#jon walker
i’m writing fiction cause it’s just more interesting.
It’s when the cigarettes smoked after, seem so much cheaper than the sex.
It’s these substandard motels on the on the corner of 14th and Freemont Street.
Appealing, only because they are just that un-appealing.
Any practiced catholic would cross themselves on entering.
the rooms have a hint of asbestos and maybe a just dash of formaldehyde,
and the habit of decomposing right before your very eyes.
(along with the people inside.)
there are no raindrops on roses or girls in white dresses.
It’s sleeping with roaches and taking best guesses
at the shade of the sheets before all the stains
and a few more of your least. Favorite. Things.
Tonight tenants range from: a lawyer and a virgin,
accessorizing with a rosary tucked inside her lingerie
(she’s getting a job at the firm come Monday)
the Mrs. will stay with the cheating attorney,
moonlighting aside, she really needs his money.
Oh. What a wonderful caricature of intimacy
and not to mention, the constable. and his proposition,
for that “virgin”.Yes, the one the lawyer met with on “strictly business”
as he said to the Mrs. only hours before.
After he had left, as she was fixing her face in a compact,
there was a terrible crash. Between her and the badge.
She spilled her bag and her purse held a “purse” of a different type.
And here is where he entertains that proposition:arrested on possession,
or.
(now if this were you)
think of what you wouldn’t want to happen
They ended up… well, making love isn’t exactly what I’m looking for.
But.
You.
Get.
The.
Picture.
Oh. what a wonderful caricature of intimacy.
This is really interesting. Ryan’s original syntax and formatting of the lyrics to Build God Then We’ll Talk portray a slightly different narrative than that of the finalized lyrics.
Fun fact: This LiveJournal entry explains why there’s no motel at the corner of 4th and Fremont in Las Vegas– the original lyrics locate the motel at 14th and Fremont, where there is a “substandard motel” of sorts.
who left you for somebody else, cause you didn’t love her like you loved yourself.
The End of the World - Jon Walker
A Fever You Can’t Sweat Out by Panic! At The Disco
Requested by @whyfalloutwhenyoucanpanic
not to be dramatic or anything, but i’d rather be roundhouse kicked in the face and run over by a train than hear someone talk shit on brendon urie
your favorite panic! song to hear performed live and/or songs you wanna hear performed live? honestly no reason behind this besides the fact that i really like hearing why people want to hear certain songs & live performances kick ass.
edit: a personal fave (one of many) to hear live is don’t threaten me with a good time because as the first song performed in a concert i’m like 100% sure it gets the crowd 400% more hype to yell “champagne, cocaine, gasoline” while coasting on the high that is concert adrenalinei realized that the echoey “oh glory” in Oh Glory right after the chorus sounds like the “oh kiss me” in Hurricane and oops
when panic! drops their new album you can best bet i’ll be doing higher kicks to the songs than any member of the kinky boots cast did
i’m so far up brendon urie’s ass i could ask sarah what’s for dinner
okay so i was @ the first @panicatthedisco DOAB tour show last night and i’ve been to one of their concerts before and last night was amazing. was on cloud nine and i’ve never been that happy. thank you to the whole band for making my night amazing, i lost my voice and sobbed happy tears the whole night.
i personally want George Ryan Ross III to hit me over the head with his guitar
ive only been alive 15 years but i fully admit to having already dedicated 87 years of my life prior to this moment in love with brendon urie
if you’ve never listened to pretty. odd. all the way through without shuffle to hear the fade between songs… have you ever really listened to pretty. odd. ???
Jon:In your opinion, what’s the ultimate height of stupidity?
Ryan:*looks at Brendon*
Brendon:
Ryan: What’s your height again?
No one:
18 year old Ryan Ross at his band:
Ryan and Jon: We’re leaving the band.
⠀⠀
Brendon:No.
⠀⠀
Jon:
⠀⠀
Ryan:
⠀⠀
Brendon: You’re not allowed to leave.
⠀⠀
Ryan: Please let go of my leg.
Panic! at the Disco: *thriving with their new album*
⠀⠀
“Creative Differences”: I’m about to end this whole man’s career.
“Lol bye.”
— Ryan Ross and Jon Walker (circa. 6 July, 2009)
Brendon: Our lives are basically a work of romantic fan fiction!
Brendon: Ryan and I are the main characters, so that means we are love interests!
Jon and Spencer: Yeah, so what are we?
Brendon: You boys…
Jon:
Spencer:
Brendon: …are the homosexual supporting cast!
Spencer: You’ve gotta be kidding.
emo quartet (+ idkhbtfm) vs the quarantine