#ornament
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#crossstitch #crossstitching #crossstitchersofinstagram #stitches #ornament #xstitch #xstitching #embroidery #embroideryart #lovexstitch #crossstitchaddiction #needlework #crossstitcher #handmade #embroiderersofinstagram #hoopart #embroideryart
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Row 4. Summer sampler
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#crossstitch #crossstitching #crossstitchersofinstagram #stitches #ornament #xstitch #xstitching #embroidery #embroideryart #lovexstitch #crossstitchaddiction #needlework #crossstitcher #handmade #embroiderersofinstagram #sampler #samplerstitchersofinstagram
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Ornament piece defined by dot-drawing and eyes of an unknown subject.
Guys, my book ‘Dot Drawing: A Fusion of Stippling and Ornament’ is NOW released You guys can buy it onAmazon
♣️For Custom and Commission artwork, please DM or email me ….
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I ordered some amazing brass stamps over Christmas and here is one put to use in the latest mechabug. Watch parts feature heavily in this guy with layers of parts on his face, head and along his top “backbone”. His “legs” are repurposed lever action earrings - cut and adapted for this use, with watch winder stems at the end. Flat semicircle brass stamps form the main skeleton all threaded on a brass rod with sleeves and springs between them. Threading the gears and minute pinions on the “top” backbone was very tricky - a lot of swearing at inanimate objects.
He is 2 inches long, 1.5 inches wide and stands 1 inch high. He’s designed to just sit on your desk or shelf, keep you company and impress guests. He has a hanging loop so it would look like he’s walking down your wall.
When I was researching anatomical bugs for this project I accidentally found myself looking at the Russian spy cockroach - very interesting. So here is the steampunk version. Love to see him come to life…
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Light Spider
This has been a long time in the making. The parts have literally been sitting on my work desk all year. First problem was creating the abdomen from two perforated domes - something that could be opened and closed. So I found a tiny little hinge and fashioned a swing hook latch. Next major problem was the legs. Another artist who I admire greatly solders watch winding stems for insect legs. I wanted to use the same materials but I don’t copy. So I used sleeves, cord end tubes with loops, tiny rubber rings and brass rods. They are screwed to a brass ring. I did want a lot more detail in the cephalothorax but decided to go simple with a stepped brass finding with brass rings attached underneath for the central screw. It’s more wild wild west than a real representation of a spider.
The glow is from the innards of a LED “fairy globe” sold on one of the big wholesale sites for party decoration. I took it out of the plastic ball and put it in the spider’s abdomen. The light pulses slowly on and off. Batteries can easily be replaced. It doesn’t have a switch so I just break the circuit with a toothpick between the battery and terminal to turn it off.
It’s 3 inches wide, 2 ½ inches long and 1 ½ inches high.
Thanks to all my followers - I really appreciate all of you. I hope you have a wonderful New Year and fantastic 2019!
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Like all my orrery sculptures - this is NOT mechanical - the planets do not move via clockwork mechanism. They can be turned gently by hand.
I’ve made a lot of orreries - I love making them. The gears are used to imply clockwork movement - so it’s a bit of a folley. This is the third orrery I’ve made using an “arm” for each planet. Please remember - this is not a toy. Moving the planets should only be done sparingly and carefully. To achieve the “look” of a real mechanical orrery I’ve used different sized pocket watch and regular watch gears, collected over many years, to correspond to each planet. All eight planets are represented - Saturn has her rings too.
It is on a stained wood base with four little brass legs and uses a number of different brass beads/components so it looks like a real antique scientific model but without the thousand dollar price tag. On the center stem I’ve used graduated brass tubing to “telescope” to the sun.
It is the perfect gift for a milestone celebration and an intriguing desk ornament for an executive or academic. To make it really personalised you can arrange the planets to the positions they were on a particular day - a wedding, a birthday, the birth of a child when it’s presented. I will send you a link to the free website that will calculate a celestial map for you.
It’s available in the Etsy shop.
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This small orrery inspired piece is designed to be an ornament but could also be worn carefully as a pendant or as a fob. When I bought the case it didn’t have a crown or bow so I used other vintage parts in my collection. I think they suit the piece. The whole swedge with the planets can be gently rotated.
All the small planets, Mercury, Venus, Earth are on the inner ring followed by Mars, Jupiter and Saturn on the middle ring and finally, Uranus, Neptune and Pluto on the outer ring.
It’s available in my here in my Etsy shop
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Lace Book of Marie de’ Medici, Lace margins, Walters Manuscript W.494, Folio 17v by Walters Art Museum
Via Flickr:
This Prayerbook was made for Marie de’ Medici in the second quarter of the seventeenth century. Beyond its provenance as a personal book owned by the famous queen, it is exceptional for its intricately cut borders, which transform the parchment margins into lace. This effect was created using a technique known as “canivet,” in which a small knife was used to cut ornate patterns into paper or parchment. An art form that flourished originally among nuns in France, Germany, and the Netherlands beginning in the sixteenth century, it was employed to exceptional effect in several manuscripts connected with Marie de’ Medici. The Walters manuscript, made for her while she was regent of France, and wife of King Henry IV, contains twenty-eight miniatures, including original religious imagery as well as several later additions: a gouache portrait of the elderly queen, and nine small miniatures produced in Bruges ca. 1450 by an artist influenced by the Eyckian and Gold Scrolls styles prevalent at the time; the coat-of-arms of Marie de Medici, as well as her monogram. The Walters manuscript retains its original binding composed of mosaic inlays in green and black leather, as well as fine gilt pointillé foliate tooling, and a replica of the binding was created by Léon Gruel for Henry Walters on one of his seventeenth-century printed books (92.467) that also connects to Marie de’ Medici. All manuscript images and descriptions were created and are provided through Preservation and Access grants awarded to the Walters Art Museum by the National Endowment for the Humanities, 2008-2014. Access a complete set of high-resolution archival images of this manuscript for free on the Digital Walters at www.thedigitalwalters.org/Data/WaltersManuscripts/html/W494/
