#historical costume

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TWO VELVET AFTERNOON DRESSES, 1938-1940s2 velvet 1940s afternoon dresses: 1 royal blue crushed cottoTWO VELVET AFTERNOON DRESSES, 1938-1940s2 velvet 1940s afternoon dresses: 1 royal blue crushed cotto

TWO VELVET AFTERNOON DRESSES, 1938-1940s

2 velvet 1940s afternoon dresses: 1 royal blue crushed cotton velvet 3 piece ensemble consisting of dress with pleated SH, self bow & gold passementerie at center front & slip Bishop sleeves, cap w/ rouleau brim w/ bow at back & wide belt & 1 brown silk voided velvet with ruffled bib & gathered & flared short sleeve & self-belt.


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TAN & BLACK CUT VELVET EVENING DRESS, EARLY 1920sVoided silk velvet pieced onto silk chiffon lonTAN & BLACK CUT VELVET EVENING DRESS, EARLY 1920sVoided silk velvet pieced onto silk chiffon lonTAN & BLACK CUT VELVET EVENING DRESS, EARLY 1920sVoided silk velvet pieced onto silk chiffon lon

TAN & BLACK CUT VELVET EVENING DRESS, EARLY 1920s

Voided silk velvet pieced onto silk chiffon long sleeve evening dress in black & tan Art Deco motif w/ embroidered & fringe accents, sheer bishop sleeve,


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WOMENS DARK GREEN RIDING HABIT, MID 1880sCirca 1885 womens 3-pc wool knit riding ensemble in ScheeleWOMENS DARK GREEN RIDING HABIT, MID 1880sCirca 1885 womens 3-pc wool knit riding ensemble in ScheeleWOMENS DARK GREEN RIDING HABIT, MID 1880sCirca 1885 womens 3-pc wool knit riding ensemble in ScheeleWOMENS DARK GREEN RIDING HABIT, MID 1880sCirca 1885 womens 3-pc wool knit riding ensemble in Scheele

WOMENS DARK GREEN RIDING HABIT, MID 1880s

Circa 1885 womens 3-pc wool knit riding ensemble in Scheele’s green consisting of jacket, high detachable collar, skirt & pants, fitted jacket with brass buttons down center front, boned bodice, high breast pocket at left, skirt with bustle & hooks to accommodate the knee for right side rider, matching pants with padding in left knee, inside right thigh & seat, right side button closure & stirrups.


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TWO MENS SILK VESTS, 1840-18601 pink, chest padding, cotton back,  & 1 ivory silk w/ white embroTWO MENS SILK VESTS, 1840-18601 pink, chest padding, cotton back,  & 1 ivory silk w/ white embro

TWO MENS SILK VESTS, 1840-1860

1 pink, chest padding, cotton back,  & 1 ivory silk w/ white embroidery, 2 side breast pockets, very light chest padding, silk back.


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ONE BLUE & ONE PEACH CUT VELVET PEIGNOIRS, 1930sTwo 1930s voided silk velvet robes in floral motONE BLUE & ONE PEACH CUT VELVET PEIGNOIRS, 1930sTwo 1930s voided silk velvet robes in floral mot

ONE BLUE & ONE PEACH CUT VELVET PEIGNOIRS, 1930s

Two 1930s voided silk velvet robes in floral motif: 1 sky blue w/ ecru lace trims, bell sleeves & pocket at right hip; 1 peach short sleeve robe w/ petal accents to neckline,


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BLACK SILK MOURNING ENSEMBLE, 18601-pc black silk faille dress with band collar, hook & eye at cBLACK SILK MOURNING ENSEMBLE, 18601-pc black silk faille dress with band collar, hook & eye at cBLACK SILK MOURNING ENSEMBLE, 18601-pc black silk faille dress with band collar, hook & eye at cBLACK SILK MOURNING ENSEMBLE, 18601-pc black silk faille dress with band collar, hook & eye at cBLACK SILK MOURNING ENSEMBLE, 18601-pc black silk faille dress with band collar, hook & eye at cBLACK SILK MOURNING ENSEMBLE, 18601-pc black silk faille dress with band collar, hook & eye at c

BLACK SILK MOURNING ENSEMBLE, 1860

1-pc black silk faille dress with band collar, hook & eye at center front, boned bodice with bust padding, long sleeve with pagoda over sleeve to elbow, trained skirt with left side front closure & pocket at right hip, lined with tan cotton, tapes inside skirt to create bustle & separate matching peplum.

Provenance Maria Cheney Hall Canaan, CT 1871-73


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PEIGNOIR NEGLIGEE SET & TWO PEIGNOIRSA peignoir is a long outer garment for women which is frequPEIGNOIR NEGLIGEE SET & TWO PEIGNOIRSA peignoir is a long outer garment for women which is frequPEIGNOIR NEGLIGEE SET & TWO PEIGNOIRSA peignoir is a long outer garment for women which is frequ

PEIGNOIR NEGLIGEE SET & TWO PEIGNOIRS

A peignoir is a long outer garment for women which is frequently sheer and made of chiffon or another translucent fabric. The word comes from French peigner, to comb the hair, describing a garment worn while brushing one’s hair, originally referring to a dressing gown or bathrobe. 1

4 pcs of 1930-40s lingerie: 1 sleeveless nightgown w/ keyhole at CB & V-neck front w/ matching short sleeve robe in peach w/ pink dogwood motif, both label “Radcliffe”, (seam off & cut at front V-neck)1 short sleeve pink satin wrap front robe w/ right H pocket w/ floral embroidery; 1 zip front robe w/ lace overlay.


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VELVET & LAME EVENING GOWN, MID 1920SPink velvet 1920s evening dress w/ gold lame & velvet sVELVET & LAME EVENING GOWN, MID 1920SPink velvet 1920s evening dress w/ gold lame & velvet sVELVET & LAME EVENING GOWN, MID 1920SPink velvet 1920s evening dress w/ gold lame & velvet sVELVET & LAME EVENING GOWN, MID 1920SPink velvet 1920s evening dress w/ gold lame & velvet sVELVET & LAME EVENING GOWN, MID 1920SPink velvet 1920s evening dress w/ gold lame & velvet s

VELVET & LAME EVENING GOWN, MID 1920S

Pink velvet 1920s evening dress w/ gold lame & velvet slip, faux wrap bodice w/ rhinestone buckle, low back & handkerchief hem


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GENT’S TAIL COAT, 1830sblack wool frock coat w/ pockets in tails lined w/ tan & brown wavyGENT’S TAIL COAT, 1830sblack wool frock coat w/ pockets in tails lined w/ tan & brown wavyGENT’S TAIL COAT, 1830sblack wool frock coat w/ pockets in tails lined w/ tan & brown wavyGENT’S TAIL COAT, 1830sblack wool frock coat w/ pockets in tails lined w/ tan & brown wavyGENT’S TAIL COAT, 1830sblack wool frock coat w/ pockets in tails lined w/ tan & brown wavy

GENT’S TAIL COAT, 1830s

black wool frock coat w/ pockets in tails lined w/ tan & brown wavy stripe cotton, & “M” notched collar


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TWO PINK BEADED EVENING GOWNS, 1960s2 pink synthetic 1960s embellished party dresses with empire waiTWO PINK BEADED EVENING GOWNS, 1960s2 pink synthetic 1960s embellished party dresses with empire waiTWO PINK BEADED EVENING GOWNS, 1960s2 pink synthetic 1960s embellished party dresses with empire waiTWO PINK BEADED EVENING GOWNS, 1960s2 pink synthetic 1960s embellished party dresses with empire wai

TWO PINK BEADED EVENING GOWNS, 1960s

2 pink synthetic 1960s embellished party dresses with empire waist & chiffon skirts: 1 with pale pink floral rhinestone bodice, label “Claire Pearone”, 1 bright pink heavily beaded silver & white scoop neck bodice to keyhole back.


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SILK CHARMEUSE LOUNGING PAJAMAS, 1940sCanary & royal blue silk 2-piece lounging pajamas with friSILK CHARMEUSE LOUNGING PAJAMAS, 1940sCanary & royal blue silk 2-piece lounging pajamas with friSILK CHARMEUSE LOUNGING PAJAMAS, 1940sCanary & royal blue silk 2-piece lounging pajamas with fri

SILK CHARMEUSE LOUNGING PAJAMAS, 1940s

Canary & royal blue silk 2-piece lounging pajamas with fringed end wrap belt: floral silk damask jacket with bell sleeves, peplum, frog closures & Nehru collar, wide leg pants with elastic at back waist & V-shape yoke at front.


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MALCOLM STARR BEADED EVENING GOWN, 1960sSleeveless 1960s evening gown with green floral lace on net MALCOLM STARR BEADED EVENING GOWN, 1960sSleeveless 1960s evening gown with green floral lace on net MALCOLM STARR BEADED EVENING GOWN, 1960sSleeveless 1960s evening gown with green floral lace on net MALCOLM STARR BEADED EVENING GOWN, 1960sSleeveless 1960s evening gown with green floral lace on net

MALCOLM STARR BEADED EVENING GOWN, 1960s

Sleeveless 1960s evening gown with green floral lace on net bodice with beads & rhinestones over cream corset & full skirt, deadstock, label “Malcolm Starr”


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a watercolor bust of a young woman with medium brown skin and dark curly hair, smiling gently at the viewer. she wears red bead earrings and a pendant, and a purple striped Empire dress.
a close up of the hair
a close up of the sleeve
a close up of the eyes and lips
a progress shot where the head and skin are mostly complete but the dress is just shaded
A closer progress shot of the face
a progress shot where just the skin is shaded, but there are no lines
a progress shot with only the background filled in dark teal and the shadows on the figure rendered in bright pink

Practicing watercolor portraiture with Julia from Untitled Regency Fantasy Project, and trying to gauge how long something in this style takes me. This turned out to be about 6 hours.

thriftstorevictoriana:

mm yes I see but have you considered… I am a pretty princess

“She could go there after anything unpleasant below, and find immediate consolation in some pursuit,

“She could go there after anything unpleasant below, and find immediate consolation in some pursuit, or train of thought at hand.’

Jane Austen - Mansfield Park, Volume I, Chapter xvi


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15th century joined hose! They weren’t the easiest thing to make, but they were worth it. They are f15th century joined hose! They weren’t the easiest thing to make, but they were worth it. They are f15th century joined hose! They weren’t the easiest thing to make, but they were worth it. They are f15th century joined hose! They weren’t the easiest thing to make, but they were worth it. They are f15th century joined hose! They weren’t the easiest thing to make, but they were worth it. They are f

15th century joined hose! They weren’t the easiest thing to make, but they were worth it. They are for my new character, “Geraldine”, for my new Swordcraft warband, “The Hounds”. They are made from 100% boiled wool and navy in color.

To state the obvious, I am not the same size as the average man, so I had to create my own pattern for these. It took a fair amount of time, a lot of calico, and a lot of mistakes. I am very happy with the result, though!

Joined hose are basically 15th-century pants - they’ve come a bit further than 14th-century braies and hose, and actually cover your bum, which is nice (I was getting pretty sick of having a cold backside at Quest!). 


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PENNSIC IS COMING! As some of you know, I have a lot of feelings about Pennsic. Like, a lot. And I’mPENNSIC IS COMING! As some of you know, I have a lot of feelings about Pennsic. Like, a lot. And I’m

PENNSIC IS COMING! 

As some of you know, I have a lot of feelings about Pennsic. 

Like, a lot. And I’m SO excited. I can’t wait to settle into that busy chaos that makes my head silent. I can’t wait to see the mist on the lake, in the morning, and hear the beat of the drums at night. 

I am ready.


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Walking around at Swordcraft, being a derp. I’m carrying a handful of yellow sashes, which show whicWalking around at Swordcraft, being a derp. I’m carrying a handful of yellow sashes, which show whic

Walking around at Swordcraft, being a derp. I’m carrying a handful of yellow sashes, which show which side we’re on (each night there is a side with and without sashes). 

In this, I’m dressed as my man-at-arms-type character, Willy. 

Gambeson, breastplate: Sun and Swords+ArmStreet
Padded chausses, hood, scabbard/ belt: Sun and Swords
Mace:Calimacil
Photographer:Snap Happy Ian


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Probably one of my favorite looks from the last two years or so. Super, super simple and comfortableProbably one of my favorite looks from the last two years or so. Super, super simple and comfortable

Probably one of my favorite looks from the last two years or so. Super, super simple and comfortable, and really easy to do archery in!! This is my usual Swordcraft character, Cecilia, Duchess of Chesterwick. 

Basically, it’s an underdress, an overdress, a breastplate and a hood! The profile of it all ends up coming across as quite 14th century (early), while still remaining fantasy and LARP appropriate. 

Model:Sun and Swords
Photography:Tony Delov

Hood, belt, scabbard: Sun and Swords
Underdress:ArmStreet
Overdress:ArmStreet
Pouch:ArmStreet
Boots:ArmStreet
Breastplate: Sun and Swords + ArmStreet


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