Hello excuse me friends, but have any of you read A Good Girls Guide to Murder? By Holly Jackson?
Ok well, I need recs for more books like it. It’s for a younger teen so probably nothing too horribly graphic. Murder mysteries, crime mysteries, who dunnit’s.
She used to love the A to Z Mystery books and has moved up, but I don’t know what to recommend for her.
Anyone have any suggestions? Middle grade to YA preferred.
Eleanor walks in on her cruel grandmother Vivianne’s murder, but her prosopagnosia (inability to recognize faces) leaves her unable to identify who she saw.
The introduction puts you right in that police interview room after the crime before going back in time to the events that led up to that room. Now five months later, still with no idea who could be the killer or how close they are, Eleanor has inherited one of her grandmother’s homes and everything helps to contribute to the creepy, atmospheric power of this read.
This book alternates between Anushka in 1965 and Eleanor present day. This book was a great read! From the creepy inherited manor to the discovered diaries, never knowing who it was that Eleanor walked in on murdering her grandmother, and the alternating stories. I think sometimes, especially early on before you get truly invested, that back and forth with the time can feel like it’s giving you whiplash, but once you get started, you’re in!
Thank you to Netgalley, St. Martins Press, and Camilla Sten for this advanced review copy.
A Flicker in the Dark features Chloe Davis, who at 12 years old was living in a small town where girls were disappearing all summer, only for her father to be arrested at the end of summer for all of their murders. Now nearing the 20 year anniversary, Chloe is a psychologist in private practice, engaged— only for young girls to start going missing all over again.
The beginning of this novel really draws you in and makes you keep turning pages! Chloe turns out to be a very unreliable narrator, one who is grasping onto her happiness. The plot is really interesting and atmospheric reads are my absolute favorite. While the book gets to a point where it isn’t as page-turning as it initially was, it does constantly keep you trying to figure out the plot and guess what’s going on, and it does pick up and grip you again! I thought the ending was satisfying and the best plots are ones that make sense to a certain degree when you figure out what really happened/is happening, like this one did.
This was a great read from one of my favorite publishers recently; they have just been a powerhouse of putting out some of my recent favorite thrillers! I’m in a cabin in the middle of the mountains with almost no internet so I missed publication day by a day, but happy publication day! Thank you so much to Minotaur Books, Stacy Willingham, and NetGalley for this copy.
A copycat serial killer is murdering people, each different in method but all famous cases from the past. Detectives Cara Elliott and Noah Deakin are trying to hunt down the true killer. At the same time Jessica Ambrose is on the run after being accused of being the arsonist who set the fire killing her husband. With the help of suspended detective Nate Griffin, she discovers a shocking connection to the copycat killer and the arson.
A culmination of crimes committed all leading up to one tantalizing finale. This is apparently Sam Holland’s debut novel, and it was a very thought out plot. There are murders, plot twists, darkness, suspicion, shifting tension, and all of the things that make a great thriller. I was definitely glued to this book— I had to know who did it!
One of my favorite things about a book is when they have amazing, well rounded, flawed characters. The one things that dragged for me about this book was that some of the main characters started off hard to empathize with and/or were borderline unlikable. After dipping into the plot more, this didn’t matter as much, but I do find that liking the characters and rooting them makes a book SO much better, because then you’re rooting for them to win, you’re hurting when they hurt, you’re overall getting all of the emotions that a great book makes you feel. I think that would have put this book over the top.
Thank you to Sam Holland, HarperCollins, and NetGalley for the pleasure of getting to read an arc of this book.
The Night Shift was like coming home and realizing it smells just as good as you remember— in this case home is Alex Finlay’s writing.
FBI Agent Sarah Keller is back, investigating what could be two connected crimes fifteen years apart. In 1999 four teenaged girls working at a Blockbuster were attacked, and only one survived. History repeats itself all these years later in an ice cream shop.
Alex Finlay is a master of keeping you on the edge of your seat, suspicious of everyone. He creates real, flawed, well-rounded characters, lays out a phenomenal and complex plot, and is well practiced at writing alternating perspectives without a single one being boring. I read this all in one sitting and I kept jotting down theories for each thing said, heard, or realized throughout the story and one of them panned out!
The one thing I do not forgive Alex Finlay for: just like after reading Every Last Fear I feel genuine heartbreak for some of these characters and I now need to decompress once again.
This was an amazing read, thank you to Alex Finlay, St. Martin’s Press/Minotaur Books, and Netgalley for the opportunity to read this incredible ARC.
Twenty years ago the Lovelorn Killer murdered seven women before seemingly going underground. Now, he’s back.
Detective Annalise Vega lost someone she loved to this killer twenty years ago, and now she has the chance to solve the case once and for all. Starting with the recent murder of Grace Harper, who may have discovered something incriminating that no one else knew.
The best part of Joanna Schaffhausen’s writing, is her characterization. Right from the introduction Annalise comes across as a well-rounded character with both positive and negative traits, and she’s very self aware. You become suspicious of every new character but she’s able to endear some of them to you so that you hope it isn’t them.
This book was a great police procedural and was so fun for me to figure out, and I was pleased to get it all except for one detail that even slipped by me! This was an enjoyable read and this book definitely got me out of a reading slump.
Thank you to Netgalley, St. Martin’s Press/Minotaur Books, and Joanna Schaffhausen for the opportunity to read this review copy.
Heather Evans returns home after her mother’s baffling suicide. In her mother’s belongings she finds some alarming letters- correspondence with the serial killer Michael Reave. Reave has been serving a life sentence for decades now after being convicted for several ritualistic murders of women, even though he continually pleaded his innocence. Finding these letters causes Heather to seek out the person her mother had been writing to and look more into this case. When a new body is discovered with the same MO as the previous murders, Heather tries to find out the truth about what happened and what her mother could have known.
Initially, this story is a gripping thriller. It gives you the creeps the same way the opening to a horror film does, very atmospheric which is great. I would advise anyone who can’t handle animal cruelty in a book to skim that. I did find that once you reach a certain point in the book there is so much going on, so many different elements that are supposed to be mysterious, creepy, or haunting, that it does feel like a little too much.
The premise of this book was intriguing and the creep factor was definitely there for some of the book. I wasn’t completely satisfied with it as I finished it up, but there are some great reviews for this book and I’m sure there will be even more by the publication date. I would definitely recommend you read it and form your own opinions because I have a feeling people are going to be very hit or miss with this one.
Thank you to Netgalley, Crooked Lane Books, and Jen Williams for the opportunity to read this review copy.
It’s been five years since the day Detective Amanda Steele lost her whole world because of one person’s decision to drive while drunk. When the driver that killed her family is found dead in a motel room she can’t stay away from the case, despite the conflict of interest. Not everything is what it appears to be, and Amanda finds herself digging deeper and deeper into the darkness behind a string of murders.
Amanda Steele is a Jessica Jones type, a good cop with baggage and self-medicating tendencies. She’s also a strong-willed character, justice-seeking character who you want to see solve everything. This is a great police procedural and had enough action to keep things interesting. This was a fun read from figuring out how everything ties in and encountering the plot twists that take you to the end!
Thank you to Carolyn Arnold, Bookouture, and NetGalley for this ARC!
My heart breaks over and over for Detective Casey White.
A woman’s body washes up on the beach with striking similarities to a case from a couple years back involving the ex-sheriff, Jericho Flynn, Casey’s romantic partner. Days later another woman is found, and both of them have ties to Jericho’s past. Every clue uncovered seems to incriminate her loving partner more and more, and time is running out to catch this killer before he catches her.
Saltwater Graves was a good story, it would make a good episode of a crime drama to use as background noise when I’m doing other things, but it wasn’t an edge-of-my-seat/can’t-put-it-down thriller. The procedural aspect of this book was fun to read and was just like watching CSI or Bones as they try to find out what happened to the victims. The book doesn’t really get into its crescendo until the third or fourth quarter of the book, until then I wasn’t crazy about it. I did find myself so sad and heartbroken for Casey toward the end of the book as she faced one loss after another in rapid succession and couldn’t catch a break. I also found the ending to be unsatisfactory, I’m sure there will of course be another installment in the Detective Casey White series, but this ending wasn’t one urging me to read on. I do applaud the author’s ability to break my heart for Casey.
I was mostly excited for this book because of the fact that the setting, the Outer Banks, is where I live and grew up. For me, I feel like it was a mistake on my part because this wasn’t an Outer Banks setting this was more like a Virginia Beach setting through and through and the inaccuracies drove me up a wall, but that’s just a personal grievance of mine and did not affect the rating I gave this book.
Thank you to NetGalley, B.R. Spangler, and Bookouture for the ARC of this book.
Oh. My. God. I am officially a huge fan of Lisa Jewell.
Watching You is a story of family secrets, affairs, hidden malicious sides, and an unexplained murder to top it all off. In a neighbourhood where seemingly everyone is watching someone. This book was written in such an interesting format, chronologically telling the story with an excerpt every few chapters from police interviews with some of the characters. It makes for such an interesting read and leaves you trying to figure out who did it the whole time.
The characters are phenomenal because of the fact that they all have their positive and negative traits and behaviors, making them very well rounded personality-wise, but also leaving each of them each with possible evidence, opportunity, or motive to be the killer. While reading you are constantly adjusting your theory.
I was so pleased with myself for making the right connections throughout the story and figuring it out, but some things still popped out and shocked me! The most jarring part of the whole book that knocks the air out of you: the epilogue. Just read it and see.
Trumanell Branson disappeared a decade ago, leaving behind a town that never forgot and people who never stopped trying to find her. Odette Tucker, the town’s youngest cop and one with personal ties to Trumanell and her family, is sliding down a slippery slope as she tries to solve this mystery and the one of the missing girl who showed up in a field with only one eye.
No description I give this book could do it justice. I’m heartbroken. This was one of those books that grabbed a hold of my nerves and my heart and just didn’t let go. The powerful imagery, complex plot, and atmospheric writing made for one of the most interesting books this year. The middle of this book made me gasp out loud, the change halfway through something you couldn’t have guessed.
This was a slow read that I definitely took my time with, but I didn’t ever lose my patience with it.
We Are All the Same in the Dark
grabbed my attention and wouldn’t give it back until I finished it. This story had so many layers built into it, it was a masterpiece of a “who-done-it” and makes the reader suspicious of every character at least once. Sip this one slowly like a fine wine and enjoy.
Thank you to Ballantine Books, Julia Heaberlin, and NetGalley for this arc.
Every Last Fear reads like the best kind of crime drama playing right before your eyes. Matt Pine comes back to his NYU dorm after a night of partying to the worst news possible news; his entire family who were on vacation in Mexico was just found dead. What at first looks like an accidental gas leak turns out to be so much more and it has everyone wondering: could this relate to the murder that put Danny Pine, Matt’s older brother, in prison seven years ago.
The unique plot was built on real characters with multifaceted lives. Each chapter revealed new plot and more layers to the story, causing the reader to constantly adjust their theory on what happened. The constantly changing perspective, where everyone has a different piece of the puzzle, is engaging and gives butterflies just like all good thrillers.
The web that Alex Finlay was able to weave in this novel was intricate and fascinating. The things this family went through all because of one night are heartbreaking. The ending was satisfying. I had to mentally decompress after the amount of action my heart just went through. Every Last Fear is a new favorite of mine.
Many thanks to Alex Finlay, St. Martin’s Press, and Netgalley for the opportunity to read this incredible ARC.
There’s no mystery that writer-director Rian Johnson loves playing with genre expectations. From the shady central mystery of debut movie Brick, to the twisty sci-fi plot of Looper, the director has a gift for pulling the narrative rug from under your feet, so much so that his divisive story for Star Wars: The Last Jedi was accused of veering too far away from the galaxy far far away. Let loose in the more modest setting of a murder mystery drama, and freed from studio control, Johnson latest film is a much more assured and entertaining use of his skills, though the approach is very much still the same - set up familiar genre rules, and throw everything you know out of the window.
Set in present day, but with the old-timey sensibilities of a classic murder mystery, the plot hinges on the death of wealthy patriarch and renowned crime author Harlan Thrombey (Christopher Plummer effortlessly communicates his character’s generosity in a handful of scenes) on the night of his 85th birthday. With an ingenious interview sequence that introduces the film’s many colourful characters, we quickly get up to speed with the dysfunctional family that spent this night with him, establishing potential motives and tensions, and laying down intricate details that come into play later. Though initially dismissed as a clear-cut suicide, this does little to quell the suspicions of Benoit Blanc (Daniel Craig), an eccentric detective whose gift for sniffing out mysteries are the stuff of tabloid celebrity.
We see this unfold through the eyes of Marta (Ana de Armas), Harlan’s personal nurse and friend, and typically, the person you’d least expect. Surprisingly holding the cards to some of the movies key moments, de Armas plays her character’s complex character arc to perfection, a warm-hearted yet determined presence that you root for as the film progresses. Surrounding her is what can only be described as a circus-like bunch of big egos and hangers-on to Harlan’s enormous fortune, memorably brought to life by a dreamy ensemble cast. Jamie Lee Curtis is the proud, ‘self-made’ daughter with a successful real estate business, Don Johnson smarms it up as her unfaithful husband, Toni Collette is brilliant as Harlan’s cloying, social-media obsessed daughter-in-law, and Michael Shannon impresses against type as the insecure son who looks after Harlan’s publishing business. As Harlan’s entitled grandson ‘Ransom’, Chris Evans is a particular delight, a smug and smirking ‘trust-fund baby’ who tells the entire family to eat shit in his very first scene.
Throughout, Johnson shows an expert grasp of his material, drawing a lot of comedy from his subversion of audience expectations. Things never quite go the way you expect, and the story’s dramatic revelations are punctuated with odd little details that add colour and intrigue to the story, like a character who throws up when telling a lie, an ill-timed car singalong, or one of the most anti-climatic car chases in cinema history. And, in Benoit Blanc, Craig has delivered one of mystery cinema’s biggest oddballs - an unconventional sleuth who adores the thrill of unravelling a mystery (his donut analogy is hilarious) and speaks in an old-fashioned southern drawl that shouldn’t work, but somehow compliments the character’s quirks. Like this character, you’ll find joy in puzzling together the film’s various plot points, which come together in a way that makes sense, and feels worthy of the build-up before it. The end result is a film so engaging and cleverly put together, that you’ll likely be disappointed when it reaches its thrilling conclusion.
Smart, funny and masterfully orchestrated, Knives Out is a pitch-perfect murder mystery that pays homage to the genre’s conventions, while repackaging them in a way that feels witty, fresh and unpredictable.
Lux wanted to travel the world so when Nico tells her to travel with him she goes only problem they have not traveled but have been stuck in Hawaii.. Nico and Lux are hired to sail best friends Brittany and Amma to a remote island in the South Pacific, it seems like the opportunity of a lifetime because they are willing to pay big bucks.
Meroe Island is paradise despite a mysterious history Jake and Eliza then arrive and they are a true golden couple. Now a party of six, they have fun in the sun.
When it becomes clear that the group is even more cut off from civilization than they thought, it starts to feel like the island itself is closing in on them. People end up dead and mysterious things are revealed. But what will happen to them all?
I really enjoyed it and it had many twists and reveals. It’s not perfect but it entertained me and made me have emotions. Read it if you like mysterious thrillers.
Ok so I was watching this episode of 6teen, just checking it out, and Tricia was in it and she was being her usual manipulative & bitchy self.
BUT THEN I BROWSED THE COMMENTS AND I SAW THIS COMMENT
AND I WAS LIKE “WHOA WHOA WHOA WHOA.” THAT IS TOO EXTREME FOR THIS SHOW.
Plus, Nikki does not seem like the murderous type.
This got me thinking that there should be a murder-mystery episode of 6teen where everything is in black and white and the gang have to find out who murdered Tricia. And they do whatever it takes to solve the mystery. They trust no one, not even themselves.
Doing research for a thing everyone reblog or reply and tell me what you would do with your time if you didn’t have to work. Like if you suddenly got enough passive income to live a comfortable middle class life and you didn’t have to do a single thing to get it, what would you do all day?
If you think your answer is embaraseing anon it to me.
Hike. Write books. Join a SAR team. Draw comics.
Write books. Go to physical therapy. Cook nice meals for me and my family. Read a boatload of books. Paint.
Run a murder mystery B&B with my sister.
Like, most of the time it’s a normal B&B, but a couple times a month it becomes a 3+ day murder mystery adventure with actors in full costume and prizes
(Also half-day versions available during the week specifically for school field trips)
Roughly every other month we’d have a new mystery/theme
We came across Ellery Queen’s Mystery Magazine and were intrigued by the cover illustrations. We haven’t read the stories yet so can’t tell you what happens, but we love imagining the solutions!
This is an odd entry in the works of le Carre, chronicling the later life of George Smiley. Following the events of Call for the Dead Smiley, no longer with the service, is living a quiet life in London. He is contacted by an old colleague about the a letter she has received from the wife of one of the masters at a venerable Public School (that is, a very old, expensive and exclusive private school) in Dorset, in which she states the fear that her husband is intending to kill her. Smiley calls another master there, the brother of one of his late friends, to find that this woman has indeed been murdered, so travels down to hand the letter over to local detectives and becomes embroiled in the investigation.
So, this is George Smiley as a free agent, outside the Circus. It seems that le Carre may have been toying with setting his character up as a detective - more Father Brown than Sherlock Holmes, although there is something Holmesian in the way the plot unfolds, with Smiley’s vast, if ponderous, intellect processing all the details and building a picture nobody else can see. There is also something of Agatha Christie about the layers of upper-class English manners and class distinctions, in this book those stratifications are precisely the point rather than being, as with Christie, simply the medium on which the puzzle of the plot is hung.
It is clear from early on that this is a blistering attack on the British class system and the snobbish, restrictive forms, rules and structures that protect those at the top - something the author confirms in both the original afterword and a new one, added to this edition in 2010.
In this, le Carre also acknowledges the book’s shortcomings as a thriller (although, by modern terms, I would not class it as a thriller at all, but a mystery) and this is indeed true, perhaps largely as it comes between his excellent debut and The Spy Who Came In from the Cold, which may be the finest spy thriller ever written. The novel is very old-fashioned, some of the supporting cast are fairly flat sketches, and some of the attitudes - especially those toward women - are very much of their time (although that balanced against some very progressive notions) but he already shows his eye for detail and ability to infuse a scene with colour and meaning (even if most of colours are the shades of grey of post-war Britain) and, despite the flaws, this gripped me enough to read in three sittings.
Now, I am very much looking forward re-reading The Spy Who Came In from the Cold.
