#parker posey
“Umm… Henry The Eighth was a murderous misogynist, is, I think, the best way to describe him. He’s been transformed into a figure of respect by a patriarchal educational system that doesn’t really care for the fate of wives.”
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Parker Posey
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Parker Posey
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Parker Posey
Followhttp://celebrity-legs-and-heels.tumblr.com/ for more!
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A brief history of Parker Posey’s (aka “The Queen of the Indies”) Sundance career in film posters
SubUrbia, 1997 Sundance Festival
Directed by Richard Linklater and written by Eric Bogosian, SubUrbia is an extraordinary blend of the disparate visions of two celebrated observers of pop culture and disaffected youth… SubUrbia seduces you with a cinematic style that captures the dark heart of middle America.
Frisk, 1996 Sundance Film Festival
Frisk is the much-anticipated adaptation of Dennis Cooper’s infamous novel about homosexuality, sadism, and insanity. Ironically, Dennis is also the name of the main character, whose lead we follow on this path between what is real and what we can only hope is surreal.
Broken English,2007 Sundance Film Festival
Nora isn’t broken; she just acts that way. She is actually sexy, funny, and creative, and her only fault is being cursed with that modern affliction of wanting more out of life than what others want for her. She must suffer quietly her best friend’s “perfect marriage,” a job she has outgrown, and a mother who constantly reminds her of it all.
Fay Grim,2007 Sundance Film Festival
Eight years have passed since the infamous Henry Fool fled the country, abandoning his wife, Fay Grim, and their son, Ned. Played to Hartley-esque perfection by Parker Posey, Fay is falling to pieces. Ned is being expelled from school, and Fay’s brother, Simon (James Urbaniak), the reviled garbageman/poet, is serving a 10-year sentence for aiding Henry’s escape.
Spring Breakdown,2009 Sundance Film Festival
An outlandish, quick-witted romp that jubilantly leaves none immune to ridicule, Spring Breakdown chews up our geeky gals and spits them out as triumphant powerhouses—confident that being who they truly are is way cooler than fitting in.
Grab,2011 Sundance Film Festival
Each year residents of the Laguna Pueblo in New Mexico honor individual family members by throwing food and gifts from the rooftops of their homes to the community that gathers below. Billy Luther’s film follows three families as they prepare for this ancient tradition, which has taken many modern twists.
Columbus, 2017 Sundance Film Festival
While his father is in a coma, Jin finds himself stuck in an unusual Midwestern city renowned for its modernist buildings. Though not fond of architecture, Jin strikes up a friendship with Casey, a bright girl who works at the city library (avoiding college and her future), and she shows him the local marvels.
-All film posters courtesy of respective film titles-
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Patricia Clarksonattends“The Cinema Society with Avion and GQ Host a Screening of Sony Pictures Classics’ ‘Julieta”11/30/2016
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Blade: Trinity(2004)
This is a Movie Health Community evaluation. It is intended to inform people of potential health hazards in movies and does not reflect the quality of the film itself. The information presented here has not been reviewed by any medical professionals.
Blade: Trinity has machine gun fire in dark environments, multiple scenes where the room lights flicker, and a minor strobe effect that happens as people disintegrate, which happens several times. The first scene has an unpredictable, extreme, and pointless strobe effect. There are brief strobe effects in the stylized opening and closing credits.
There is some peril at extreme heights. Outside of some fast camera work during action scenes, all of the camera work in this film is either stationary or very smooth.
Flashing Lights: 10/10. Motion Sickness: 2/10.
TRIGGER WARNING: A lot of blood is shown. Late in the film, three dogs are implied to die, with no resolution of whether or not they actually do.
Image ID: A theatrical poster for Blade: Trinity(2004)
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spooky tuesday is a (now not so new!) podcast where we’re breaking down all of our favorite slashers, thrillers, monster movies and black comedies on the new scariest day of the week.
it’s no secret that josie and the pussycats (2001) is The Best Movie Ever (join the army!), so it was only a matter of time before we covered it here on spooky tuesday. it may not technically be a horror movie, but it is in its own way a murder mystery — and given that it’s been just about a year since we first came up with the concept of fifth tuesday, we knew its day had finally come. a musical comedy with a banger soundtrack and a killer cast, this flick didn’t get the appreciation and critical acclaim it deserved twenty years ago, but we’re doing our part to make up for that now as we talk about the romantic tension between josie and valerie, how absolutely iconic fiona is, and everything that dujour means (friendship, crash positions, etc).
give spooky tuesday a listen on apple podcasts, spotify, iheart radio, or stitcher
Parker Posey in a Vivienne Westwood corset, “Party Girl” (1995), Directed by Daisy von Scherler Mayer
Can’t tell you how this just made my week
My favorite moment of Scream 3 is when Jennifer Jolie (Parker Posey) receives a water bottle brand from a PA she CLEARLY DID NOT WANT
