#german art

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Details: Maritime Painting, Max Jensen, 1908

Details: Ship on Rough Seas, Max Jensen, 1908

Details: Ship on High Seas,Max Jensen (19th century)

publicdomainsurfer: The dreamer, (c. 1840), by Caspar David Friedrich

publicdomainsurfer:

The dreamer, (c. 1840), by Caspar David Friedrich


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 Hans Thoma (German, 1839 - 1924).  

Hans Thoma (German, 1839 - 1924).  


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Andreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associatAndreas Achenbach (1815–1910, Germany)Landscapes 2Achenbach was a German landscape painter, associat

Andreas Achenbach (1815–1910, Germany)

Landscapes2

Achenbach was a Germanlandscape painter, associated with the Düsseldorf school. His style is central to 19th century German landscape painting, and defined the post-Friedrich period moving from RomanticismtoRealism.


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Albert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre paiAlbert von Keller (1844–1920, Germany)Figures and scenesKeller was a German historical and genre pai

Albert von Keller (1844–1920, Germany)

Figures and scenes

Keller was a Germanhistoricalandgenre painter, popular in his time as a societyportraitist. Over his fairly long life, unlike a lot of artists who found their style at odds with modernistic trends, he appears to have adapted quite easily to the altering artistic priorities at the end of the 19th Century. In some of his work can be found elements of symbolismandexpressionism.


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Max Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the DüsseldorMax Volkhart (1848–1924, Germany)Max Volkhart was a German genre painter and etcher of the Düsseldor

Max Volkhart (1848–1924, Germany)

Max Volkhart was a Germangenre painter and etcher of the Düsseldorf School. His paintings tend to show uncomplicated scenes of daily life from the 18th and 19th centuries.


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Johann Heinrich Tischbein l'Ancien, Didon sur le point de se poignarder, 1776

Johann Heinrich Tischbein l'Ancien, Didon sur le point de se poignarder, 1776


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Carl Friedrich Lessing (German, 1808-1880) - Monastery Courtyard in Snow, 1829

Carl Friedrich Lessing (German, 1808-1880) - Monastery Courtyard in Snow, 1829


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life-imitates-art-far-more: Theodor Hildebrandt (1804-1874) “The Murder of the Children of King Edwa

life-imitates-art-far-more:

Theodor Hildebrandt (1804-1874)
“The Murder of the Children of King Edward” (1835)
Oil on canvas
Located in the Museum Kunstpalast, Düsseldorf, Germany

The sons of Edward IV, King of England,
Edward V of England and Richard of Shrewsbury, Duke of York, were 12 and 9 years old when they were lodged in the Tower of London by their uncle, the Lord Protector: Richard, Duke of Gloucester. This was supposedly in preparation for Edward V’s forthcoming coronation as king. However, before he could be crowned, he and his brother were declared illegitimate, and their uncle Richard ascended to the throne.

It is unclear what happened to the boys after, as the last recorded sighting of them was in the Tower; though it is generally assumed that they were murdered.

Theodor Hildebrandt (2 July 1804, Stettin - 29 September 1874, Düsseldorf) was a German artist of the Düsseldorf school of painting who specialized in literary and historical subjects. He was also a noted entomologist.

He was a disciple of the painter Schadow, and, on Schadow’s appointment to the presidency of a new academy in the Rhenish provinces in 1828, followed that master to Düsseldorf. Hildebrandt began by painting pictures illustrative of Goethe and Shakespeare; but in this form he followed the traditions of the stage rather than the laws of nature. He produced rapidly “Faust and Mephistopheles” (1824), “Faust and Margaret” (1825), and “Lear and Cordelia” (1828). He is associated with the Düsseldorf school of painting.

Comparatively late in life Hildebrandt tried his powers as an historical painter in pictures representing WolseyandHenry VIII, but he lapsed again into the romantic in “Othello and Desdemona.” After 1847 Hildebrandt gave himself up to portrait-painting, and in that branch succeeded in obtaining a large practice. Hildebrandt was also an entomologist specialising in Coleoptera and a Member of the Entomological Society of Stettin. He died at Düsseldorf in 1874.

Theodor HIldebrandt, Wikipedia


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happyheidi:

‘The Return of Nature Train’ by Timo Helgert

Albrecht Dürer, Saint Jerome in His Study, 1514.

Albrecht Dürer, Saint Jerome in His Study, 1514.


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Credit: Hans Lützelburger (German, 1495?-1526) after designs by Hans Holbein the Younger (German/Swiss, 1497/8-1543). Images of Death, c. 1526, woodcuts. Details from Creation of Eve and Fall (Temptation of Adam) including canine representation. I am not sure how a dog could be present at the creation of Eve. As seen at the exhibit “Holbein: Capturing Character” at the Morgan Library & Museum @themorganlibrary in New York.

 Neopolitan Girl by Gustav Karl Ludwig Richter (1823 - 1884, Germany).

Neopolitan Girl by Gustav Karl Ludwig Richter (1823 - 1884, Germany).


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‘The Four Horsemen of the Apocalypse’ from 'The Apocalypse: Revelation of Saint John the Divine’, Albrecht Dürer (German, 1471-1528), ca. 1498

Woodcut on paper

 Statue of the Madonna in the Mountains, Caspar David Friedrich (German, 1774-1840), 1804Brush and b

Statue of the Madonna in the Mountains, Caspar David Friedrich (German, 1774-1840), 1804

Brush and black ink and gray wash, with graphite, on cream wove paper

244 × 382 mm


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Kurt Schwitters, Opened by Customs 1937-8, Paper collage, oil and pencil on paper. ‘German art

Kurt Schwitters, Opened by Customs 1937-8, Paper collage, oil and pencil on paper.

‘German artist Kurt Schwitters worked in a variety of media including sound, poetry, sculpture and typography. He used the term ‘Merz’ to describe his own form of dada, which were collage and assemblage works using scavenged scrap materials’
http://www.tate.org.uk/learn/online-resources/glossary/d/dada


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Johanna Helena Herolt (German, 1668 - after 1723) A Poppy In Three Stages Of Flowering, With A Caterpillar, Pupa And A Butterfly, 17th century. Private collection.

Valentin Fischer, Portrait of Michael James Monaghan, 2018 Oil on board,  40 x 40 cm

Valentin FischerPortrait of Michael James Monaghan, 2018 

Oil on board,  40 x 40 cm


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August Sander (German, 1876-1964), Architect Hans Heinz Lyttgen and his Wife Dora, 1926.

August Sander (German, 1876-1964), Architect Hans Heinz Lyttgen and his Wife Dora, 1926.


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