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How To Tell Victorian Clothing Apart By Decades

First and foremost, Karolina Żebrowska made a video about this quite some time ago explaing everything in detail, but I just wanted to make my own little checklist and mention some things that I’ve noticed for myself. Of course, this list won’t be foolproof as I’m only going to talk about the most popular styles at the time and people technically could have made a regency gown in 1900, but… that’s not the point. For the sake of being able to show everything with pictures, I’m going to leave the Regency period out as I’ve already made a separate post about it.

The Victorian era is commonly packed into the visual of a brown bustle dress and/or the typical wide dresses of the Civil War, but the Victorian era actually spans over 64 years and many, many different styles.

Queen Victoria was crowned in 1837, so let’s start in the 1830s.

The 30s were wild, and that’s one word to describe it, but that mostly goes for the first half of the decade. Huge sleeves and full skirts were the thing, often in patterns inspired by wallpaper. That’s right - stripes, florals and anything that stood out was the hit. The off-the-shoulder look is just as important though, that’s what creates the round shoulder shape, together with the puff sleeves. The waistline sat a little higher than the natural waistline and was usually adorned with a belt. In the second half of the decade the sleeves started to “travel downwards”, as in they started smocking or gathering the top part of the sleeve and just leave the pouf at the bottom.


The 40s left the puff sleeves and bright patterns behind, leaving high necklines, tighter sleeves and lowered the waistline to its natural position. Something very popular was the gathered front of a bodice and that trend even lasted into the early 50s. Skirts grew a little wider, requiring more support from layers upon layers of petticoats.


With the 50s here, ruffles came into fashion. If you see a wide, ruffled skirt, it’s probably from the 1850s. Some bodices extended over the hips now and almost looked like coats. Another important aspect: the pagoda sleeve. And obviously it’s important to note that the crinoline was finally patented in 1856. No more layers upon layers of corded petticoats! But this meant that dresses could be even wider than before. However, keep in mind that in the 50s, the crinoline had a round shape whereas in the 60s it started to become oval and extended further towards the back.


With the 60s, ruffles went out of fashion and synthetic dyes were invented, this meant brighter colors for a wider population! Actually, synthetic dyes were already invented in 56, but just like everything it took a while to make all the colors and really catch on so I’m counting it towards the 60s, because that’s when brightly colored dresses really took off. I find that especially evening dresses look very similar to 50s evening dresses so for me the best way to tell them apart is to look at the shape of the crinoline. Not to mention that a lot of people certainly continued to wear or slighly altered their 50s dresses but with a new crinoline.


Now we’re in the bustle era - the shape of the crinoline became slimmer but extended further towards the back, creating the bustle. I still find myself struggling telling mid 70s styles apart from the 80s, but there are some things I look at.

Firstly, the shape of the bustle. Early 70s style bustles are still pretty wide compared to the later silhouettes. Generally, you can say that in the 1870s, the profile of the bustle has a more gentle curve, the curve is not as steep. Also, a lot of 70s day dresses have trains. Many people actually started recycling old 18th century gowns into 1870s dresses so you can see a lot of inspiration and similarity in the shapes and how the dress is put together. The collars often mimick those of 18th century gowns and the back is draped like it was on a Robe à la Polonaise. Towards the very end of the 70s, bustles went out of style and women wore their dresses without a bustle.


Now on to the 1880s. Like I mentioned, the style was very similar but the bustle came back into fashion and became steeper. The necklines on day dresses were high and the collars weren’t square anymore. The draping of the overskirt still stuck, but the skirts became overall a little less wide. Very popular in the mid 1880s was draping the overskirt asymmetrically. That is the best giveaway if you’re unsure. Trains on day dresses still existed but weren’t as common as in the 70s. And once again, towards the very end of the decade the bustle went out of fashion, this time for good.


The 90s - certainly my favorite decade in the 19th century. Big sleeves were back! But no off-shoulder day dresses and the waistline was at its natural position. Pretty much all skirts were now straight in the front and gathered in the back - a very popular look. The size of the sleeves and the width of the dress reached its peak in 1895 and after that it all decreased in size again until the puff sleeve went out of fashion in 1898-99. Bodices had a slightly looser fit than in the decade before but were still tight-ish.


Now, the Victorian era only lasted up until 1901, but I’ve decided to add the 1900s to this list just because I really like that decade as well and think the clothes are really pretty.

So, in the 1900s the silhouette changed once again. Now, loose lace blouses were all the rage and the so-called pigeon breast silhouette was created with the help of an s-bend corset and a lot of stategical padding, a frilly corset cover and a loose gathered bodice. At the waist, you’d usually find a silk belt called a sash that matched the dress. The straight front skirts stayed but changed their shape slightly to be bell-shaped and flare out at the bottom. A lot of lace was used for gowns as well as frills and dainty details. But on the other side, a working woman would usually just wear a light colored blouse with a usually dark skirt and wear a belt to tie the outfit together.


So this was my way to tell the decades apart! I specifically love 19th century fashion because every decade is so different from the one before and it’s so fascinating how quickly styles changed back then.

omgthatdress: Suit1790sKyoto Costume Institute

omgthatdress:

Suit

1790s

Kyoto Costume Institute


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omgthatdress:Necklacelate 19th centuryChristie’s

omgthatdress:

Necklace

late 19th century

Christie’s


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fripperiesandfobs: Dress designed by Norman Hartnell, worn by the Maids of Honor at the coronation ofripperiesandfobs: Dress designed by Norman Hartnell, worn by the Maids of Honor at the coronation ofripperiesandfobs: Dress designed by Norman Hartnell, worn by the Maids of Honor at the coronation o

fripperiesandfobs:

Dress designed by Norman Hartnell, worn by the Maids of Honor at the coronation of Queen Elizabeth II, June 2, 1953

From the Royal Collection


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omgthatdress: Wedding Dress1864The Metropolitan Museum of Art

omgthatdress:

Wedding Dress

1864

The Metropolitan Museum of Art


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omgthatdress: Robe à l’Anglaise1780sThe Kyoto Costume Institute

omgthatdress:

Robe à l’Anglaise

1780s

The Kyoto Costume Institute


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omgthatdress: Dress1876The Philadelphia Museum of Art

omgthatdress:

Dress

1876

The Philadelphia Museum of Art


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fripperiesandfobs:Robe à la française, mid-18th centuryFrom Daguerre Auctions on Pinterest

fripperiesandfobs:

Robe à la française, mid-18th century

FromDaguerre Auctions on Pinterest


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wasbella102:Fuchsia Necklace made by the jeweler Georges Fouquet opal, cabochon saphire, brilliant

wasbella102:

Fuchsia Necklace made by the jeweler Georges Fouquet opal, cabochon saphire, brilliants, gold mount, 1905 // designed by Alphonse Mucha                    


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omgthatdress:Evening Dress1850sThe Metropolitan Museum of Art

omgthatdress:

Evening Dress

1850s

The Metropolitan Museum of Art


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europeanafashion:Evening gown designed by Christian Dior in 1951. http://bit.ly/1ShOa1PPhoto: Jean

europeanafashion:

Evening gown designed by Christian Dior in 1951. http://bit.ly/1ShOa1P

Photo: Jean Tholance. Collection Les Arts Décoratifs, all rights reserved.


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omgthatdress: Dinner DressCharles Fredrick Worth, 1883The Museum of Fine Arts, Boston

omgthatdress:

Dinner Dress

Charles Fredrick Worth, 1883

The Museum of Fine Arts, Boston


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omgthatdress: Evening Dress Coco Chanel, 1939 The Metropolitan Museum of Art

omgthatdress:

Evening Dress

Coco Chanel, 1939

The Metropolitan Museum of Art


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coto524:

nonlinear-nonsubjective:

swingsetindecember:

tv shows with time travel organizations/bureaus/police/agencies/whatever should have a department with instead of a tech genius eating candy, it’s a harried seamstress or fashion designer who is like

“1450 italy? does it look like I have the time to dye you wool? nO. YOU’RE GOING TO THE 1980s”

and throws shoulder pads at the hapless time agent

“I literally made three- THREE- 18th century corsets last week. You can wait until one of them gets back, or you can go sometime post-1920s, because if I have to sew one more god damn channel I will literally lose my mind.”

“Uppermiddle class?!?!? You told me upper class! FUCK YEAH THERE’S A DIFFERENCE!!!

“How about kimoNO.”

“Look me in the eyes. I do not care what you want. This is the 1500s. You absolutely cannot wear trousers.”

“Another court gown?? Here’s a novel idea: go as a peasant for once in your life. Why do you do this to me? You’re fucking sadists that’s why.”

“Don’t mind me, I’ll just be up all night hand painting silk.”

“THE POLICY IS ONE MONTH’S ADVANCE NOTICE ON PRE-1900s WOMEN’S FASHION FOR A REASON, DEBRA.”

I didn’t know I needed this in my life until now

Illustration from Peterson’s Magazine January to June 1888

Illustration from Peterson’s Magazine January to June 1888


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A lil sketch from this week

Dionysus Made Me Do It

Dionysus Made Me Do It

Yo waddup, my peasants? It’s ur gurl successfully recovered from a wild Halloween and inspired to actually blog!

So I’m sorry I haven’t really updated the blog in a while, I just haven’t really had the time to do it… Nor have I really had the desire to which I feel bad for saying. It’s not like I haven’t made anything nice this year to blog about, I’ve made this beautiful white cotton gown…


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