, well, he… he’s likely to strike out at the things that made him the most human.
Buffy The Vampire Slayer - Before The Avengers, Joss Whedon brought to life one of the strongest female characters in tv history. Buffy Summers (Sarah Michelle Gellar) lives in Sunnydale California, student by day vampire slayer by night. It may sound like a cliche story line but I do promise laughs especially at the have ridiculous 90’s clothing but the writing is solid. Emotional, realistic, and witty. The characters each go through major transformations throughout the series and the bad guys are as scary as they are symbolic. Alyson Hannigan from How I Met Your Mother plays Buffy’s best friend Willow who dabbles with magic! Buffy is on Netflix and October is a perfect time to start binging on this 90s treasure.
The Following - Kevin Bacon delivers an amazing performance in this terrifying story of an Edgar Allen Poe obsessed serial killer who is fascinated with Bacon’s character. I was surprised this show was so enticing, considering the finale of season 1 left me staring at my television with confusion. To be honest, this show was made for people with strong stomachs, there is no holding back when it comes to blood, gore, and the fate of adorable puppies. If you’re an Edgar Allen Poe fan I strongly suggest giving The Following a shot, there are many references. Season 3 comes back in January on FOX!
Veronica Mars - Another strong female character, Veronica is a high-school student who is savvy, resilient, and determined. Her dad, Keith Mars was the local sheriff until Veronica’s best friend Lilly (Amanda Seyfried) was found murdered - and Keith believed Lily’s father to be the killer. Keith becomes a private eye and Veronica, who appears to be just his secretary, picks up some skills and takes on solving Lily’s murder. Set in Neptune, California V. Mars fans (known as “marshmallows”) have come to love this mystery show so much that kick-starter fund was created to help produce a Veronica Mars movie! If you like mystery/thrillers, romance, puns, and California surfer boys, Veronica Mars is for you and also available on Netflix.
Despite what pop culture might have you believe, librarians neither time travel, fight mummies, nor have unlimited budgets—read Kristen Arnett on the realities of librarianship.
Buffy Summers, and various other strong hand-to-hand fighters in Buffy The Vampire Slayer, wearing lots of leather jackets and leather pants not only because it looks cool and sexy, but also because out of all of the commonly available fabrics nowadays, and especially in the late 90’s and early ‘00’s, leather’s not a bad choice in regards to body armour. Especially if you’re not doing Spider-Man style quick-changes, and wearing it as clothes even when not fighting or patrolling, particularly if you hang out and often end up fighting in or around a nightclub, like The Bronze. Also, it looks cool.
Watch me write out a whole dissertation on that tbh.
Notice how most, if not all, of the characters that aren’t expected to be great at hand-to-hand combat rarely wear much leather, especially long leather coats that cover much of their bodies.
Willow Rosenberg, who absolutely can be a threat when she wants to be, rarely wears much leather, and she’s an extremely powerful witch, but not very skilled in physical combat. In fact, 1 of the only times that Willow wears leather is in Season 3, episode 1, when she’s patrolling without Buffy, and knows that she’s likely to have to physically fight at some point. Otherwise, Willow’s clothes are often much more likely to have softer materials, often fuzzy ones. 1 of the only other times that Willow wears a lot of leather would be Vampire Willow, who we never see utilise magic, and who seems a lot more comfortable with physical violence than non-vampire Willow. Even when Willow is at her most powerful with magic, she rarely wears leather.
Another interesting thing that I’d like to note, is that denim also would be pretty decent body armour under those sorts of conditions, and would likely be a lot cheaper than leather, and you know who wears a lot of denim and leather? Faith Lehane, who is by no means rich, and who also has been known to steal when she notices something useful but expensive that she wants.
I think that 1 of the best examples of that theory is Spike. Spike’s clothes arguably change the least and have the least amount of variety in the Buffyverse, however at almost all of Spike’s most vulnerable moments, and almost never at any other time, do we see Spike without a leather jacket on, specifically his leather coat, however there are a few times when he wears other leather jackets. When Spike sings to Buffy in Once More With Feeling, when he’s stuck and tied up with The Scoobies in Season 4, pretty much the entirety of Season 7. When Spike’s very specifically not being a fighter, often when he’s literally unable to be, often those are the rare times when we get to see Spike without a leather jacket on.
While other strong hand-to-hand fighters do wear other things besides only leather, and aren’t as strict about that as Spike seems to be, it’s definitely evident that those characters, like Buffy and Angel, are consistently more likely to wear it, and wear more of it, and in fact, it’s often associated with them, unlike others, like Xander, Tara, Oz, Anya, Dawn, etc. .
In fact, there are multiple times when Buffy is about to go into a big fight knowingly, and specifically wears leather. For example, when Buffy goes to fight Faith in Graduation Day Part 1, and she then takes off her leather jacket when she decides to let Angel feed off of her, and then wears more leather again to fight The Mayor in Graduation Day Part 2.
Also, to add on a little cherry on top of that, already, The Trio in Season 6 are rarely, if ever, shown to wear leather, and they’re explicitly and obviously not physical fighters, and Riley Finn, and the rest of The Initiative rarely, if ever, wear leather, and are also explicitly and clearly not as good fighters as Buffy, other Slayers, and other magical, mystical, and supernatural beings.
Part of being a good fighter is staying alive, and minimalising the likelihood of injury. As far as cool and fashionable body armour goes, leather, and to some extent, denim, aren’t bad options.
Buffy Summers, and various other strong hand-to-hand fighters in Buffy The Vampire Slayer, wearing lots of leather jackets and leather pants not only because it looks cool and sexy, but also because out of all of the commonly available fabrics nowadays, and especially in the late 90’s and early ‘00’s, leather’s not a bad choice in regards to body armour. Especially if you’re not doing Spider-Man style quick-changes, and wearing it as clothes even when not fighting or patrolling, particularly if you hang out and often end up fighting in or around a nightclub, like The Bronze. Also, it looks cool.
