#synopsis
Always start with the character!
As writers, we tend to focus more on the major plot points as these are the things we spend hours pouring over when we write. But for the reader/publisher/agent to care about your book, they first need to care about your character.
As humans, we value a connection, even with someone fictional. When you open your pitch/synopsis with who your character is and what they value, you allow the reader to root for them, even in the synopsis.
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TheMajin Buu Saga is the fourth major plot arc from the Dragon Ball Z series. It deals with Majin Buu’s emergence into Earth by the evil wizard Babidi, the emergence of Old Kai, the introduction of the Super Saiyan 3 transformation, and the fusion technique.
The Saga finishes with the Fusion of Super Saiyan Gotenks and an unusual friendship being built between Majin Buu and Mr Satan.
Picture Source: http://thegamecontrollers.weebly.com/hd-wallpapers.html
“With intense expressions of love and lust, Swastika (1964) directed by Yasuzo Masumura, hailed by director Shinji Aoyama (Eureka) as the most important filmmaker in the history of postwar Japanese cinema, follows Sonoko Kakiuchi (Kyoko Kishida) as she falls victim to a school gossip along with Mitsuko (Ayako Wakao), an industrialist’s daughter, and soon they form a friendship that becomes a crazy sexual obsession, making Sonoko wild with envy and desire. Sonoko has a questioning husband in the form of Kotaro (Eiji Funakoshi) while Mitsuko has a clingy fiancé named Watanuki (Yusuke Kawazu). Sexual acts are mostly implied with body doubles used for intimate scenes, with emphasis placed more on the mental manipulations and mind games of the four central characters wrapped up in selfish desires and dilemmas.”
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““Great writing leaps off the pages, but the worst of it literally comes to life. Enter META: an agency tasked with curbing such invasions of reality.
Eternally clad in a trench coat, Marvin and his trusty weapon Ol’ Eraser work closely together with his META handler, Ellen. Bound by an unusual connection that transcends imagination, they once more team up to confront a dangerous horror that emerged from the darkest of margins…”
The official synopsis of Inked Up, the first short story in the Marvin Missions series!
Coming May 27, 2022!
my secret talent is getting tired without doing anything
Me: *looks at the moon literally anytime, anywhere at any phase*
“Oh look guys the moons pretty tonight-“
For the saga of the chair see my last two posts hereandhere or just scroll down.
I still do not have a working chair. I still don’t know when I’ll have a working chair. I still don’t know how much it will cost. Nevertheless there has been progress.
A friend sent me a link to an appropriate company. An engineer from the specialist company came and looked at it and wrote a report about the…
”Higurashi no Naku Koro ni Gou”.
The true title to the series has finally been unveiled!
Check out the newest episode’s synopsis! More delivery options are now available through the website!
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Thinking of creating a new OC specifically for the purpose of whumping him brutally…
But I already have so many OCs…
But I want a new one
Okay, so…
Ciaran’s heart will never stop beating.
At first, it sounds like a superpower. But it’s not. It’s a curse, because it means that no matter what kind of torture he has to endure, he can’t die.
Or can he?
Dark magic might just be the answer to his problem. But it won’t be pretty.
Title:Revenge of the Humanoids/La Revanche Des Humanoïdes
Release Year: 1983
Production Countries: France, Japan
Film Director: Albert Barillé
Art Director: René Borg
Length:100 Minutes
Synopsis: Lieutenant Pierrot and his girlfriend & co-pilot of the vessel Libellule are on their way back to their home planet Omega with their positronic brain android Métro. This trio are the most successful team on the Galactic Patrol, the space police force for the Omega Confederation, a peaceful alliance of planets led by Pierrot’s mother, President Pierrette. What should have been a routine patrol mission turns disastrous as the three heroes unwittingly fly into space occupied by the Omega Confederation’s enemy, the Republic of Cassiopeia. They discover the Cassiopeian army ships are testing a powerful new weapon with a force capable of disintegrating a planet! The Libellule catches some reverberations from the energy blast and is sent off-course, crash-landing on the nearly-unknown primitive planet of Apis.
On Apis, a partially-injured Pierrot is rescued by an underground rebel group of humans living hidden in the mountain who are at war with the hostile surface Native tribe. These rebels are also fighting against the dictatorship of robots that exist on the nearby planet Yama. They help Pierrot find a working spaceship and escape Apis, reaching Yama.
Pierrot reunites with his android Métro on Yama and with the rebels penetrates obstacles en route to the central city where Psi is being held prisoner by the humanoids. While the leaders of the Republic of Cassiopeia, General The Pest and his lackey, The Dwarf, believe Yama is their ally — the planet, inhabited entirely by humanoid robots, is under control of a supercomputer. The grand computer has plans of its own not expected by the Republic of Cassiopeia — to go rogue and take control of Omega, followed by Earth. Pierrot destroys the circuit of the computer before it completes its once imagined domination of the galaxy.
This 1983 French/Japanese feature-length animated film was created by editing and reassembling the final six episodes of the television series Il était une fois… l'Espace (English:Once Upon a Time… Space), a co-production of Procidis Studio in France and Eiken Studio in Japan. The series premiered between 1982 and 1983 on French television. The final six episodes were fashioned as a mini-series and were of higher production quality than the rest of the series both in terms of story and animation. The entire series was 26 episodes at 26 minutes each. The mini-series grand finale was modified into a feature-length film of approximately 100 minutes in length.
The six episodes that were compiled and condensed into the film originally aired between February and April 1983 in France. However, the film was released in French theaters in January 1983, a month before the series wrapped-up. The film was intended to stand alone as its own comprehensible story, without significant prior knowledge of the series to understand the plot.
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Title:Revenge of the Humanoids/La Revanche Des Humanoïdes
Release Year: 1983
Production Countries: France, Japan
Film Director: Albert Barillé
Art Director: René Borg
Length:100 Minutes
Synopsis:
Around the year 3000, Pierrot, his girlfriend Psi, and their android Métro (who has a positronic brain), inhabitants of the planet Omega, are tasked with ensuing space security as members of the Galaxy Patrol. The Galaxy Patrol is the police force of the Omega Confederation, an alliance of planets, including Earth. The Omega Confederation is run by Lieutenant Pierrot’s parents, his mother President Pierrette and his father Colonel Pierre. The chief enemy of the Galatic Confederation is the militant Republic of Cassiopeia, led by General The Pest and his henchman The Dwarf.
On their way back from what should have merely been a routine space travel mission, Pierrot, Psi, and Métro, the best team occupied by the Galactic Patrol, intercept a strange phenomenon in space: giant Cassiopeian ships flocking to carry out shooting exercises. The firepower deployed by these military maneuvers is gigantic, the extended range is huge — capable of obliterating entire planets! They stop to observe the military tests, and in the process of these three heroes reporting their encounter to the Omega Confederation, their vessel the Libellule is shaken-up by the turbulence of the energy blasts, and crash lands on the primitive planet of Apis.
Half-hurt, Pierrot is collected and saved by the inhabitants of this planet, a group of men who live secretly in the mountains. These inhabitants are extremely anxious because they fear the humanoid robots of Yama, a nearby planet controlled by a supercomputer that is determined to conquer the universe. These underground rebels are also fighting the hostile native peoples on the surface of Apis.
Psi is captured by the humanoids and taken as their prisoner to the neighboring planet Yama. As for Métro, he has disappeared.
With help from those who saved him, Pierrot arrives on Yama to rescue Psi. Along the way he finds Métro underground and it is with his android friend that Pierrot tries to penetrate to the center of the secret city where Psi is being held hostage. Aided by a few of the rebels, they manage to cross the dams and roadblocks and reach the heart of the city. They release Psi and then are faced with the large computer long-ago designed to govern the whole of Earth.
They then learn that their planet, Omega, is the next goal of the grand supercomputer and all must comply. While Omega are preparing for confrontation, Pierrot succeeds in approaching the computer and destroying its circuits before the computer successfully took control of its target planet.
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Il était une fois… l'Espace (English:Once Upon a Time… Space) was a French and Japanese co-produced science fiction/space opera television series which first aired on television in France between 1982 and 1983, and on TV in Japan in 1984 as Ginga Patrol PJ(English:Galaxy Patrol PJ). It was written and directed by Albert Barillé with artistic direction by René Borg.
La Revanche Des Humanoïdes (English: Revenge of the Humanoids) is a compilation/condensation of episodes #21 through #26 — the final six episodes of the 26-episode series. The individual episodes were around 26 minutes in length each, and the feature film edit is approximately 100 minutes in length.
According to the art director, René Borg, the film Revenge of the Humanoids was released in French theaters in January 1983, a month before the broadcast of the six-part mini-series finale to Once Upon a Time… Space premiered on French television in February 1983.
The film has a feminist message as the supreme leader of the heroic, democratically elected government the Omega Confederation, is a female President, and Psi, a female space police member, is the co-protagonist.
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With Liz Ortecho (Jeanine Mason) and Max Evans (Nathan Dean) finally able to best Max’s clone, Mr. Jones, at the end of Season 3, it seems a bit of happiness is finally ahead for them. Little do they know, a new threat is emerging down in Careyes, Mexico when a naked alien is brought to an American scientist (Shiri Appleby) in a nearby cantina. As this mysterious new alien is set on a collision course with our heroes, we’ll discover that Mr. Jones might be gone, but his vile plan for two worlds might just live on.
Meanwhile, our couples contemplate new crossroads and definitions of their relationships. A new mystery that mimics the crash of ’47 in Roswell forces Alex Manes (Tyler Blackburn) and Michael Guerin (Michael Vlamis) to balance personal goals and undercover work; Maria’s (Heather Hemmens) potential cure for her regenerative disease comes with a shocking twist; and Dallas (Quentin Pilar), Isobel (Lily Cowles) and Kyle (Michael Trevino) contemplate new layers of how their families might all be connected.
All these new revelations unfold as our sleepy town of Roswell, New Mexico gets woken up by a daring daylight bank robbery where mysteriously not a single dollar is touched. But what was taken just might shed new light on the crash from ’47 and what Max Evans’ true purpose has been all along.
I completely misinterpreted this
