Today we present Unwin’s fine wood-engraved historiated initials for the chapter openings of the book. The initials mesh well with the solid stateliness and deep color of Stanley Morison’s Poliphilus typeface (released by Monotype in 1923), and integrates uniformly with Unwin’s engraved illustrations, creating a harmonious and holistic presentation to the entire production. This copy is another gift from our friend and benefactor Jerry Buff.
Ex Libris Owl - rewarding Sunday studio work #exlibris #bookplate #owl #olivebranch #wood #engraving #relief #printmaking #grabado
Monday Motivation Owl
Now, here’s an owl to start the week off right, from a wood-engraved bookplate recently cut and proofed by our friend, Kentucky wood engraver Joanne Price. Be sure to follow her work and activities @starpointestudio.
English-American artist Nora S. Unwin(1907-1982)is remembered most as a prolific children’s book illustrator and author. Her illustrations for her American friend and collaborator Elizabeth Yates’sAmos Fortune, Free Man won the 1951 Newbery Medal. However, Unwin, who was a member of the renowned publishing family of Allen & Unwin, was also a highly-accomplished wood engraver, having received her training at Leon Underwood’s prestigious London art school, the Kingston School of Art, and finally the Royal College of Art where she received a diploma in design in 1932. She met her lifelong friend Elizabeth Yates in England in 1937 and followed her back to America in 1946, where she remained for the rest of her life, illustrating well over 100 books and writing and illustrating twelve books of her own.
This week we highlight four delightful wood engravings by Washington artist, sculptor, and printmaker Gretchen Daiber that serve as illustrations for Welsh poet Leslie Norris’s 1984 chapbook of poems A Tree Sequence letterpress printed by Suzanne Ferris on handmade papers by Neal Bonham at their Sea Pen Press and Papermill in Seattle, Washington, in a limited edition of 20 copies signed by the poet and artist..
Daiber lives and works in Leavenworth, Washington, a Bavarian-styled village in the Cascade Mountains of central Washington State. She writes that “My work reflects the landscape and environment which I love– the mountains where I live… . my passion is to record and interpret my surroundings with sculpture, pastels, original prints, journal sketches and watercolors.“
We also include two watermark illustrations by Neal Bonham. At first, we couldn’t understand why there are two blank handmade sheets of paper in the middle of the book made of different fibers than the paper in the rest of the book. Then we tuned a page and the light caught the watermarked illustrations of trees and their shadows. Both Ferris and Bonham graduated from the book arts program at the University of Wisconsin-Madison where they were students of the great letterpress printer, book artist, and papermaker Walter Hamady.
Our copy of A Tree Sequence is another donation from our friend Jerry Buff.
An award-wining short story writer, Leatherbarrow also trained as an artist at Hornsey College of ArtandWalthamstow School of Art, and in the late 1970s started Little Bird Press for her own writing and that of her friends, illustrated with original prints in wood engraving, linocuts, and silk screen. “I began,” she writes, “with an Adana hand press on a table in a corner of my bedroom then progressed to my own workshop above a car showroom on Tottenham High Street,” and would well her books “at Covent Garden Market, craft fairs and bookshops throughout the UK.” She continued illustrating and handprinting until the mid-1980s, when she began writing short stories to great success.
Leatherbarrow has also worked as a librarian, a literary festival organizer, and a university lecturer. In 2010, she retired from lecturing, but continues to write from her home in southwest Scotland.
