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Jacqueline Oloniceva / Latvia Guest appearance

Jacqueline Oloniceva / Latvia

Guest appearance


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Lana Zakocela / LatviaGuest appearance

Lana Zakocela / Latvia

Guest appearance


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thunderstruck9:Vija Celmins (Latvian/American, b. 1938), Hand Holding a Firing Gun, 1964. Oil on can

thunderstruck9:

Vija Celmins (Latvian/American, b. 1938), Hand Holding a Firing Gun, 1964. Oil on canvas, 24 x 34 in.


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By John Dunning, Director of Product Management

We’ve always got something new in the works at Yahoo Mail …

Most recently, our mission has been to bring Yahoo Mail to all—no matter where you are, what language you speak, or what device you’re using. And today, we’re happy to announce the expansion of the new Yahoo Mail desktop experience to 30 additional languages, including:

  • Arabic 
  • Bengali
  • Bulgarian
  • Chinese (Simplified)
  • Croatian
  • Czech
  • Danish
  • Dutch
  • Estonian
  • Finnish
  • Filipino
  • Greek
  • Hebrew
  • Hungarian
  • Italian
  • Korean
  • Latvian
  • Lithuanian
  • Malaysian
  • Norwegian
  • Polish
  • Portuguese
  • Russian
  • Serbian
  • Slovak
  • Slovenian
  • Swedish
  • Thai
  • Ukrainian
  • Vietnamese

If you’ve been using classic Mail with one of the above languages, starting today you’ll be welcomed to the new desktop experience when you sign in to mail.yahoo.com. You’ll be able to pick a colorful theme, easily find photos and documents you’ve sent/received, and enjoy more new features in the fastest and most responsive version of Yahoo Mail yet.

Day in and day out, Yahoo Mail’s mission spans the world. Wherever you live, whichever language you speak, we’ll continue to work on connecting you with the people you care about.

We couldn’t be more excited about it. 

Latvian folk costumes from the villages of Pērkone and Vaiņode

Latvian folk costumes from the villages of Pērkone and Vaiņode


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anetelusina: “Well, it seems to me that the best relationships - the ones that last - are frequently

anetelusina:

“Well, it seems to me that the best relationships - the ones that last - are frequently the ones that are rooted in friendship. You know, one day you look at the person and you see something more than you did the night before. Like a switch has been flicked somewhere. And the person who was just a friend is… suddenly the only person you can ever imagine yourself with.”
- Gillian Anderson
Photography:@gyokko

Beautiful Anete from last summer..


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padegs:Kārlis Padegs, photographed by Henrihs Bauers. 1939 or 1940.

padegs:

Kārlis Padegs, photographed by Henrihs Bauers. 1939 or 1940.


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padegs:Padegs in the yard of “Jaunkaņepēni” (his family home), late 1920s or early 1930s.

padegs:

Padegs in the yard of “Jaunkaņepēni” (his family home), late 1920s or early 1930s.


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padegs:“Portraitists”. From left - Ernests Miķelis, Fricis Zandbergs, Kārlis Padegs, K

padegs:

“Portraitists”. From left - Ernests Miķelis, Fricis Zandbergs, Kārlis Padegs, Kārlis Danne, Oļģerts Jaunarājs and an unknown person. Around 1930. 


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padegs:Kārlis Padegs and a shop window advert for Jūlijs Kreicbergs’ photo salon, 1930s.

padegs:

Kārlis Padegs and a shop window advert for Jūlijs Kreicbergs’ photo salon, 1930s.


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padegs:Dancing on a catamaran in Jūrmala, around 1933. From left - Voldemārs Griķis (?), Kārlis Pa

padegs:

Dancing on a catamaran in Jūrmala, around 1933. From left - Voldemārs Griķis (?), Kārlis Padegs, Hanele (Elvīra Mituse) and Jānis Tīdemanis. 


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padegs:People at Kārlis Padegs’ and Valdis Klalnroze’s first exhibition “Under The Lime Trees” in

padegs:

People at Kārlis Padegs’ and Valdis Klalnroze’s first exhibition “Under The Lime Trees” in Vērmanes Garden, 1934. The artwork was mostly by Padegs, who exhibited both paintings and drawings. Both artists supervised the exhibition themselves, asking people for the small entrance fee of 20 or 30 santīmi (~UK cents). They had a tent where to bring artwork in case of rain.

Once when there were less visitors, Kārlis began to slowly draw a new poster to catch people’s attention - a girl sitting on a knife. An observant policeman noticed this, and asked to remove the drawing immediately. Padegs calmly replied if he had a document that would allow him to make such an order. No. While the policeman went to fetch it, many people had gathered.

Nevertheless this exhibition earned highly mixed reviews.


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padegs:Catalogue of Kārlis Padegs’ and Valdis Kalnroze’s* art exhibition “Under the Lime Trees”, 1

padegs:

Catalogue of Kārlis Padegs’ and Valdis Kalnroze’s* art exhibition “Under the Lime Trees”, 1934.

*then Rozenbergs, later swapped for a local equivalent of the German name. 


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padegs:“Derby Race in Askota (?) (Horse Race), 1935.

padegs:

“Derby Race in Askota (?) (Horse Race), 1935.


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padegs:“Don’t go!” 1930. From the series “Red Laughter”.

padegs:

“Don’t go!” 1930. From the series “Red Laughter”.


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padegs:“The Last Supper (The Song About Bread (?))” from “The Book for the Poor&

padegs:

“The Last Supper (The Song About Bread (?))” from “The Book for the Poor”, 1933 or 1934.


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padegs:Kārlis Padegs, photographed by Henrihs Bauers, probably in his personal photo salon,1939 or

padegs:

Kārlis Padegs, photographed by Henrihs Bauers, probably in his personal photo salon,1939 or 1940. The photographer took Padegs’ last portraits, when the illness was already impossible to hide.


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padegs:Friends and colleagues, artists Valdis Kalnroze and Kārlis Padegs, in Kalnroze’s studio,193

padegs:

Friends and colleagues, artists Valdis Kalnroze and Kārlis Padegs, in Kalnroze’s studio,1934. A photo from newspaper “Dienas Lapas” (Day’s Pages) publication.

Together they held their first exhibition after leaving Art Academy, which took place in a public garden. In the newspaper advertisement they both introduced their artistic views:

Valdis Kalnroze: “Latvian art is still in child’s diapers, we can’t talk about national art, because our teachers are influenced by foreign schools”

While Kārlis Padegs wrote: “Art is not a reproduction of the existing, but every artist’s duty to find harmony between himself and his creative spirit, looking for a fulfillment, an expression of his "self”. He must try to understand the pulse of the current age. The face of this age is the starting point, to show the colours of life’s shadows, which will never be too dark for it, for depicting war, unemployment and the ultramodern life of cabaret.“


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Jana Brike (Latvian, b. 1980, Riga, Latvia) - Night Ascending, 2021, Paintings: Oil on Canvas

Jana Brike (Latvian, b. 1980, Riga, Latvia) - Night Ascending, 2021, Paintings: Oil on Canvas


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