#jdraws
a redraw of the very first zo doodle i posted on my instagram 2 years ago. feels like both yesterday and forever ago.
zoya nazyalensky belongs to leigh bardugo.
please do not repost or edit my caption.
“you’ve missed me.”
“hardly.”
alina starkov & zoya nazyalensky belong to leigh bardugo.
that iconic photo of jessie & sujaya was used as reference.
please do not repost or edit.
trust in yourself, phoenix.
zofia belongs to roshani chokshi.
please do not repost or edit.
knife wife
inej ghafa belongs to leigh bardugo.
please do not repost or edit.
my print shop is now open! see my recent post on instagram for details :3
any worthwhile venture involves risk.
mel medarda belongs to riot games & is a character from league of legends/arcane
a still from arcane was used for reference.
please do not repost or remove this caption.
bint iskandar.
let us show you what you can do.
zafira belongs to @hafsahfaizal
pleasedo not repost or remove my caption -
but do find me on instagram!
i will always seek to make it summer for you.
it is a privilege to brush the sand from your skin, to see the way you go golden in the sun and are one with her rays. the winds at home in your heart sir the seas in mine, and it is everything to gaze at the waves on the infinite horizon and talk of tomorrow.
but though the season itself is lovely, i wish your days full of nothing but the sunshine you bring to me every second of the year.
the first line above is excerpted from “rule of wolves”, the rest is word vomit :)
zoya nazyalensky & nikolai lantsov belong to leigh bardugo.
please do not repost or edit caption, but do find me on instagram!
in “the gilded wolves” by @roshanichokshi, laila is made to don the cover of a nautch dancer as part of a job. she’s a skilled bharatanatyam dancer & performs stunningly, but is still bothered by the cultural inaccuracies of the outfit she must wear: the fact that her hair is left unbound, the way her midriff & chest are exposed, her hands lacking henna, etc. so grew the need to draw her in traditional attire.
from the state of tamil nadu, bnat is one of the oldest indian classical dances. like many of these dances, it has strong ties to religion (i.e. the depiction of hindu epics) but can convey more secular themes as well. alta or henna on the hands & feet emphasize movement. bold makeup accentuates expressions, particularly the 9 navarasa: love/shringara, laughter/hasya, sadness/karuna, anger/roudra, courage/veera, fear/bhaayanaka, disgust/bheebhatsya, surprise/adbhutha) & peace/shaantha. mudras (gestures) are used to illustrate many ideas; for example, there are symbols for bird, water, breeze, etc.
bharatanatyam is actually a fairly new term; among other names, the dance was once known as sadir. first a temple tradition, it was practiced by devadasi women “married” to lives of religious worship & service, as well as the arts. with the arrival of colonial rule, many traditional dances were outright banned & temples destroyed. dancers went from to being among the most respected to being sexualized & deemed prostitutes by british occupiers. the profession of nautch dancers arose for the entertainment of colonizers & the mughal elite. slowly, it became so that even the term “devadasi” was offensive & to be considered one was damning. attempting to separate the dance from the stigma attached to the devadasi community, rukmini devi arundale is credited with refining bnat in a way that was considered suitable for the upper class & a larger global audience.
though intertwined with politics & casteism, bnat is still a beautiful, revered art form practiced widely in south asia & the diaspora.
laila belongs to roshani chokshi
pleasedo not repost or remove description
dofind me on instagram!