I’ve just discovered my new favorite painter, Vittorio Reggianini - those smarter than myself probably already know of him as an Italian painter from the 1800s who made satin look even satiny-er than satin. I just cannot get over how much he loved painting women who were NOT. HAVING. A. MAN’S. SHIT.
But there was one hottie that everyone seemed to like, and I can’t blame them…
Vittorio knows what the ladies like.
Vittorio Reggianini was a 19th-century Italian genre painter specializing in scenes of bourgeois life. Born in Modena, Italy in 1858, Reggianini was part of a group of artists called the “Costume Painters,” who sought to revive the sophistication of the past by painting a romanticized version of the culture during a time of great military conflict. He skillfully painted contemporary fashion and opulence, especially focused on painting the silks and satins of dresses and floor and wall coverings. He studied and later taught at the Accademia di Belle Arti in Modena, Italy. The artist died in 1938.
The Florentine Republic is well-documented to have been essential in the formation and proliferation of Renaissance ideas throughout Europe. Peaking in the 15th century CE under Medici proxy rule, Florence set the standard for what/how a “modern” city should look and behave at the time. From 1434 to 1494, the Medici family ruled jointly with (but ranking higher than) the Council of Florence through the signoria system which had replaced free commune systems. The Florentine Republic briefly shook off the chains of Medici rule between 1494 and 1512 before being replaced by Papal proxy leaders in the form of cardinals. To the shock of no one, these cardinals were of the Medici family appointed to Florentine control by Pope Leo X (born as Giovanni di Lorenzo de’Medici, depicted in the Raphael painting below housed in the Uffizi).
The people of Florence were exhausted by decades of politicking and not-so-subtle Medici intervention in literally every aspect of life. To complicate matters, Florence had embroiled itself officially in the Italian Wars of 1494-1498, 1508-1516, and the war for Urbino in 1517. The Florentine economy was already suffering from prolonged warfare and it only got worse when, in 1526, Florence once again entered into the arena with the War of the League of Cognac on the side of France. Moreover, Italy was thrown right into chaos when Rome was sacked and Pope Clement VII (another Medici, crazy huh?) was captured in 1527.
Italy wasn’t looking too good and rival families to the Medici in Florence decided to once again throw off their chains. The rebellion succeeded and the Medici were exiled, but Florence continued to fight with the French. This was causing the Florentine economy to hemorrhage money. So bad was the state of the economy that, as Maurizio Arfaioli explains in The Black Bands of Giovanni, by 1528 the Florentine Republic was spending 30,000 ducatimonthly. Churches had been stripped of their silver, heavy taxes placed on the people, and most state assets had been pawned. Florence had put all of its eggs in one basket and, when the League’s army collapsed and was destroyed outside Naples in 1528, the Republic suffered a tremendous blow to its power. Pope Clement VII hadn’t been sitting idly either. Furious with the removal of his family from the city, a treaty was signed with Emperor Charles V to seize Florence and restore his family’s control. The result was a prolonged siege and utter destruction of the Florentine Republic in 1530. Imperial German troops were stationed in Florence and Alessandro de’Medici (pictured below in a painting housed at the Uffizi) was made Duke of the Florentine Republic, establishing hereditary dynastic rule officially.
Despite his decent rule, Alessandro didn’t last long and neither did the Duchy of Florence. He was assassinated seven years into his uneasy, but distinctly authoritarian reign and was replaced by Cosimo I de’Medici (pictured below in a portrait from the MET).
Cosimo immediately clamped down control and fought intensely in the last of the Italian wars, going so far as to invade the Republic of Siena and establish the Grand Duchy of Tuscany. Thus ended the Florentine Republic, first in violent death throes and then in exhausted subservience. The Grand Duchy of Tuscany would remain in Medici hands until the early 18th century, growing ever irrelevant in European grand politics.
