#hans zimmer

LIVE

Comparing The Film Scoring Processes of John Williams and Hans Zimmer

Comparing The Film Scoring Processes of John Williams and Hans Zimmer

John Williams and Hans Zimmer are both brilliant composers of iconic blockbuster scores, but they have very different processes by which they craft their scores. 

John Williams considers himself “Old School” when it comes to how he goes about actually writing his scores.  He still uses pencil and paper to actually write out the score. He also prefers to score his films based on his initial…


View On WordPress

hans zimmer is so fucking good with musical language

that when i’m putting together a playlist for our ttrpg game where we visit a temple dedicated to a god of secrets

i get stuck on a random spotify song like “THAT’S IT THAT’S THE VIBES”

and i check it and it’s music from gladiator, a song called “secrets”

this dude… insane.

"Something I wanted to always do. Invent instruments that don’t exist. Invent sounds that don’t exist.”

Hans Zimmer, ‘Dune’ composer, gives his in-depth analysis and insider’s look at how the score was created for Denis Villeneuve’s 2021 film. Dune earned Hans Zimmer an Oscar for Best Original Score at the 2022 Academy Awards"

From Youtube channel Vanity Fair: How 'Dune’ Composer Hans Zimmer Created the Oscar-Winning Score | Vanity Fair

Amazing work by this amazing composer

Have you seen that movie already?

It’s a must for sure

Enjoy…

GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR GOLDEN GLOBES 2022 - WINNERSFILMBEST PICTURE – DRAMA – The Power of the DogBEST PICTURE – COMEDY OR

GOLDEN GLOBES 2022 - WINNERS

FILM

  • BEST PICTURE – DRAMA – The Power of the Dog
  • BEST PICTURE – COMEDY OR MUSICAL – West Side Story
  • BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA – Will Smith - King Richard
  • BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA – Nicole Kidman - Being the Ricardos
  • BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL – Andrew Garfield - Tick, Tick… BOOM!
  • BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL – Rachel Zegler - West Side Story
  • BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE – Kodi Smit-McPhee - The Power of the Dog
  • BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE – Ariana DeBose - West Side Story
  • BEST ANIMATED FILM – Encanto
  • BEST DIRECTOR – MOTION PICTURE – Jane Campion - The Power of the Dog
  • BEST SCREENPLAY – MOTION PICTURE – Kenneth Branagh - Belfast
  • BEST ORIGINAL SCORE – MOTION PICTURE – Dune - Hans Zimmer
  • BEST ORIGINAL SONG – MOTION PICTURE –  “No Time to Die” - No Time to Die - Billie Eilish & Finneas O’Connell
  • BEST MOTION PICTURE FOREIGN LANGUAGE – Drive My Car - Japan

TELEVISION

  • BEST TELEVISION SERIES – DRAMA – Succession
  • BEST TELEVISION SERIES – COMEDY – Hacks
  • BEST TELEVISION LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION –The Underground Railroad
  • BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA – Jeremy Strong - Sucession
  • BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA – MJ Rodriguez - Pose
  • BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY – Jason Sudeikis - Ted Lasso
  • BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – COMEDY - Jean Smart - Hacks
  • BEST PERFORMANCE BY AN ACTOR IN A LIMITED  SERIES OR MOTION PICTURE MADE FOR TELEVISION – Michael Keaton - Dopesick
  • BEST PERFORMANCE BY AN ACTRESS IN A LIMITED  SERIES OR MOTION PICTURE MADE FOR TELEVISION – Kate Winslet - Mare of Easttown
  • BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION – O Yeong-Su - Squid Game
  • BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, LIMITED SERIES OR MOTION PICTURE MADE FOR TELEVISION – Sarah Snook - Succession

Post link

Un peu loin des yeux
plus tout près de toi
Je ne compte que sur mes doigts

#le petit prince    #camille    #equation    #hans zimmer    #soundtrack    #어린왕자    #카밀    #한스 지머    #사운드트랙    

Interstellar - Main Theme - Hans Zimmer 1 Hour

Queen • Hans Zimmer • Billie Eilish • Depeche Mode • Hozho • Paul Kalkbrenner (Code Mix)

Depeche Mode • Oxia • Daft Punk • Hans Zimmer • Hozho (Code Selection)

#depeche mode    #daft punk    #hans zimmer    #hanz zimmer    

I’ve spent most of the day working on photos and listening to movie soundtracks by Hans Zimmer on spotify…. 

greenplantsforhannibal:

Y’all imagine if we had a season 4 of Hannibal and the music was composed by Hans Zimmer

I blended Hans Zimmer’s Dune score with TOTO’s Dune 1984 score over the future vision scene because I couldn’t get the thought out of my mind!

We’re Ghidorah-AGodzilla: King of the Monsters rescore of King Ghidorah’s entrance with music from The Amazing Spider-Man 2.


Music: “I’m Goblin” by Hans Zimmer

Blackbeard and The Kraken | Our Flag Means Death

A short video I originally made for my OFMD TikTok.

thecuriousinferno:

I rewatched Spirit for the first time as an adult and holy shit I remember loving this movie bc I was a weird horse girl but goddamn that movie is actually so good??? The soundtrack is FIRE. Hans Zimmer really said take no prisoners.

2000s Dreamworks fucked hard

elizabetholsenns:

the-prince-of-tides:

just felt like i should add this comment i found on this tik tok

10yrsyart: i love the juxtaposition between the way the Ten Commandments and the Prince of Egypt por10yrsyart: i love the juxtaposition between the way the Ten Commandments and the Prince of Egypt por10yrsyart: i love the juxtaposition between the way the Ten Commandments and the Prince of Egypt por

10yrsyart:

i love the juxtaposition between the way the Ten Commandments and the Prince of Egypt portray God.
the Ten Commandments use reds and warm colors, and His theme is powerful with deep horns and trumpets. it’s strong and bold and invokes awe and authority, like His majesty is on display. this is an intimidating but loving God. (0:38)

the Prince of Egypt uses blues and cool tones, and His theme is quiet echoing choral notes. it gives a more personal mysterious feeling to Him. but when it builds in strength it feels overwhelming, like unimaginable wonders. (1:15)

they both highlight particular attributes of God, and yet neither of them are incorrect. God is fierce and loving, kind and merciful, holy and powerful, and all of these things and more. combining these two portrayals is only the beginning of forming an idea of the complexity of Yahweh. 

“ ‘I am the Alpha and the Omega- the beginning and the end,’ says the Lord God. ‘I am the One who is, who always was, and who is still to come- the Almighty One.’ “ ~Revelation 1:8


Post link
i love the juxtaposition between the way the Ten Commandments and the Prince of Egypt portray God. ti love the juxtaposition between the way the Ten Commandments and the Prince of Egypt portray God. ti love the juxtaposition between the way the Ten Commandments and the Prince of Egypt portray God. t

i love the juxtaposition between the way the Ten Commandments and the Prince of Egypt portray God.
the Ten Commandments use reds and warm colors, and His theme is powerful with deep horns and trumpets. it’s strong and bold and invokes awe and authority, like His majesty is on display. this is an intimidating but loving God. (0:38)

the Prince of Egypt uses blues and cool tones, and His theme is quiet echoing choral notes. it gives a more personal mysterious feeling to Him. but when it builds in strength it feels overwhelming, like unimaginable wonders. (1:15)

they both highlight particular attributes of God, and yet neither of them are incorrect. God is fierce and loving, kind and merciful, holy and powerful, and all of these things and more. combining these two portrayals is only the beginning of forming an idea of the complexity of Yahweh. 

“ ‘I am the Alpha and the Omega- the beginning and the end,’ says the Lord God. ‘I am the One who is, who always was, and who is still to come- the Almighty One.’ “ ~Revelation 1:8


Post link
10yrsyart:the Lion King has been one of my favorite movies for a long time, and i think it’s because10yrsyart:the Lion King has been one of my favorite movies for a long time, and i think it’s because10yrsyart:the Lion King has been one of my favorite movies for a long time, and i think it’s because10yrsyart:the Lion King has been one of my favorite movies for a long time, and i think it’s because10yrsyart:the Lion King has been one of my favorite movies for a long time, and i think it’s because

10yrsyart:

the Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimmer’s score always sounded like it was describing God to me. but Simba’s journey speaks to me personally, most powerfully the scene when he meets Mufasa again. i’ve struggled with self hatred and unwarranted guilt and depression for most of my life, but that’s never changed who i am to the Lord, and how He cherishes me. He is coming soon and He longs for everyone to be one of His protected children.

“But if we confess our sins to Him, He is faithful and just to forgive us our sins and to cleanse us from all wickedness.” (1 John 1:9)

“But to all who believed Him and accept Him, He gave the right to become children of God.” (John 1:12)

“And I am convinced that nothing can ever separate us from God’s love. Neither death nor life, neither angels nor demons, neither our fears for today nor our worries about tomorrow- not even the powers of hell can separate us from God’s love. No power in the sky or in the earth below- indeed, nothing in all of creation will ever be able to separate us from the love of God that is revealed in Christ Jesus our Lord.” (Romans 8:38-39)

Transcript:

Keep reading


Post link
the Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimmthe Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimmthe Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimmthe Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimmthe Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimm

the Lion King has been one of my favorite movies for a long time, and i think it’s because Hans Zimmer’s score always sounded like it was describing God to me. but Simba’s journey speaks to me personally, most powerfully the scene when he meets Mufasa again. i’ve struggled with self hatred and unwarranted guilt and depression for most of my life, but that’s never changed who i am to the Lord, and how He cherishes me. He is coming soon and He longs for everyone to be one of His protected children.

“But if we confess our sins to Him, He is faithful and just to forgive us our sins and to cleanse us from all wickedness.” (1 John 1:9)

“But to all who believed Him and accept Him, He gave the right to become children of God.” (John 1:12)

“And I am convinced that nothing can ever separate us from God’s love. Neither death nor life, neither angels nor demons, neither our fears for today nor our worries about tomorrow- not even the powers of hell can separate us from God’s love. No power in the sky or in the earth below- indeed, nothing in all of creation will ever be able to separate us from the love of God that is revealed in Christ Jesus our Lord.” (Romans 8:38-39)

Transcript:

10: You said You’d always be there for me.. But You’re not. And it’s because of me. It’s my fault.. My fault.

Lion of Judah: Child

10: ..Father?

Lion of Judah: You have forgotten Me.

10: No! How could I?

Lion of Judah: You have forgotten who I Am, and so have forgotten who you are. You are more than what you have believed. 

10: But how can You want me back? ..I’m not who I used to be..

Jesus: Remember… who I Am. You are My child, and you always will be. Remember who you are.. I have never left you. I will always love you.


Post link

​I’M SO SORRY FOR THE PERSON I’M ABOUT TO BECOME NEXT MONTH. LOOK AT THIS. OH MY GOD GIVE IT TO ME RIGHT NOW I NEED IT.

Hans Zimmer in Zimmer

Driving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-deseDriving Miss Daisy (1989) dir. by Bruce Beresford.Morgan Freeman at the top of his game. A well-dese

Driving Miss Daisy (1989) dir. by Bruce Beresford.

Morgan Freeman at the top of his game. A well-deserved Oscar for Best Makeup. Not the most exciting drama, not the funniest comedy, not much happens.

6.0


Post link

“No Time For Caution” from Hans Zimmer’s soundtrack to Interstellar,performed on an accordion by a Russian gentleman in a Bat-mask.

Finally, some good art from 2020.

The latest Movie Classics poster added to the ever growing collection is the fantastic theme ‘No TimThe latest Movie Classics poster added to the ever growing collection is the fantastic theme ‘No TimThe latest Movie Classics poster added to the ever growing collection is the fantastic theme ‘No Tim

The latest Movie Classics poster added to the ever growing collection is the fantastic theme ‘No Time For Caution’ by Hans Zimmer for the epic Christopher Nolan movie Interstellar.

http://etsy.me/2rmoiG1


Post link
loading