#american artists

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vivipiuomeno1:Lisa Oppenheim visual art. (New York, U.S.A. 1975) ‘Lunagrams, 2010’ - #4, Unique silv

vivipiuomeno1:

Lisa Oppenheim visual art. (New York, U.S.A. 1975) ‘Lunagrams, 2010’ - #4, Unique silver toned photograms, 50.5 x 40.3 cm. serie of 11 ph.


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Person Making a Picture on the Beach, 1966Minor White (American; 1908–1976)Gelatin silver printPrinc

Person Making a Picture on the Beach, 1966
Minor White (American; 1908–1976)
Gelatin silver print
Princeton University Art Museum, Princeton, New Jersey
© Trustees of Princeton University


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Cats didn’t need the internet to achieve feline fame. Our @archivesofamericanart has a new exhibitioCats didn’t need the internet to achieve feline fame. Our @archivesofamericanart has a new exhibitio

Cats didn’t need the internet to achieve feline fame. 

Our@archivesofamericanart has a new exhibition, “Before Internet Cats: Feline Finds from the Archives of American Art,” which explores how cats are represented in rare documents like sketches and drawings, letters, and photographs from the 19th century through the early 2000s.

We decided to let the cat out of the bag…er, box with this collage postcard sent from fiber artist Lenore Tawney to filmmaker Maryette Charlton. Tawney’s postcards often featured intricate layers of found media and handwritten notes. Animals, especially cats, were a frequent motif.

While we think the whole exhibition is purrfect (we couldn’t help it), here are some of our favorite pieces from the archives:

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Georges Mathieu, a French painter, embellished this oversize letter to painter Hedda Sterne. It’s among the cat-themed correspondence from Mathieu that are in Sterne’s papers.

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Cats often make ideal studio companions. They serve as sympathetic critics and elegant muses. 

In this photo, Pozy the cat watches muralist Edna Reindel work in her California studio. (Pozy is also the subject of the wall mural behind them.)

Photos of artists in their studios enhance our understanding of their stories and their working processes.

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Reginald Gammon was known for his evocative portraits of prominent African Americans (and not cats) but in the mid-1960s he illustrated a children’s book that chronicles the friendship between a boy and a bespectacled cat.

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Thousands of sketches in the Archives of American Art offer insight into artists’ creative processes. A 1948 sketchbook of watercolor studies by muralist and children’s book illustrator Emily Barto highlights the distinct personalities of several felines—here’s one taking a cat nap.

#BeforeInternetCats is on view through Oct. 29 in the Lawrence A. Fleischman Gallery (the first floor of the National Portrait Gallery). You can also paw your way through the exhibition online


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Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1

Ray Frederick Coyle (1885-1924), ‘Jurgen: A Comedy of Justice’ by James Branch Cabell, 1929

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Hello lovely followers! I am writing one of my final research papers to finish off my BFA in photography and I need your help! Have any of you (or anyone you know) moved abroad to pursue art? / Or is anyone currently an artist in Australia? Text me, message me, or send them my way. Thanks in advance! 

Paisagem com escada, nuvem e cogumelos . 1947 . Landscape with ladder, cloud and mushrooms

Paisagem com escada, nuvem e cogumelos . 1947 . Landscape with ladder, cloud and mushrooms


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Perfect Posture - Hernan Bas There’s so much I like about Bas’ work.  His artquirky instagram is @he

Perfect Posture - Hernan Bas 

There’s so much I like about Bas’ work.  His artquirky instagram is @hernanbas.  There’s an Artspace interviewandLehmann Maupin has an online gallery with a ot of his work, including his A Queer and Curious Cabinet installation from 2013.


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Available. WHERE THE LEMON TREES BLOOM 16. 30"X30" all kinds of stuff on canvas.

prominent-nipple:Broken Circle, 1971 –– Robert Smithson

prominent-nipple:

Broken Circle, 1971 –– Robert Smithson


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Forever one of my greatest inspirations. “Shadows”, Edward Hopper, 1921. 

Forever one of my greatest inspirations. 

“Shadows”, Edward Hopper, 1921. 


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Charles Sheeler (American, 1883–1965), The Great Tree, 1956 , Tempera, 11.4 x 16.5 cm

Robert Kipniss (American, born 1931), Tall Trees at Night, 2000, Mezzotint, 629 x 468 mm

Joe Minter (American, born 1943), The Hanging Tree, 1996, Welded Found Steel, 212.1 x 125.7 x 125.7 cm

John Singer Sargent (American, 1856–1925), Dennis Miller Bunker Painting at Calcot, 1888, Oil on canvas mounted on Masonite, 68.6 x 64.1 cm), Chicago, Terra Foundation for American Art

Richard Diebenkorn (American, 1922-1993), Invented landscape, 1977, gouache and crayon on paper

Anna Althea Hills (américain, 1882 - 1930), Sycamore trees in a landscape, Oil on board laid to masonite, 30,5 x 40,6 cm

Dennis Miller Bunker (American, 1861-1890), Larmor, 1884, Oil on canvas, 45,.7 x 64.7 cm, private collection

Hernan Bas (American, born 1978), William won’t tell (pinky swear), oil on paper, 2015

Julian Schnabel (American, born 1951), Trees of Home (for Peter Beard) 6, 2020. Oil, plates, bondo on wood, 182.9 x 152.4 x 30.5 cm

Winslow Homer, The Gulf Stream, 1899Oil on canvas Image released into the public domain.

Winslow Homer, The Gulf Stream, 1899
Oil on canvas

Image released into the public domain.


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