#roger deakins

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All those memories will be lost in time, like footsteps in snow.

All those memories will be lost in time, like footsteps in snow.


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zacharylevis:Officer K + backlight BLADE RUNNER 2049, 2017 › dir. Denis VilleneuveCinematography bzacharylevis:Officer K + backlight BLADE RUNNER 2049, 2017 › dir. Denis VilleneuveCinematography bzacharylevis:Officer K + backlight BLADE RUNNER 2049, 2017 › dir. Denis VilleneuveCinematography bzacharylevis:Officer K + backlight BLADE RUNNER 2049, 2017 › dir. Denis VilleneuveCinematography bzacharylevis:Officer K + backlight BLADE RUNNER 2049, 2017 › dir. Denis VilleneuveCinematography bzacharylevis:Officer K + backlight BLADE RUNNER 2049, 2017 › dir. Denis VilleneuveCinematography b

zacharylevis:

Officer K + backlight

BLADE RUNNER 2049, 2017 › dir. Denis Villeneuve
Cinematography by Roger Deakins


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theartofmoviestills:The Man Who Wasn’t There | The Coen Brothers | 2001

theartofmoviestills:

The Man Who Wasn’t There | The Coen Brothers | 2001


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gregorygalloway:O Brother, Where Art Thou? was first screened at the Cannes Film Festival on 13 May

gregorygalloway:

O Brother, Where Art Thou? was first screened at the Cannes Film Festival on 13 May 2000.

With a plot taken from Homer and a title taken from Preston Sturges (1941′s Sullivan’s Travels), the Coen Brothers’ 8th feature film included many cast and crew they had worked with previously, including cinematographer Roger Deakins (5th film with the brothers), John Turturro (4th film), John Goodman (3rd film), Charles Durning (2nd), and Holly Hunter (2nd).

Music was integral to the story from the start, and the soundtrack was recorded before filming even started.

The film was released in the US in December, and was a commercial and critical success, nominated for 2 Academy Awards: Best Adapted Screenplay and Best Cinematography. It did not receive an Oscar.

The soundtrack (released in December) topped the US Billboard charts and received the Album of the Year Grammy Award in 2002 (only the 2nd soundtrack to receive the award), and Ralph Stanley received the Grammy for Best Male Country Vocal Performance for “O, Death.” The soundtrack was also named Album of the Year at the Academy of Country Music Awards and International Bluegrass Music Awards. It has sold more than 8 million copies.


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Blade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger DeakinsBlade Runner 2049, 2017Director: Denis VilleneuveDirector of Photography: Roger Deakins

Blade Runner 2049, 2017

Director: Denis Villeneuve
Director of Photography: Roger Deakins


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Cinematography Appreciation

Barton Fink (1991) | DOP Roger Deakins

awardseason:ROGER DEAKINSBest Cinematography - ‘1917′92nd Academy Awards — February 9, 2020

awardseason:

ROGER DEAKINS
Best Cinematography - ‘1917′
92nd Academy Awards — February 9, 2020


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Sicario (2015) - dir. Denis VilleneuveSicario offers itself up as a violent-with-a-purpose film that

Sicario (2015) - dir. Denis Villeneuve

Sicario offers itself up as a violent-with-a-purpose film that will make you think about the reality of the Mexican drug cartels and how they interact with the American government. With Emily Blunt standing in for the hyper-masculine-male-drifter character, the film has a hook, and with Roger Deakins behind the camera you know it’s going to be pretty. You only need wait three or four minutes between some beautiful set piece matched with even better cinematography. Villeneuve is a young but already accomplished director, and it’s clear he has great faith in his material.

Maybe someone should have been there to tone down his faith a little. Taylor Sheridan’s script is a laughable clunker, and instead of a violent movie that forces us to think, we end up forced to think Sicario is just another violent film, and if it really had a point, apparently Villeneuve was too afraid to just come out and say it outright. It’s too bad, because Josh Brolin was absolutely terrific here.

5.4


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SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses SicarioDOP – Roger DeakinsFormat -  Arri Alexa XT M ARRIRAW 3.4K Lenses - Zeiss Master Prime Lenses

Sicario

DOPRoger Deakins
Format -  Arri Alexa XT M ARRIRAW 3.4K 
Lenses - Zeiss Master Prime Lenses
Aspect Ratio - 2.35 : 1
Delivery- Digital Intermediate 4K

Notable Strengths – Instead of strengths I am just going to take a moment of appreciation for Roger Deakins, because there are no weaknesses in the cinematography of this film. Deakins has displayed again his mastery of contemporary cinematography and camera systems, but has gone above and beyond with the thermal scenes and ambition on the shooting of the action sequences.

I know oscars don’t mean much to professionals who get to do this every day, and his work might not be as flashy as shooting 70mm sensors or reviving new film stock, but if you were asked to name one person to write the textbook 21st century cinematography, it would have to be Deakins, and I hope he gets rewarded for his fantastic work in his lifetime.


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 Prisoners | 2013dir. Denis Villeneuve cin. Roger Deakins  Prisoners | 2013dir. Denis Villeneuve cin. Roger Deakins  Prisoners | 2013dir. Denis Villeneuve cin. Roger Deakins  Prisoners | 2013dir. Denis Villeneuve cin. Roger Deakins  Prisoners | 2013dir. Denis Villeneuve cin. Roger Deakins  Prisoners | 2013dir. Denis Villeneuve cin. Roger Deakins

Prisoners | 2013
dir. Denis Villeneuve
cin. Roger Deakins


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1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo1917 (2019)Cinematography: Roger DeakinsCast: George McKay (Lance Corporal William “Will&rdquo

1917 (2019)

Cinematography: Roger Deakins

Cast: George McKay (Lance Corporal William “Will” Schofield), Dean-Charles Chapman (Lance Corporal Thomas “Tom” Blake), Mark Strong (Captain Smith), Andrew Scott (Lieutenant Leslie), Richard Madden (Lieutenant Joseph Blake), Colin Firth (General Erinmore), Benedict Cumberbatch (Lieutenant-Colonel Mackenzie)

Director: Sam Mendes


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I’m crying, Thomas Newman and Roger Deakins are standing next to each other. Awwwww.

I’m crying, Thomas Newman and Roger Deakins are standing next to each other. Awwwww.


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Blade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger Deakins

Blade Runner 2049 - Colour Palette

Dir. Denis Villeneuve

DoP. Roger Deakins


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Blade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger DeakinsBlade Runner 2049 - Colour PaletteDir. Denis VilleneuveDoP. Roger Deakins

Blade Runner 2049 - Colour Palette

Dir. Denis Villeneuve

DoP. Roger Deakins


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