#european film
Art References in Films
When Films meet Art (Film X Art Parallels)
1.Dunkirk (2017) - Christopher Nolan
Wonderer above the sea of Fog (1818) - Casper David Friedreich
2.1917 (2019) - Sam Mendez
The Last Message (1917) - Fortunino Matania
3.Midsommar (2019) - Ari Aster
Frühlingsreigen (1913)- Maximilian Lenz
4.Chilling Adventures of Sabrina (2018) - Roberto Aguirre
Head of Bacchante (1901) - Anne Swynnerton
5.The Beaches of Agnes (2008) - Agnes Varda
Lovers (1928) - René Magritte
6.The Mirror (1975) - Andrei Tarkvosky
Sehnsucht (1900)- Heinrich Vogeler
7.Blue is the warmest colour (2013) - Abdellatif Kechiche
Alone Together (2012) - Maria Kreyn
8.Eyes Wide Shut (1999) - Stanley Kubrick
Intrigue (1890)- James Ensor
9.Carrie (1976) - Brian de Palma
Study for Lady Macbeth (1815) - Gustave Moreau
10.The Witch (2015) - Robert Eggers
The Witches in Air (1978) - Fransisco Goya
Credit - Hamza Qh
There’s MORE from where these came from. :’)
Radoslav Brzobohatý and Jiřina Bohdalová in Karel Kachyňa’s political thriller The Ear (Ucho). (made in 1970, but not released until 1990).
Post link
Rare English version of Karel Gott’s hit “Kdepak ty ptáčku hnízdo máš” from a 1973 fairy tale movie Three Wishes for Cinderella
To answer question in your tags “Who came up with Three Wishes,” I don’t know who, but I guess I know why. Literally translated title “Three Nuts for Cinderella”(or “Three Little Nuts for Cinderalla,” to be more precise) would bring some unfortunate sexual connotations and possible alternative “Three Hazelnuts for Cinderella” sounds really clumsy (although that is apparently a title under which it was once aired on BBC in the 1970s).
Ondřej Vetchý as Lucifer in upcoming fairy tale Čertí brko aka The Magic Quill (2018), dir. by Marek Najbrt
Post link
Hastrman (The Water Spirit) (2018), directed by Ondřej Havelka:
“A strange nobleman returning after years abroad to a small Bohemian village in the beginning of 19th century. The nobleman feels closer to animals despite looking like a human. He is a Hastrman - a water spirit. Water is his element. He loves it, understands it and communicates with it. He needs water not only to sustain his life, but also to gain superhuman strength and dexterity. In this romantic, fantastical, yet ironic story, love brings Hastrman unexpected happiness with an agonizing dilemma: whether to remain a wild creature or to cross the boundaries and get closer to become a human. Vivid and earthy folklore of local villagers brings authenticity to pagan folkways, yet the story ends in present times.”
I can’t wait to see this.
Surviving Life (Theory and Practice) - Prezít svuj zivot (teorie a praxe) (Slovakia, 2010)
Rating: 8/10 stars
I’ve long admired the work of Jan Švankmajer. His claymation shorts from the 70s and 80s are surrealist classics to this day. Although the famed Czech director is in his 80s now, his films are still cutting edge masterpieces. His trademark use of stop motion and montages of paper cutouts make his movies amongst the most unique in the world.
Surviving Life is the tale of a middle aged man who begins dreaming of another woman. A psychiatrist works with him to try and analyze the dreams from a Freudian/Jung perspective. Rather than wishing the dreams to stop, since he loves and is loyal to his wife, he wants them to continue and goes to great pains to induce them and direct them at his will. As with most dreams the plot is always shifting – characters change, plots unravel and redevelop in a new but slightly familiar form.
It’s a wild, surrealist ride with all sorts of animation wizardry intermixed with the story. You simply bask in the oddness of it all until the end when the various yarns all come together revealing the finished tapestry of this man’s past of which even he was unaware.
Post link
Byl jednou jeden král… / Once Upon a Time, There Was a King… (1954), dir. by Bořivoj Zeman.
Post link
