Apologies, it’s been a while: I haven’t drawn Culmets for so long I’m starting to feel almost estranged. And that just won’t do! Not with the amount of unfinished business I have with these two.
aka“Soft and Homely” - an unrelated comment, which my general portrayal of Culmets received on twitter whilst this one happened to be on the works. Couldn’t have been more spot on in that moment. Thank you.
Revisiting one of my personal favorites from 2018. Upon which this also only just became my first ever portrayal of the “sexy scar”, surprising as it is.
A surprise inspo. Owo and Detmer getting hands dirty on ship maintenance.
Rest of the Disco works listed here. This work on twitter, and details below.
Begs captioning.
Same folks in the background here as in the recent ‘discreet selfie’ shot, rather gives a sense like this could be another angle of the same scene. (In reality, though, it’s mostly me going the easiest route and using first befitting images I happened by in reference libraries; where Paul especially has an overwhelming advantage over everyone else). I very much like it, though.
Inspired by one stage photo of Oladejo I happened by. With some artistic licence on the flex. .
A long overdue portrait of the science officer portrayed by George Alevizos: taking the opportunity to snap a selfie with their unsuspecting fellow officers congregating in the background.
Continuing the slowly progressing effort to feature some of the less highlighted USS Discovery crew. Rest of the Disco works listed here. This work on instagram and on twitter. .
This content is free for anyone to use or edit however you like; if you care to throw a dollar or two my way for time, effort, storage fees etc you are more than welcome to do so via my PAYPAL. Please like or reblog this post if you have found it useful or are downloading the content within. If you have any questions or you have any problems with the links or find any inconsistencies in the content, etc. please feel free to drop me a politely worded message via my ASKBOX (second icon from the top on my theme!).
The Stonewall Inn, which was the site of the 1969 uprising that ignited the modern Gay Rights movement, received National Historic Landmark Status from President Obama June 24, making it the first LGBTQ establishment in the history of the U.S to receive this distinction.
To celebrate this milestone, and in a stand of solidarity with those who were attacked and killed at Orlando’s Pulse nightclub June 12—like Stonewall, it was a safe haven for the LGBTQ community that was met with brutality—members of the theatre community descended on Stonewall June 20 to not only commemorate history, but to take part in it. The exclusive portrait series was shot by photographer Eric McNatt. (X)
“I always try to find the truth of the material, the truth of the moment,” the Illinois-born Rapp, 44, says by phone from an “If/Then” tour stop in St. Louis. “I don’t condescend to the characters I play. I try to find the humanity in them. And I don’t try to fall into the trap of trying to make them likable if they do despicable things.“
“So it’s been really cool to explore the nature of that on such a glandular level with this character and these lives. There are very, very different outcomes in both of the story lines for Lucas, so I feel like I get to eat a pretty full meal every night.”
And because Lucas was written specifically for him, Rapp got some insight into himself — and into how others perceive him.
“There are certainly things that are pretty directly resonant for me,” he acknowledges. “I tend to be pretty idealistic and passionate about the things I believe in. I feel like I’m less so as I’ve gotten older and mellower, but certainly when I was younger I was a lot more self-righteous about things and less forgiving of other people’s points of view. So I could identify with that aspect of Lucas.”
As a pre-show ritual, Daren and I celebrate some of our favorite things while jamming out to @hamiltonmusical – the @cubs for me and @arsenal for Daren. (at The Fabulous Fox)
“BWOY is really fine. Beautifully written and directed, with rich character twists and turns. It’s the kind of unassuming, economical filmaking which was once the goal of the American independent film movement but has all but vanished with the pressure to stand out from the crowd. This film is outstanding for all the right reasons.” Amy Taubin, Film Critic
This week on The Criterinot Podcast I’m joined by New Yorker staff writer and prolific Twitter user Naomi Fry to talk about Adventures in Babysitting, Elvis crapping to death, Beverly Hills 90210, Melrose Place, Matthew Modine, and why young people looked so old in the 80s.
