#the fellowship of the ring

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Variant box cover for SPI’s big 1977 War of the Ring wargame, featuring character art from one of th

Variant box cover for SPI’s big 1977 War of the Ring wargame, featuring character art from one of the posters for Ralph Bakshi’s 1978 film.


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 Middle-earth March - Day 6 “Hey dol! merry dol! ring a dong dillo! Ring a dong! hop along! Fa

Middle-earth March - Day 6 

“Hey dol! merry dol! ring a dong dillo! Ring a dong! hop along! Fal lal the willow! Tom Bom, jolly Tom, Tom Bombadillo!” Tolkien’s most mysterious and enigmatic character, Tom Bombadil is probably one of the oldest creatures in all of Arda. He lives in the Old Forest, close to the Barrow Downs. There are many theories of his origins, him being a Maia, a man, Ilúvatar himself, or even the reader. He appeared as an old man with a wrinkled face and a bristling brown beard, wearing a blue jacket, yellow boots, and an old hat that featured a feather.


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When they caught his words again they found that he had now wandered into strange regions beyond the

When they caught his words again they found that he had now wandered into strange regions beyond their memory and beyond their waking thought, into times when the world was wider, and the seas flowed straight to the western Shore; and still on and back Tom went singing out into ancient starlight, when only the Elf-sires were awake. Then suddenly he stopped, and they saw that he nodded as if he was falling asleep. The hobbits sat still before him, enchanted; and it seemed as if, under the spell of his words, the wind had gone, and the clouds had dried up, and the day had been withdrawn, and darkness had come from East and West, and all the sky was filled with the light of white stars.

Whether the morning and evening of one day or of many days had passed Frodo could not tell. He did not feel either hungry or tired, only filled with wonder. The stars shone through the window and the silence of the heavens seemed to be round him. He spoke at last out of his wonder and a sudden fear of that silence:

‘Who are you, Master?’ he asked.

'Eh, what?’ said Tom sitting up, and his eyes glinting in the gloom. 'Don’t you know my name yet? That’s the only answer. Tell me, who are you, alone, yourself and nameless? But you are young and I am old. Eldest, that’s what I am. Mark my words, my friends: Tom was here before the river and the trees; Tom remembers the first raindrop and the first acorn. He made paths before the Big People, and saw the little People arriving. He was here before the Kings and the graves and the Barrow-wights. When the Elves passed westward, Tom was here already, before the seas were bent. He knew the dark under the stars when it was fearless–before the Dark Lord came from Outside.’

–J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, “In the House of Tom Bombadil”


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Then suddenly the trees came to an end and the mists were left behind. They stepped out from the For

Then suddenly the trees came to an end and the mists were left behind. They stepped out from the Forest, and found a wide sweep of grass welling up before them. The river, now small and swift, was leaping merrily down to meet them, glinting here and there in the light of the stars, which were already shining in the sky.

The grass under their feet was smooth and short, as if it had been mown or shaven. The eaves of the Forest behind were clipped, and trim as a hedge. The path was now plain before them, well-tended and bordered with stone. It wound up on to the top of a grassy knoll, now grey under the pale starry night; and there, still high above them on a further slope, they saw the twinkling lights of a house. Down again the path went, and then up again, up a long smooth hillside of turf, towards the light. Suddenly a wide yellow beam flowed out brightly from a door that was opened. There was Tom Bombadil’s house before them, up, down, under hill. Behind it a steep shoulder of the land lay grey and bare, and beyond that the dark shapes of the Barrow-downs stalked away into the eastern night.

They all hurried forward, hobbits and ponies. Already half their weariness and all their fears had fallen from them. Hey! Come merry dol! rolled out the song to greet them.

   Hey! Come derry dol! Hop along, my hearties!
   Hobbits! Ponies all! We are fond of parties.
   Now let the fun begin! Let us sing together!

Then another clear voice, as young and as ancient as Spring, like the song of a glad water flowing down into the night from a bright morning in the hills, came falling like silver to meet them:

   Now let the song begin! Let us sing together
   Of sun, stars, moon and mist, rain and cloudy weather,
   Light on the budding leaf, dew on the feather,
   Wind on the open hill, bells on the heather,
   Reeds by the shady pool, lilies on the water:
   Old Tom Bombadil and the River-daughter!

And with that song the hobbits stood upon the threshold, and a golden light was all about them.

–J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, “The Old Forest”


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No one answered. The noon-bell rang. Still no one spoke. Frodo glanced at all the faces, but they we

No one answered. The noon-bell rang. Still no one spoke. Frodo glanced at all the faces, but they were not turned to him. All the Council sat with downcast eyes, as if in deep thought. A great dread fell on him, as if he was awaiting the pronouncement of some doom that he had long foreseen and vainly hoped might after all never be spoken. An overwhelming longing to rest and remain at peace by Bilbo’s side in Rivendell filled all his heart. At last with an effort he spoke, and wondered to hear his own words, as if some other will was using his small voice.

‘I will take the Ring,’ he said, ‘though I do not know the way.’

Elrond raised his eyes and looked at him, and Frodo felt his heart pierced by the sudden keenness of the glance. ‘If I understand aright all that I have heard,’ he said, ‘I think that this task is appointed for you, Frodo; and that if you do not find a way, no one will. This is the hour of the Shire-folk, when they arise from their quiet fields to shake the towers and counsels of the Great. Who of all the Wise could have foreseen it? Or, if they are wise, why should they expect to know it, until the hour has struck?

‘But it is a heavy burden. So heavy that none could lay it on another. I do not lay it on you. But if you take it freely, I will say that your choice is right; and though all the mighty elf-friends of old, Hador, and Húrin, and Túrin, and Beren himself were assembled together your seat should be among them.’

—J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, “The Council of Elrond"


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And seated a little apart was a tall man with a fair and noble face, dark-haired and grey-eyed, prou

And seated a little apart was a tall man with a fair and noble face, dark-haired and grey-eyed, proud and stern of glance.

He was cloaked and booted as if for a journey on horseback; and indeed though his garments were rich, and his cloak was lined with fur, they were stained with long travel. He had a collar of silver in which a single white stone was set; his locks were shorn about his shoulders. On a baldric he wore a great horn tipped with silver that now was laid upon his knees. He gazed at Frodo and Bilbo with sudden wonder.

‘Here,’ said Elrond, turning to Gandalf, 'is Boromir, a man from the South. He arrived in the grey morning, and seeks for counsel. I have bidden him to be present, for here his questions will be answered.’

–J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, “The Council of Elrond”Artist’s description


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‘And you, Ring-bearer,’ she said, turning to Frodo. 'I come to you last who are not last

‘And you, Ring-bearer,’ she said, turning to Frodo. 'I come to you last who are not last in my thoughts. For you I have prepared this.’ She held up a small crystal phial: it glittered as she moved it, and rays of white light sprang from her hand. 'In this phial,’ she said, 'is caught the light of Eärendil’s star, set amid the waters of my fountain. It will shine still brighter when night is about you. May it be a light to you in dark places, when all other lights go out. Remember Galadriel and her Mirror! ’

Frodo took the phial, and for a moment as it shone between them, he saw her again standing like a queen, great and beautiful, but no longer terrible. He bowed, but found no words to say.

–J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, “Farewell to Lórien”


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‘I should like to save the Shire, if I could – though there have been times when I thought the

‘I should like to save the Shire, if I could – though there have been times when I thought the inhabitants too stupid and dull for words, and have felt that an earthquake or an invasion of dragons might be good for them. But I don’t feel like that now. I feel that as long as the Shire lies behind, safe and comfortable, I shall find wandering more bearable: I shall know that somewhere there is a firm foothold, even if my feet cannot stand there again.’

–J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, The Shadow of the Past

Art by Alan Lee


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“But Lobelia was not so easily got rid of. A little later Frodo came out of the study to see how things were going on and found her still about the place, investigating nooks and corners and tapping the floors. He escorted her firmly off the premises, after he had relieved her of several small (but rather valuable) articles that had somehow fallen inside her umbrella. Her face looked as if she was in the throes of thinking out a really crushing parting remark; but all she found to say, turning round on the step, was:

‘You’ll live to regret it, young fellow! Why didn’t you go too? You don’t belong here; you’re no Baggins–you–you’re a Brandybuck!’

'Did you hear that, Merry? That was an insult, if you like,’ said Frodo as he shut the door on her.

'It was a compliment,’ said Merry Brandybuck, 'and so, of course, not true.’”

—J.R.R. Tolkien, The Lord of the Rings: The Fellowship of the Ring, “A Long-expected Party”

HC: The Fellowship played a game on their journey to pass the time called “how old is it.” The game goes like this: someone throws out a number, and then everyone else has to rate that age in terms of maturity, life stage, etc. Gandalf rates every number “child.” Aragorn threw out “430” at one point and Boromir, way out of his depth and with a confused glance towards Legolas, cautiously rated it “Venerable and wise.” The hobbits promptly rated it “Dead.”

- [For Lord of The Rings] I had to do huge battle scenes, and in Hollywood films when it gets to big crowds it’s really only at most two thousand people. But Tolkien writes about Helm’s Deep and ten thousand Uruk-hai, and the only way to do that was in a computer. So we created the “Massive” software, where each of the computer people makes its own choices. At the first test screen we had 30 CGI people running at each other and half of them turned and ran away, so we had to dumb them down and tell them to stay fighting.

- You don’t know how the battle is gonna turn out?

- No. If you have orcs fighting elves, you teach CGI orcs how to fight like orcs and CGI elves to fight like elves. You’re literally not in control. You have this huge battle scenes with horses for and that renders for about three days and we don’t know what it’s gonna be like, so we wait and see.


- [Per il Signore degli Anelli] dovevo fare scene di battaglia enormi, e nei film di Hollywood quando si tratta di grandi folle in realtà al massimo ci sono duemila persone. Ma Tolkien parla del Fosso di Helm e diecimila Uruk-hai, e l’unico modo di farlo era a computer. Quindi abbiamo creato il software “Massive”, dove ogni “persona da computer” fa le proprie scelte. Ai primi screen test c’erano 30 persone CGI che si correvano addosso, e la metà si è girata ed è scappata via, quindi abbiamo dovuto renderle meno intelligenti e dirgli di rimanere a combattere.

- Quindi non sapevate come sarebbe andata la battaglia?

- No. Se hai degli orchi che combattono gli elfi, insegni agli orchi CGI a combattere come orchi e agli elfi CGI a combattere come elfi. Non li puoi controllare. Hai queste scene di battaglia enormi con i cavalli e le fai andare per circa tre giorni e non sai come verrà, quindi attendi.


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