#acknowledgement vs silence
Let’s talk about God in Good Omens.
“…God does not pay dice with the universe. I play an ineffable game of my own devising. For everyone else, it’s like playing poker in a pitch-dark room, for infinite stakes, with a dealer who won’t tell you the rules and who smiles all the time.“
I feel like we don’t give God enough credit for telling us exactly who she is with this line. Yes, it’s funny and said in a breezy Frances McDormand voice, but it’s also kind of terrifying. That game does not sounds like a fun game for anyone but God, for whom it’s probably hilarious. And I think this really sets the tone for God in Good Omens (the TV series, at least).
Good Omens opens up the possibility that God is cruel. She is, at the very least, indifferent to a lot of human suffering, and is sometimes in the business of causing it. Her punishments are harsh, indiscriminate and irreversible. This is a God who drowns children to make a point. She admits that her creations fear her, and does not seem to have a problem with that. She’s capricious with damnation and forgiveness. (Crowley fell for asking a few questions and hanging out with the wrong crowd; Aziraphale straight up gives his flaming sword away and that’s fine.) She doesn’t seem to mind that her angels behave horrifically, from mundane bullying up to summary execution.
She is not merciful. She provides no answers, not even to the faithful. She does not come to the aid of those who call on her. Crowley tells Aziraphale that he shouldn’t count on God to come and fix things, and he’s right. At times, God seems downright sadistic. (Think about the plant scene as some kind of traumatic reenactment of Crowley being cast out of Heaven. Then think about the fact that God herself is narrating this scene in a tone of detached amusement. That’s fucked up!)
One of the reasons that Crowley is such a sympathetic character is that he asks the same questions that any person who has both faith and compassion would ask. (The idea that a demon is the moral center of the story is a think for another post.) If God is all-powerful and all-knowing, why is there so much suffering in the world? Is God actively causing the suffering? Why? Does she just not care? Why doesn’t she make it stop?
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@inthroughthesunfroof reply: You said what I’ve been thinking, just, much more beautifully. I don’t know what Pratchett and Gaiman’s religious beliefs are, beyond both having a strong humanist streak. Good Omens doesn’t read like an athiest work, it reads like someone wrestling with the fundamental question that all Christians run into: Given an all-knowing and all-powerful God whom we are told literally is love, why does suffering exist? Why does this suffering exist? How can our God be so cruel?
It’s a question that has broken many people’s faith, including mine. Good Omens doesn’t pretend to answer why, but it does answer so now what with a resoundingly humanist perspective. Whether or not God loves us, whatever that means, the only reasonable way for us to live is to love each other.
It’s a surprisingly biblical answer. Matthew 22:36-40:
36 “Teacher, which is the greatest commandment in the Law?”
37 Jesus replied: “‘Love the Lord your God with all your heart and with all your soul and with all your mind.’[a]38 This is the first and greatest commandment. 39 And the second is like it: ‘Love your neighbor as yourself.’[b]40 All the Law and the Prophets hang on these two commandments.”
If the God of the Bible is real, I don’t know if They’ll forgive a loss of faith. I hope They won’t be too disappointed if people who fail to follow the first commandment hang onto the second.
@ilarualreply: This is such a good post, and really articulates a lot of the thoughts that serve as the backdrop for basically all my readings of the lead characters of GO (both the immortals and the humans). The point is not: is God there? will God save us? Instead, the point is: it is imperative that we assume that there will be no divine intervention, and that it is up to us to work our own interventions.
It’s interesting to me that the human characters do not seem to give a fuck about God. Adam and the Them care about their world, and they care about protecting it regardless of what anyone, divine or otherwise, has to say about it. Anathema, likewise, isn’t interested in anyone’s guidance but Agnes’s. As for Tracy and Shadwell and Newt… they’re just along for the ride, they’re not worried about big theological questions. They’re just humans, messy, lovely, ridiculous humans who are just Doing Their Best when they find themselves in extraordinary circumstances. And all of them have no truck with any Great Plan, whether it’s God’s or anyone else’s— the human characters just want their planet left in one piece. Humanity’s responsible for wrecking it, and humanity’ll be responsible for fixing it, thank you very much. It’s only Heaven and Hell who have any real investment in what God wants or doesn’t want. Squabbling children who are still, after millennia, vying for Mom’s attention no matter how silent and indifferent She may be.
And as for our show-stealing leads…
Obviously Aziraphale’s entire journey over the course of the story is about finally giving up the ghost and accepting what he’s known to be true, in his heart of hearts, for awhile now: God isn’t coming to help you. God isn’t going to tell you what the right thing to do is. You need to do for yourself, you need to speak for yourself, you need to take action, because if you don’t, then who will? Aziraphale’s story is about recognizing that maybe God really does have a plan for all this, but maybe it’s cruel and unjust. And, not knowing what the plan is, if there is one, it is imperative that we step up and act with radical kindness, because to do otherwise is unthinkable.
Crowley… well… OP said it all. Crowley understands this. He is the only character in the entire series that actually addresses God directly, and we know She hears him. She sees, She hears, and there’s a distinct possibility that Crowley and Aziraphale were Her answer all along, but whether that’s the case or not, She’s not telling. And that indifferent silence? Crowley knows that’s cruelty, and that’s why Crowley so thoroughly rejects the false dichotomy of Heaven and Hell. He knows, has known for millennia, that it’s all bullshit. And he knows Aziraphale knows it too, it’s just a matter of getting to admit it.
In the novel, we’re left with absolute silence from God. Maybe God is there, maybe not, but ultimately it doesn’t really matter because we’ve got to take care of each other regardless. But in the show? God is there, God is watching, and God is a smug asshole.
It would be easy to confuse omniscience, omnipotence, and omnipresence with perfection. But God, it is said, created humanity in Her own image, and if you look at what humanity is like, capable of both extraordinary good and extraordinary evil… well, I think that says just as much about God as it does about us.
#god is human but on a cosmic scale #is basically my praxis both within the context of GO and within the context of just like… religion in general #either god is imperfect & fallible or god is unceasingly cruel #it’s up to the individual to decide which interpretation they can live with
@pisces-atdcomment: also worth noting the somewhat humorous line in the end of the series, in which gabriel states “god does not play games with the universe” and crowley responds “where have you been?” crowley and aziraphale have been living on earth for so long that they’ve SEEN things. think about it: they were the only ones actually THERE right before God literally drowned everyone except for Noah and his family. they’ve seen the type of things god is responsible for. every time aziraphale says “god’s plans are ineffable”, crowley is right there to jump in and ask “why?” which honestly is probably what got him thrown out of Heaven in the first place. eventually, aziraphale stops saying that. he never truly turns his back on heaven, not until the very end, but that’s not because he LOVES heaven or even god. he keeps his foot in the door out of fear. and crowley never truly aligns with hell, but he’d rather be on his own side with aziraphale than ever go back to heaven and work for god again. being on earth for so long, crowley and aziraphale side with the humans more than anyone else. they question hell and heaven, and more importantly, they question god. there’s literally a scene in crowleys office when he’s talking upwards, toward god, and asking “why? why does it have to be this way?” the angels and demons never ask, because for the most part they don’t CARE. the ineffable/great plan is just about a power struggle to them. also worth mentioning that god, in this situation, is about as chaotic as a 13 year old angsts fanfic writer. loving the beauty of suffering for the sake of the story, loving the heart wrenching plot twists, loving to panic and fear and chaos caused by her “ineffable” plan. fine in writing, evil when playing with the lives of real beings. but god has never seen it that way, in the same way angels and demons don’t value human life. I mean, they don’t really give a shit about killing 7 billion humans (not to mention the plants and animals) and of course, to mirror the scene in crowleys office where he’s speaking towards the ceiling to god, there’s a scene later where aziraphale literally calls god and asks to speak with her directly. both of them asking the same thing: “why? does there really need to be a war? can we stop this?” in conclusion: god is cruel and aziraphale and crowley are the only two on either side who understand this concept.
@no-gentle-stormsreply: Sir Terry in a nutshell. See: Small Gods.
I have never noticed how Aziraphale’s instinctive reaction to being called Crowley’s friend is to smile at him:
This is the moment right before Aziraphale remembers that they’re not supposed to be seen together and starts explaining that they have never met before. So, even in Shakespearean times he already considered Crowley to be his friend. Which makes the bandstand scene and the “We’re not friends” even more ridiculous. This angel is so good at lying to himself.
Also, as I’ve already said somewhere, Crowley then proceeds with the famous Age does not wither nor custom stale his infinite variety. By saying this, he’s playing on Aziraphale’s ridiculous excuses about having never met before and not knowing each other. Basically Crowley is emphasizing the fact that, firstly, they are friends indeed and, secondly, that each of their meeting is like discovering each other anew.
In other words, he says Yes, Aziraphale, one could really say that we’ve never met before because your infinite variety makes each of our meetings feel like the first one.
Also I just realized the other day… This sentence that Will plagiarizes ends up in Antony and Cleopatra. Like I knew that before, because @drawlight pointed it out, but I suddenly made the connection “Oh, so Anthony wasn’t a random choice for a first name then, huh.” Like wow. Naming yourself after the titular character in a play that didn’t exist yet but you contributed to on one of your dates. How sentimental!!! (Especially when you consider the terms on which they parted… Happier memories… I wonder if the name is a sort of apology/olive branch. ‘let’s start over/dial it back, remember the good times?’)
God I just can’t stop thinking about this now!! Crowley, waking up after his extended nap. Getting back in the saddle, maybe still spending a few years apart from Aziraphale depending on when you think exactly he woke up. Suddenly he’s busy and he needs a name…. And maybe enough time has finally passed that he regrets the argument they had. He knows why they can’t come to terms, and he won’t ask for it again, but he misses his angel. So what better way to signal to him, “If you hear about me, please, I’m ready to talk. I’m ready to make up. Please, I’m going to build up a reputation until you can’t ignore me. I want to meet you again and discover how you changed in my absence” than to pick the name Anthony???
“Remember when I said that about you? When I talked about meetings and knowing? I’m ready for that again.”
Except. He went by some version of Tony with Da Vinci didn’t he?
…… That I think is true (I think it was Antonio maybe??? Idk if that’s a book reference or something they added for one of the special editions), but consider… Anthony and Cleopatra did exist. And their romance was defined, as much as one can glean any truth about such mythologized figures, as an arrangement becoming something more. Something real. Being on their own side against a great power that ultimately vanquished them.
And I also don’t think that necessarily precludes Crowley advertising himself as Anthony as a means of communicating all these feelings to Aziraphale. (In any case, Aziraphale doesn’t seem to know about the moniker prior to 1941….)
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@ambular-dcomment: So does that mean when Aziraphale said ‘Anthony??…I’ll get used to it’ at the church, he was implying 'Wait, you’re seriously casting me as Cleopatra?? … all right, well, if that’s really how you feel about it then who am I to contradict’
@a-ginger-in-blackreply: The Roman dude’s name was Antony, not Anthony, though in British English they’re pronounced the same.
In the novel, there’s mention of the Mona Lisa cartoon being dedicated to Antonio, so he was using the name by 1503 at the latest.
@joan-daardvark reply: This makes me wonder why this alias didn’t come up until 1941. Not to Aziraphale, in any case.
joan-daardvarkreply: Upon further consideration and discussion with @forbiddenmadrigals… What if he’d already taken this alias in Rome? He could have witnessed Antony and Cleopatra’s romance and heard Antony say these same words to her in real life. So he didn’t come up with Age does not wither, but rather repeated it. He thought that this description suited the angel well and then uttered it at a convenient time (at the Globe). All that was left was to nudge Shakespeare to write a play about the events which Crowley had actually seen himself.
Another thing excites me though. The details below confuse me more than actually clarify anything but I think they’re worth mentioning anyway:
Original sin, serpents… May I go completely nuts and suggest that Crowley could, in fact, be Cleopatra? This doesn’t explain why he chose Antony as an alias but still it’s a fun thought. Or maybe he was present at her court? Who knows but it’s curious nevertheless.
Also, knowing my obsession with solar/lunar symbolism (Aziraphale = Sun, Crowley = Moon), I found this so very endearing:
Helios meaning sun and Selene meaning moon, ofc.
@liquidlyriumreply: Yes! I saw that in my frantic wiki reading as well!!! This is all extremely good!!!! (Also if we’re being honest Crowley is not the soldier of the two)
I mean let’s also consider that we know that they view each other far better than they see themselves yes? At the trials, Crowley plays Aziraphale as brave and strong under pressure… Yes he is Cleopatra clearly, but maybe he took that name because of what he sees in Antony (Aziraphale) in the hopes that he’d take on some of those qualities 0:
But he never let on until 1941 I’m still dying at all these Implicationsjoan-daardvarkreply: …in the hopes that he’d take on some of those qualities
You mean, like, as if they were able to… become each other?? *le gasp*
liquidlyriumreply: but also counterpoint: Crowley adopted the name so that his initials would be AC so that way he could always see them next to each other.
Esp when he thought it would never happen because SIDES and alljoan-daardvarkreply(): Knowing his propensity to symbolism, I don’t see why not. We’re talking about a person bringing stone lecterns to his house in memory of his forbidden love, he could absolutely do that.
I am also convinced he sees it as something stylish.
Can we talk about Aziraphale’s rebellion? I want to talk about Aziraphale’s rebellion.
Like, obviously Aziraphale rebelling against Heaven started with giving away the sword. We all know this. He took his stand six thousand years ago and has, in his own quiet way, been defending his choice ever since. In the miniseries, we don’t see as much of how Aziraphale actually conducts his work on Earth as we do of Crowley’s half-hearted attempts at Being Bad, aside from that one line during the drunken bookshop scene about how he tries to influence humans to do the actual thwarting, but I think a lot about the line from the script book that was cut for time, about how he was hoping to influence Nero by getting him interested in music. Which… hoooooo boy is thata lot to unpack, but I digress.
Crowley gave humanity the opportunity to choose, and has continued to do so, allowing mankind to choose their fates. And Aziraphale? Aziraphale is doing just as he did in giving Adam and Eve his sword: giving humanity the tools with which to enact their own destiny, whatever that may be. Aziraphale’s methodology is a consistent defense of his original rebellion, but he still tries for six thousand years to tread the fine line of loyalty to Heaven, even as he makes it oh so very clear, with his misprint Bibles and his love of human culture and his clear discomfort in the face of Heaven’s other messengers, that he doesn’t like their ways or their attitude.
But that isn’t what I want to talk about. What I want to talk about is the moment that Aziraphale goes full loose cannon.
When Aziraphale first gets poofed back to Heaven, he starts out this confrontation with the Quartermaster with the same fumbling, almost unctious behavior he shows to the Archangels (feat. Sandalphon) up until this point. He doesn’t like these people, he barely evenrespects these people, but he feels he owes them his loyalty so he speaks courteously and very nearly obsequiously (but with a twinkle in his eye that says “I am mentally eviscerating every stupidass word out of your idiot mouth” the whole time). He makes light of having been discorporated because he knows he’s in trouble and he’s so in the habit of trying to downplay his slip ups, his tiny rebellions, and dress them up in humor, that it’s his go-to reaction when he suddenly finds himself bodiless and stuck in the absolute last place he wants to be.
But then the Quartermaster starts giving him a dressing down, and at first we see Aziraphale kind of wilting under his ire, shrinking back into himself (which is an amazing bit of physicality from Mr. Sheen, seriously, go rewatch, the body language he uses in this whole scene is amazing) and trying to compress himself down under Heaven’s rage… but then the final blow is delivered:
“You pathetic excuse for an angel!”
And Aziraphale just kind of goes still and absorbs this. He thinks it over. He straightens up. And he makes his choice.
“Well, I suppose I am, really.”
He knows what he is. He’s known from the beginning. His rebellion began six thousand years ago, and all these years with humanity and with Crowley, pushing and pulling at him and making him think and evaluate and question everything, has made him ready to own up to it.
Up until this point, Aziraphale’s rebellion— his misprint Bibles and his little white lies and his overindulgence in human things and the questions he keeps to himself for fear of Falling— has been so quiet. It’s been whispers behind closed doors and a hush-hush Arrangement with an Adversary he shouldn’t even speak to let alone have cozy dinners with. It’s all under lock and key and oh so very discrete.
Until now. Now Aziraphale is pissed.
He’s spent six thousand years teaching humans how to solve their own problems, giving them the tools they need to fight their own battles and actually make use of that power of choice Crowley gave them, even if he doesn’t actually realize that’s what he’s been doing all these years. He’s put literally all the Time there has ever been into guiding and caring for the Earth, and under absolutely no fucking circumstances is he going to let it all be blown to bits so Heaven and Hell can have their stupid pissing contest all over it.
And suddenly all that servile obedience to Heaven, all that soft-spoken pandering, just evaporates. Suddenly it’s “I have nointention of fighting in any war!” Suddenly it’s “Idemand to be returned [to Earth]!” Suddenly Aziraphale has absolutely run out of fucks to give and he’s ready to scream out everything that’s been coming to a slow boil inside him over the course of so many centuries. And he doesn’t know yet, he doesn’t yet understand that all the work he and Crowley have been doing for six thousand years has already given Adam and the Them everything they need to make their choice and defend it. As far as Aziraphale is concerned, he and
probablyCrowley are the only thing standing between the Earth and its imminent destruction, and he absolutely will not just stand back and let it happen.It doesn’t matter that his Quartermaster is berating him. It doesn’t matter that that whole line of angels has suddenly turned in eerie, perfect unison to stare him down with blank-eyed dispassion and unfeeling Judgment. It doesn’t matter that this is treason in Heaven’s eyes, that there’s a damn good chance he’s going to Fall for this. He’s chosen his side, and he’s making a stand.
And then the thought occurs to him that, well, why can’t he just go back to Earth? Why can’t he just possess a convenient human host? Demons can do that, and what are demons but fallen angels? Why can’the do what a demon can do? He knows damn well and good that angels and demons aren’t really all that far apart— he has six millennia worth of love and an Arrangement spanning nearly a thousand years to prove it. We talk about Crowley and his imagination and creativity, but Aziraphale is no slouch when it comes to thinking outside the box either. So once Aziraphale starts asking questions, reallyasking them and not just thinking them quietly to himself and then locking them up tight where no one is likely to see, he instantly becomes this unstoppable cannonball of chaotic energy. It’s the loudest, most brazen Rebellion since Lucifer himself, and it’s done in the service of Humanity, because Aziraphale’s defining character trait is his radical kindness.
Basically, Aziraphale backflips out of Heaven with both middle fingers in the air, and frankly I think it’s amazing.
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@aethelflaedladyofmerciareply: Yeah basically
So in all that cringing away from the Quartermaster, I see Aziraphale’s eternity of being slowly chipped away by the emotional abuse of Heaven. He might question what’s right, he might question whether he even respects his superiors as he should, but deep down he is an angel and he WANTS so very much to be a good angel. He wants to be acknowledged. He wants to be told that his rebellions are ok because they’re done for the Right Reason (at the same time that he does NOT want to be found out).
And then…they push him too far. Hell is after Crowley (Who may or may not be leaving for ever) earth is about to be destroyed, humanity is going to be wiped out, NO ONE CARES, and now all his failures are laid bare and
And Aziraphale decides he just does not give a single care, s**t or f**k anymore.
It’s like, he hits rock bottom, and realizes in that second that he can actually stand on his own two feet.
It’s f***ing glorious.