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antique photograph, Lenoir, NC, September 2021

antique photograph, Lenoir, NC, September 2021


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Old photo of Odessa

Municipal Theatre, Odessa, Ukraine. Silver gelatin print, taken from a photo album kept by an unknown person with photographs of sights in Odessa, Ukraine. ca. 1900-1910. Collections of the Rijksmuseum, Amsterdam

 Vintage Black and White Photos Brought to Life With Embroidered Details. ———Artis Vintage Black and White Photos Brought to Life With Embroidered Details. ———Artis Vintage Black and White Photos Brought to Life With Embroidered Details. ———Artis

Vintage Black and White Photos Brought to Life With Embroidered Details.
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Artist Satoru Aoyama combines vintage prints and embroidery stitches to create fascinating multi-medium works of art. Known for his ability to intersect the contemporary with the traditional, Aoyama is recognized for his inherent craftsmanship and consistent acknowledgement of the artistic process. By perfectly aligning layers of embroidery onto monochromatic backgrounds, Aoyama is able to add new dimensions to each of his images. His work is one of restoration, taking the faded historical photographs and lending them new life through unique and colorful decorations.

Aoyama makes use of an old Singer sewing machine to adorn his pieces. The intricate process serves as a nod to the individual labor depicted in the photographed scenes. Born in Tokyo, Japan, but having studied art in America and the UK, the talented artist brings this varied educational background to his integrative work approach. Thread is meticulously layered on top of culturally and historically varied backgrounds, providing a depth and energy to the pictures, and allowing the characters’ handiwork to come alive in the process. Paying homage to the unknown embroiderers, Aoyama takes differing elements and merges them together to create a series of unified wholes.


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FEMALE TYPES OF SAMARKAND, the beginning of XX century. From the collection of Boris Golender. Sourc

FEMALE TYPES OF SAMARKAND, the beginning of XX century. From the collection of Boris Golender. Source photo:  Marakanda FB.


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archimaps:View from Pont Alexandre III onto the International Pavilions at the World’s Fair in 190

archimaps:

View from Pont Alexandre III onto the International Pavilions at the World’s Fair in 1900, Paris


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Sunset, 1925 and 1930. Autochrome, photograph – Friedrich Adolf Paneth. Sunset, 1925 and 1930. Autochrome, photograph – Friedrich Adolf Paneth.

Sunset, 1925 and 1930. Autochrome, photograph – Friedrich Adolf Paneth.


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Merano, Italy, 1930. Autochrome, photograph – Friedrich Adolf Paneth. Merano, Italy, 1930. Autochrome, photograph – Friedrich Adolf Paneth.

Merano, Italy, 1930. Autochrome, photograph – Friedrich Adolf Paneth.


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Snow mountains, 1915 and 1925. Autochrome, photograph –  Friedrich Adolf Paneth. Snow mountains, 1915 and 1925. Autochrome, photograph –  Friedrich Adolf Paneth.

Snow mountains, 1915 and 1925. Autochrome, photograph –  Friedrich Adolf Paneth.


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Ötztal, Tyrol, Austria, 1912. Autochrome, photograph – Friedrich Adolf Paneth.Ötztal, Tyrol, Austria, 1912. Autochrome, photograph – Friedrich Adolf Paneth.

Ötztal, Tyrol, Austria, 1912. Autochrome, photograph – Friedrich Adolf Paneth.


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Algerian garden, 1923. Autochrome, photograph –  Jules Gervais-Courtellemont. Black sand beach, HawaAlgerian garden, 1923. Autochrome, photograph –  Jules Gervais-Courtellemont. Black sand beach, Hawa
  • Algerian garden, 1923. Autochrome, photograph –  Jules Gervais-Courtellemont.
  • Black sand beach, Hawaii, 1937.  Autochrome, photograph – Richard  Hewitt Stuart.

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Glacier lake, Bavaria, Germany, 1928. Autochrome, photograph – Hans Hildenbrand.

Glacier lake, Bavaria, Germany, 1928. Autochrome, photograph – Hans Hildenbrand.


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Lake and snowy mountains, California, 1929.  Autochrome, photograph –  Charles Martin.

Lake and snowy mountains, California, 1929.  Autochrome, photograph –  Charles Martin.


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Surrey Hiils, England, 1928.  Autochrome, photograph – Clifton Adams. Santiago de Compostela, Spain,Surrey Hiils, England, 1928.  Autochrome, photograph – Clifton Adams. Santiago de Compostela, Spain,
  • Surrey Hiils, England, 1928.  Autochrome, photograph – Clifton Adams.
  • Santiago de Compostela, Spain, 1929.  Autochrome, photograph –  Jules Gervais-Courtellemont.

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Portrait of Elsie Thomas in red hammock, ~1908. Autochrome, photograph – Alvin Langdon Coburn.

Portrait of Elsie Thomas in red hammock, ~1908. Autochrome, photograph – Alvin Langdon Coburn.


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In the midst of flowers, England, 1919.  Autochrome, photograph – Emma Barton.

In the midst of flowers, England, 1919.  Autochrome, photograph – Emma Barton.


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Couple going for a row, Washington, District of Columbia, 1923.  Autochrome, photograph – Charles MaCouple going for a row, Washington, District of Columbia, 1923.  Autochrome, photograph – Charles Ma
  • Couple going for a row, Washington, District of Columbia, 1923.  Autochrome, photograph – Charles Martin.
  • Lily pond. Autochrome, photograph – Franklin Price Knott.

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Garden in Bordighera, Italy, 1928.  Autochrome, photograph – Hans Hildenbrand. Flower seller in BarcGarden in Bordighera, Italy, 1928.  Autochrome, photograph – Hans Hildenbrand. Flower seller in Barc
  • Garden in Bordighera, Italy, 1928.  Autochrome, photograph – Hans Hildenbrand.
  • Flower seller in Barcelona, Spain, 1929.  Autochrome, photograph – Jules Gervais-Courtellemont.

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Portraits of Christina:in the garden, England, ~1912.on the beach in Dorset, England, 1913.AutochromPortraits of Christina:in the garden, England, ~1912.on the beach in Dorset, England, 1913.AutochromPortraits of Christina:in the garden, England, ~1912.on the beach in Dorset, England, 1913.Autochrom

Portraits of Christina:

  • in the garden, England, ~1912.
  • on the beach in Dorset, England, 1913.

Autochrome. Photographed by her father, Mervyn O'Gorman.


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Neuschwanstein Castle, Germany, 1925. Autochrome, photograph – Hans Hildenbrand. Johanneskirche ChurNeuschwanstein Castle, Germany, 1925. Autochrome, photograph – Hans Hildenbrand. Johanneskirche ChurNeuschwanstein Castle, Germany, 1925. Autochrome, photograph – Hans Hildenbrand. Johanneskirche Chur
  • Neuschwanstein Castle, Germany, 1925. Autochrome, photograph – Hans Hildenbrand.
  • Johanneskirche Church, Stuttgart, Germany, 1928.  Autochrome, photograph – Hans Hildenbrand.
  • Mansion, Worcestershire, England, 1910 – 1915.  Autochrome, photograph – Arthur E. Morton.

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italy ‘06 shot by 10 y/o me on a Samsung Digimax 530

italy ‘06 shot by 10 y/o me on a Samsung Digimax 530

IG:the.sparkling.reader

A porcelain cup with black tea, milk and cinnamon, old photographs, ink stains, gray and cloudy sky, a knitted cardigan that belonged to my grandmother and my current reading.️☕

Victorian Men’s Hairstyles & Facial HairA collection of Victorian photographs, depicting some ofVictorian Men’s Hairstyles & Facial HairA collection of Victorian photographs, depicting some ofVictorian Men’s Hairstyles & Facial HairA collection of Victorian photographs, depicting some ofVictorian Men’s Hairstyles & Facial HairA collection of Victorian photographs, depicting some ofVictorian Men’s Hairstyles & Facial HairA collection of Victorian photographs, depicting some of

Victorian Men’s Hairstyles & Facial Hair
A collection of Victorian photographs, depicting some of the hairstyles and facial hair fashion of the time, and a few rather unique hair styles like a man with ringlets.

Woman’s Hairstyles
Victorian [x] | Edwardian [x] | 1920’s [x] | 1930’s [x] | WW2 [x]


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