[ID: Two versions of the same digital drawing. In it, Jonathan Sims kneels on the center, resting both Sasha James’s and Tim Stoker’s heads on each leg as he carefully holds their shoulder and their chin, respectively. Jon is crying, Sasha’s face pulled away from the viewer while Tim’s skin is covered in worm and burn scars, eyes closed and body stiff. Below them on the floor there are depictions of thin long lines under Sasha and of fire under Tim. Above Jon there are twelve dark segments cut by fine lines, showing a myriad of purple eyes looking down at him, and below his head rays of purple and gold fall down and cover the floor around them. A pair of hands reach down from above with a crown covered in eyes, and another pair of hands reach for Jon, one of them holding his shoulder with care while the other tries to pull him by the fabric of his jacket. Jon’s entire body is buzzing with static, eyes glowing purple and long hair hovering around him, but while there’s an encompassing light above everything, he’s casting a shadow on Sasha and Tim, hiding them from the static as well. In the second version of the drawing everything is the same, except everything has a red and pink tint to it, and the originally purple eyes and tears look red like blood. //End ID]
something about God grieving his dead lovers, something about unwanted godhood, etc, etc, etc
[ID: Two digital drawings of Jonathan Sims, Gerry Keay, and Martin Blackwood from The Magnus Archives. Jon is a short, thin Indian person with medium brown skin, long greying black hair tied up in a half bun, and dark brown eyes. He is wearing a dark green oversized sweater with a white sheep pattern and a singular black sheep, and khaki trousers. His nails are painted purple and he is wearing an ace ring. Gerry is a tall, buff white man with light blue-grey eyes and long black hair with orange-y blond roots showing. He is wearing a dark grey tank top and black jeans with the bottoms cuffed. He has dark purple eyeshadow, painted black nails, and eye tattoos on his hand joints, the back of his hands, and his elbow. Martin is a tall, chubby British-Chinese man with light skin, gold glasses, and short, wavy dark brown hair. He is wearing dark grey trousers with a light blue sweater depicting a green field, a cow, and several white clouds.
They are sitting on a mint green couch. Jon is sitting slightly slouched on the left and reading a dark brown book. There is a yellow pillow behind him. Gerry is sitting in the middle smoking a cigarette and looking at Jon. His left leg is folded up on the couch. Martin is sitting on the right, leaning contentedly on Gerry’s shoulder and holding a yellow mug with a drawing of a frog on it. His eyes are closed. The background is a pale peach wall and there are white fairy lights above the couch. The room light is dimmed and the fairy lights shine brightly. The artist’s signature ‘Moondraconis’ is above Martin’s left shoulder.
The second image is the same but the room is not dimmed./End ID.]
(ID: Two digital drawings of Jon and Martin from the magnus archives snuggling. Jon is a thin Persian person with medium brown skin and long curly graying dark hair. They have a beard, and several scars dotting their body. Martin is a fat Black and Filipino man with dark brown skin, freckles, and short curly reddish brown dark hair. His hair is tipped with white and he has vitiligo dotting face and hands. In the top drawing, Jon and Martin are both shirtless and in their boxers. Martin is lying down in jons lap, while they smile fondly down at him and cup his face in their hands. In the second drawing, they are wearing loose t shirts and their boxers, and Jon is lying down on top of Martin’s chest. They’re both asleep, and Martin has his arms wrapped around Jon.)
ALT
