#ragtime

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This Day in Buster…May 3, 1935

Goody, goody gun drops! “Tars and Stripes" is released by Educational Pictures.

Back to the Broad Way. If only I’d seen it when @audramcdonald was starring in it. #dailypande

Back to the Broad Way. If only I’d seen it when @audramcdonald was starring in it. #dailypandemictee #socialisolation #broadway #ragtime #musical #nyc #sarah #coalhouse #makethemhearyou #wheelsofadream (at Las Cruces, New Mexico)
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bkthegreatstoneface:

Call me, maybe?

Music of the day: Ragtime Fur Elise 

Haven’t been up to date with the daily music, but this was one of my favorite from some time back. Always interested in impressive performable covers, and this takes a top spot on the piano section of my repertoire. Enjoy! 

#music of the day    #fur elise    #ragtime    #repertoire    #beethoven    #music cover    #wednesday    

Young man, there’s no need to fall down…

Call me, maybe?

Buster’s in the zone…

The name’s Keaton, Buster Keaton…

Brian Stokes Mitchell performing ‘Make Them Hear You’ from Ragtime.

Brian Stokes Mitchell and Audra McDonald performing ‘Wheels of a Dream’ from Ragtime.

I’ve been thinking a lot about echo and reverb lately (natural as well as artificial), and how those can influence one’s performance and the voice’s effect on the listener (in this case, audience member). This has nothing to do with a certain rock opera. Sometimes, the effect created is absolutely stunning and enhances the voice’s natural beauty, but sometimes, it makes it sound… slightly off. That being said, singing in spaces with natural echo or singing with artificially added reverb is a great challenge (or so I’ve been told).

The video below (non-embeddable, click the line just below the video showing the channel name) was recorded in the hall on Ellis Island, which was never meant as a performance space. Following the Ragtime concert, many people complained about the awful echo that posed a challenge to the performers and was responsible for the unpleasant sound overall.

However, I personally think that this is an excellent example of a singer who masters that echo wonderfully - she’s singing with the echo, not against/despite it. And she has to - the setting is dramatically different from a usual theatre stage and requires adjustments.

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