#yannickvalgesto
Imperfect Butterflies
September 13, 2019 – October 12, 2019
Solo show at CINNNAMON, Rotterdam.
wayfast
Feel the fucking system, be brave, present
complicated kiss
non integratie
2019
acrylic on canvas
120 x 160 cm
The new works by Yannick Val Gesto are more personal than ever. Val Gesto became known for his work on internet culture, in which he appropriated and reworked deviant art and game aesthetics. As data anthropologist of sorts, he roamed the internet for material, with a special preference for game culture, memes and ‘deviant art’ found on forums and message boards. Many of his works are a testimony to the richness of internet culture, the radical democracy –or anarchy– of the medium, full of rough diamonds, and its non-hierarchical amalgam of creative expressions.
Val Gesto’s work has always been characterized by both information overload, and a desire for simplicity. The net’s rich content has a dark side: digital obesity. FOMO (Fear of Missing Out), too much of a good thing. A Digital Detox is required: dealing with the overwhelming flood of visual information sometimes requires a radical intervention.
Val Gesto is increasingly focusing on this line in his work. In his words: “Away from FOMO, away from fixations, away from information overload.” Also: away from the internet-based source material. The drawings that form the basis of his new work –paintings!– were made on a whiteboard in a homely environment – in Val Gesto’s own home. It doesn’t get much more personal.
Our home, where little things matter, our intimate living environment, its walls and roof protecting us from the world out there. But it is also where we can observe the world online 24/7. The domestic life of cooking, chatting and making coffee, boredom and minor irritations, Google and Netflix. A whiteboard on the kitchen wall – shopping lists, last year’s holiday photos clamped on it with magnets. The genesis of Val Gesto’s new works.
Val Gesto drew simple doodles on his whiteboard, unpretentious, at random moments during the day or evening. Made in the moment, ready to be wiped out as easily as they came to be. The charm of a clumsy, quasi-amateurish “outsider” aesthetic that we know from Val Gesto’s deviant art appropriations is still present, albeit coupled with a much more personal touch.
He then photographed the drawings (simply, with a mobile phone) and digitally reworked them, giving them a raw, graphic quality that is reminiscent of the xerox aesthetic of old DIY fanzines. Lifted out of their fleeting existence, Val Gesto took it upon himself to manually transfer his designs to the canvas. For the first time in his career, Val Gesto turned to painting as his medium of choice.
This experiment towards painting marks a desire for authenticity. There is no faking it. Unlike digital work, in painting the steps cannot really be reversed. All traces are visible, ‘whiting out’ an element on a painting does not produce the same result. With these works, Val Gesto dares to be vulnerable.
‘Meditation, Love’. ‘Fixated mind creates a prison box’. There is a therapeutic theme running through these works as if the artist invites us to join him in a meditation group session. Or laughing therapy. There is a sense of reconnecting to the ‘real’, but it is not without friction. the wilfully naive happiness that Val Gesto seeks to express seems to disintegrate on the canvas. The figures are happy, but unsophisticated, tough and fragile at the same time. Val Gesto paints humanity’s current state: playground on the remnants of a digital disaster. The personal is, sometimes, very universal indeed.
PD
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Idol (idle)
2019
8 minutes 5s
1920 x 1080p
A video piece about virtual characters entering a state of awareness. Shown at De Biënnale Van België, 21/06 - 30/06/2019, Floraliënhal, Gent.
Concept and production by Yannick Val Gesto
Soundtrack by 0comeups
Full video here
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CLOSE BOTH EYES TO SEE is an artbook that brings together a large collection of drawings, sketches and collages I’ve made in the past few years. It also includes a new series of virtual photography and a six page interview by Leon Sadler.
CLOSE BOTH EYES TO SEE
21 x 30 cm
170 pages
Blue fore-edge
Edition of 100
Published by Chambre Charbon, Boris Détraz
© 2019 Yannick Val Gesto
Sold out, few copies still available at stockists, f.e. Battcoop
Press Release and feature on O Fluxo here
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Fatal Frame, gray bubbles and a colour field painting (details)
2017
digital drawing
228 x 164 cm
Commissioned vitrine piece for Cinnnamon (NL)
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Warrior Pose
2016
video
Video and artist book in collaboration with Leon Sadler, commissioned for NRW-Forum Düsseldorf (DE).
Feature on O-Fluxo
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Hiele - Mode D’Hiele
2016
video
Official music video for Mode D’Hiele - Ritmische Bezinning.
Feature on ARTnews
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wii are one, eternal, mii, yogimii, lil sprout
2015
inkjet print on gatorfoam, matte finish, aluminum
120 x 70 cm
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Booming
November 28, 2015 – January 9, 2016
Solo show at CINNNAMON, Rotterdam.
press release + documentation
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Babyborn
2015
90 x 50 cm
print on dibond, matte coating, wooden frame
Nightmare
2015
82 x 50 cm
print on dibond, matte coating, wooden frame
Close Both Eyes To See
mural
Levy.Delval booth at Sunday Art Fair, London. Part of a duo-presentation with Hayal Pozanti.
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Paradise Lost
2015
print mounted on aluminium-dibond (4mm), matte finish, wooden frame
120 x 82,5 cm
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Infinite Scroll
2014
length: 5 minutes 4s
16:9
Summoner
2013
length: 11 minutes 11s
16:9
Shown during Views from above, 9 Augustus - 6 September 2015,BIN, Turnhout.
press release
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Soul Hackers
19 March — 18 April, 2015
Duo-exhibition with Kate Steciw at Levy.Delval, Brussels
press release + documentation
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Residence Evil
February 27 – March 8, 2015
Duo-exhibition with Benny Van den Meulengracht-Vrancx at Het Bos, Antwerpen.
self-portrait in desert contemplating life, Boxersketch, Hobgoblin & Redface
2015
print on aludibond, aluminum frame, mdf
35 x 50 cm
EPISODE 1,2,3 & 4(Petrifiedseries)
2015
print on aludibond, mdf, aluminum, spraypaint, tv mount
90 x 50 cm
press release + documentation
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Soft Intensities
19 June – 5 July 2014
Rachel de Joode, Jaakko Pallasvuo and Yannick Val Gesto
curated by Tim Gentles
press release
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Infinite Scroll
May 2014
Five artists were invited to make screen recordings of themselves viewing images/ content that inspires them in their art practice. A simple and direct concept with a personal note.
Artists: Jason Hirata, Tilman Hornig, Jens Ivar Kjetsa, Yannick Val Gesto, Jaakko Pallasvuo.
curated by Ronny Szillo at BSMNT, Leipzich
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Infinite Scroll
2014
video (source)
length: 5 minutes 4s
16:9
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The New Beauty of Our Modern Life
30 January – 1 March 2014
Higher Pictures presents The New Beauty of Our Modern Life, a group exhibition curated by Kate Steciw. The artists in this exhibition represent a node in an expanding network of post-everything practitioners. Recognizing the flexible nature of images and materials, anything from a font to a floor tile can act as a site of potential intervention. Everything is information: information synthesized becomes material and all of this happens at breakneck speed. One gets the sense that anything is ‘up for grabs.’ The resultant works represent a shift in how we perceive ourselves and the world around us. They are the product of products, yet they are more handmade than readymade—elements are bent, scraped, pinned, sliced, smashed and smeared into shape.
Central to each practice is an expanded definition of ‘image’ and an understanding of its central role in contemporary cultural exchange. Actions of editing, accumulation, arrangement and output are prioritized in a moment when it is not so much about what one puts into the world but how one reconfigures existing information to reveal new aesthetic horizons. Each piece exhibits a sense of agency over an onslaught of media both consumed and self-generated. The ‘hand’ of the artist is reintroduced as a cyborg (altered, yet recognizably human,) twisting meaning from the chaos of relentless input.
Artists: Sara Cwynar, Alex Da Corte, Rachel de Joode, Ethan Greenbaum, Asha Schechter, Kate Steciw, Yannick Val Gesto and Harm Van Den Dorpel.
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Deviant
2013
28 pages
297 x 200 mm
full color on maco matte 200 gr
400/400
Artist’s book in collaboration with Benny Van den Meulengracht-Vrancx, published by Scheld’Apen/HetBos. Exhibited at Intermarketin Ausstellungsraum Klingental, Basel, Switzerland.
press release
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