nu goths, trad goths, baby bats, experienced goths, goths who are just now starting out, goths who have been in the scene for years, goths in a setting where they can’t dress the way they want, goths who have been called posers bc of their dress, lgbtq goths, goths in religion, goths of color, goths who can’t figure out how to do eyeliner
I hope y’all have a lovely day, you’re doing great and I love you <3
the hot goths are bringing their normie office worker partners coffee and pastries
just barely late for goth day AGAIN but. as is my curse bsfbhj
[ID: DIgital fanart of Yoo Joonghyuk and Min Jiwon from Omniscient Reader’s Viewpoint. They are both styled in goth fashion. Yoo Joonghyuk is a tan Korean man with short wavy black hair. He has four ear, two eye brow, and two nose piercings all in silver. He’s wearing a black turtleneck that has a tiddy window and a studded choker with dangling silver necklaces and an upside-down cross. He has a dark gray cardigan pulled over his shoulders and is holding a coffee to go cup. Min Jiwon is a tan Korean woman with curly brown hair. She has three ear and one nose piercing and a lip ring. She’s wearing a gold choker and gold bat and crescent moon necklace. She has a black sleeveless turtleneck and a dark red sweater fallen off her sleeves. She’s holding a to go bag. Yoo Joonghyuk is staring ahead stoic while Min Jiwon smiles with half lidded eyes. /end ID]
and the office workers in question
[ID: Monochrome drawing of Kim Dokja and Yoo Sangah. Kim Dokja is visibly shocked and bright red as he drops a stack of papers he was holding, staring down (implied at Yoo Joonghyuk’s chest). Yoo Sangah has her hands clasped and is grinning and delighted. /end ID]
Another exploration of Düsseldorf’s Nordfriedhof, in the twilight of the evening hour and short before rain set in. It’s becoming a habit and I keep being surprised by how much splendor and pomp but also food for thought this place has to offer. Some facts:
The graveyard is the closest nearby place, where I can enjoy a bit of calm and solitude in “nature”. There are wild parts, reminiscent of English landscape gardens, which occur quite magical to the senses. On the other hand, the majority of graves is fostered with an accuracy resembling that of miniature baroque gardens. The ballast bed trend is also taking over people’s last place of rest. There are exceptions, with lush planting gone wild, such as the grave covered in columbine, which is pictured above.
The caretakers seem to employ ecological concepts and care for biodiversity. E.g. I found an abandoned sandy part, previously covered in black nightshade, and now filled with fragrant phacelia, which is a soil conditioner and attracts a multitude of pollinating insects, not only honey bees. There are bee hives being implemented on this graveyard. There is a small pond visited by various water fowl as well grey herons and I spotted at least one large bird of prey, a common buzzard. The entrance on one side smells heavily like fox. There is a huge population of rabbits digging burrows all across the graveyard, which is probably not to the liking of all bereaved, but partly amusing to observe.
There is an abundance of large and impressive family gravesites as well as memorials for the victims of WWI and WWII. The annexed stonemason does an admirable job with the restoration of the historical gravesites.
It is easy to become enticed by the romanticism conveyed through the abundance and sheer beauty of the place and its funerary art. Yet I am also finding something oppressive or at least overwhelming about this. There is some money flowing into the maintenance of these graves, which are also a symbol of status and an ultimate expression of people’s egos. This in turn touches upon my own ego and leaves me behind with mixed feelings.
As much as I am occupied with the topic of death and the dead, I am part of a generation that will likely not enjoy the luxury of such post-mortem vanity. In truth, it has always been only a small part of humanity to take part in such luxury. Further, the fate of today’s youth is likely, to dissolve into spirit and not leaving much traces of physical existence behind. The larger mankind grows, the less space it will have for its exponentially growing amount of bodies. Neither are the monuments built over decades to last forever. However, they help to implement and strengthen the status of a few over a certain period.
Yet I keep returning to these places, which exhibit at least 2 centuries of opulent European grave culture, while caught in a dichotomy between the modern world and the past, between ego obsessions and spiritual ideals, between personal emotions and the need for detachment.
