#african american art

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“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It“Harlem Jumped.” - African American artist Faith Ringgold imagine - Faith Ringgold - Tell It Like It

“Harlem Jumped.” - African American artist Faith Ringgold 

imagine - Faith Ringgold - Tell It Like It Is


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 The Banjo LessonHenry Ossawa TannerOil on canvas, 35 x 49 in.1893

The Banjo Lesson
Henry Ossawa Tanner
Oil on canvas, 35 x 49 in.
1893


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Furniture by Richard Dial 1988Source >

Furniture by Richard Dial 1988

Source >


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‘I am looking far warter’ by Nellie Mae RoweSource >

‘I am looking far warter’ by Nellie Mae Rowe

Source>


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Henry Ossawa Tanner (American, 1859 - 1937)

Near East Scene, ca. 1910

Oil and casein on canvas

Des Moines Art Center

Kerry James Marshall, Drawing (Two Heads) (Study for Vignette), 2005, ink on board, 20 x 15 in.

Kerry James Marshall,Drawing (Two Heads) (Study for Vignette), 2005, ink on board, 20 x 15 in.


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A doodle well within my comfort zone to do away with some art block.  Happy New Year!  2019 was an eA doodle well within my comfort zone to do away with some art block.  Happy New Year!  2019 was an e

A doodle well within my comfort zone to do away with some art block.  

Happy New Year!  2019 was an enormously difficult year - partly because it was one of a lot of healing.  2020, I’m sure, will lend its own difficulties, but I’m excited for what God has in store. 

Two versions because I wasn’t sure which one I preferred.


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Aaron Douglas (1899–1979), Let My People Go, ca. 1934–1939. Oil on board, 48 x 36 inches. The Metrop

Aaron Douglas (1899–1979), Let My People Go, ca. 1934–1939. Oil on board, 48 x 36 inches. The Metropolitan Museum of Art; Purchase, Lila Acheson Wallace Gift (2015.42). © Heirs of Aaron Douglas/Licensed by VAGA, New York, NY. (via: incollect.com)


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Congo, c. 1928. Gouache and pencil on paper board, located at North Carolina Museum of Art in Raleig

Congo, c. 1928. Gouache and pencil on paper board, located at North Carolina Museum of Art in Raleigh




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