#baroque music

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polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 1 in C major, BWV 1066 - 5. Menuet I/II

Jordi Savall / Le Concert des Nations

jacquesbonhomme:

J.S. Bach: Fuge in G-Dur (à la Gigue) BWV 577 - Christian Barthen, organist.

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 1 in C major, BWV 1066 - 4. Forlane

Jordi Savall / Le Concert des Nations

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 1 in C major, BWV 1066 - 3. Gavotte I/ II

Jordi Savall / Le Concert des Nations

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 1 in C major, BWV 1066 - 2. Courante

Jordi Savall / Le Concert des Nations

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 1 in C major, BWV 1066 - 1. Ouverture 

Jordi Savall / Le Concert des Nations

polyphonyrocks:

A daily dose of Bach 

Fugue in C minor, BWV 575 

Ton Koopman, organ

#j s bach    #baroque music    #organ works    #a daily dose    

A daily dose of Bach 

Suite in E flat major, BWV 819 - 6. Menuet II 

Zuzana Růžičková, harpsichord

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 2 in B minor, BWV 1067 - 6. Menuet

Jordi Savall / Le Concert des Nations

A daily dose of Bach

Fugue in G major, BWV 581 

Marie-Claire Alain, organ

#j s bach    #baroque music    #organ works    #a daily dose    

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 2 in B minor, BWV 1067 - 5. Polonaise / Double

Jordi Savall / Le Concert des Nations

A daily dose of Bach 

Fugue in D majnor, BWV 580 

Wolfgang Rübsam, organ 

#j s bach    #baroque music    #organ works    #a daily dose    

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 2 in B minor, BWV 1067 - 4. Bourrée I/II 

Jordi Savall / Le Concert des Nations

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 2 in B minor, BWV 1067 - 3. Sarabande 

Jordi Savall / Le Concert des Nations

polyphonyrocks:

A daily dose of Bach

Orchestral Suite No. 2 in B minor, BWV 1067 - 2. Rondeau 

Jordi Savall / Le Concert des Nations

The opening bars of Bach’s Matthäus-Passion, BWV 244.

The opening bars of Bach’s Matthäus-Passion, BWV 244.


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Vivaldi : La Follia

My latest addiction, I’ve listened to this probably 87 times in a row already  ;_;

The last movement of this piece is definitely the most metal, hardcore piece of music I’ve ever listened to, like it’s impossible not to headbang to this, it’s just so intense and passionate and fiery 

How can some people say classical music is boring? I honestly don’t understand, I mean, they need to listen to this, because Vivaldi is so lit ;_;

Antonio Vivaldi - Concerto no.2 in E minor, RV 279  “La Stravaganza”

I’ve been so addicted lately to this concerto, especially to the first movement <3

Blue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatBlue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservat

Blue: Peace, tranquility, cold, calm, stability, harmony, unity, trust, truth, confidence, conservatism, security, cleanliness, order, loyalty, sky, water, technology, depression, appetite suppressant.


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Aria et 6 variations en sol mineur, P. 196 : II. Variation 1 – Johann PachelbelDétail de « Mrs. Grac

Aria et 6 variations en sol mineur, P. 196 : II. Variation 1 – Johann Pachelbel

Détail de « Mrs. Grace Dalrymple Elliott », par Thomas Gainsborough (1778).

Detail of “Mrs. Grace Dalrymple Elliott”, by Thomas Gainsborough (1778).


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