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Heather Menzies as Jessica, Logan’s Run (USA, 1977-78).

Heather Menzies as Jessica, Logan’s Run (USA, 1977-78).


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Parody of Westworld featured on the cover of Crazy Magazine #5, July 1974.Cover art: Frank Kelly Fre

Parody of Westworld featured on the cover of Crazy Magazine #5, July 1974.

Cover art: Frank Kelly Freas


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howlingscience: Philippe DruilletFrom Lone Sloane: Delirius by Philippe Druillet, written by Jacqu

howlingscience:

Philippe Druillet

FromLone Sloane: Delirius by Philippe Druillet, written by Jacques Lob, originally appearing in Pilote magazine #651-666, 1972.


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onyomugan3:ガンダム RX-78-2 Gundam designed by Kunio Okawara for Mobile Suit Gundam (Japan, 1979-80).

onyomugan3:

ガンダム

RX-78-2 Gundam designed by Kunio Okawara for Mobile Suit Gundam (Japan, 1979-80).


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smurphycrazy:

chibikittens:

thededfa:

I was in charge of feeding the prisoners. This had been my task since the Queen had taken me and 2 dozen other Murania as hostages. The others had not survived long, but I adapted. Obeyed.

The Queen had taken a human. A rare being this far into the Deep, but one feared from one end of the galaxy to the other. According to the Encyclopedia of Sentient Beings Capable of Space Travel, humans needed a diet of roughly 2000 calories a sol served in traditional 3 portions a sol. Which meant that I had to approach the human three times a sol. I could not fail my duties.

The first attempt at feeding the large being ended with a tray thrown at my head with enough force that it would have caved my skull if I had not ducked in time. The human was raging, slamming their entire body against the containment bars with enough force to shake the floor and… and roaring. I cleaned the mess of nutrient paste as fast as I could and fled.

But five hours later found me trembling in front of the human’s cage with another tray of nutrient paste. The human had calmed and was glaring at me intently. I knew they did not speak Murania, but still I spoke my native language as I offered the food again. I did not get to speak it often and missed the sound. “Guria?”

The human tilted their head and to my shock, repeated the word, then repeated it again until they mimicked the sound perfectly, even with the slight whistle at the end.

I offered the tray. “Guria.”

They eyed it suspiciously so I tasted it, showing it to be safe. “Guria.”

They held their hand out and I gave them the tray, scuttling to a safe corner before they could attack me with it again.

They tilted their head again and scowled, then spoke in broken Common. “I thank”

I fled, claws scratching against the shiny floor.

Another five hours passed all too soon and I was back at the human’s cage with the final meal of the sol. They were moving slowly around the cage with their ear pressed to the wall, tapping with their knuckles. I watched them for a moment, confused at the erratic behaviour, but only managed a few seconds of observation before their head swiveled directly towards me and they stopped to face me.

I walked closer and offered the tray. “Guria.”

They took it. “How talk thank in you mouth talk?”

“Meesh Meesh.”

They opened their mouth and let out a loud, short bark, a laugh according to the ESBCST. (I studied it dutifully when they were brought aboard.) “Meesh Meesh!” They pointed to themselves. “Michael.”

My wings ruffled, the sound was so similar! I pointed to myself, “Mikel”

The human shook their head and pointed to themselves. “Me Michael.”

I jerked my head in an upward motion called a nod. “Yes, you,’ I pointed to them, “Michael.” I pointed to myself. “I, Mikel.”

They laughed again. “Michael, Mikel. Much same.”

I chittered. “Very similar, yes.”

Their eyes narrowed. “You work here?”

I bobbed sideways, a bit noncommittal, “As I must.”

“Must work?”

I searched for the simplest way to translate what I meant across the language barrier. “No work, in there.” I pointed to their cage. “Work, out here.” I hopped encouragingly. “You work soon, yes?”

The human bared their teeth and snarled. “No work. Fight.”

My wings flattened against my spine and I fled. Humans were so aggressive.

The next sol I completed my first duties and then found myself lingering outside the containment hall. I was apprehensive about what mood I would find the human in this time. I fluffed my wings out to convey confidence and clicked in with the human’s first meal.

“Mikel! Guria?” They were bouncing on the front part of their feet, hopping up and touching the ceiling, then dropping to the floor and pushing themselves up with their arms repeatedly.

“Yes. What are you doing?” I slid the tray to where they could reach and backed to a… well not safe but safer, distance.

“Work body. Stay strong.” They flopped over onto their back and turned their head to look at me. “Meesh Meesh.”

“Zuan.” I bobbed sideways before deciding to ask them the question I had been mulling over. “You’re Nice, mean, nice, mean.”

Michael laughed. “Yeah. Head bad.” They hooked their fingers like claws and shook them around their head. “Scare, tired, Fight.” They gestured to the bars and glared. “Not like.”

I nodded. “I know that feeling.” A chime sounded, signaling the Queen’s approach. I flattened myself to the floor and made way.

The Queen slithered in, her scaled body scraping against the floor with a sound that made my feathers stand up. She reared to her full two meter height and flicked her tongue out to taste the air.

“Human. You are mine now, you will serve the glory of me.”

Michael looked her up and down and whistled lowly then pronounced in exact Common. “Ugly. Mother. Fucker.”

I gaped at them in horror. They dared insult the Queen to her face?

The Queen hissed, but smugly coiled. “You will serve me, human. I know your kind. You are loyal. I feed you, I provide you shelter. I give you safety. You will love me.”

The human backed up, crouching into a fighting stance. “No love, mother fucker.”

The Queen wiggled and slid towards the exit. “You will serve me.” They paused to pat me on the head. “You have duties, tiny one.”

The next several sols passed in the same manner. I did my duties, I fed the human, we exchanged words. At night I tended my secret garden grown in glasses of water and composted nutrient paste from seeds and cuttings I snuck from the Queen’s hoard. The human was learning not only Common but Murania at a breathtaking pace. We could hold whole conversations now and I was no longer… completely apprehensive about approaching their cage. Michael had not acted aggressive towards me at all since the Queen’s visit.

The rare human plant called a “green bean” plant had fruited after several months of care and pollinating with the tip of my own feather. I was ecstatic over the first fruits of my secret labor and I felt that Michael would appreciate my excitement and maybe a taste of his home planet. Humans were said to be incredibly empathetic and sentimental.

That morning I secreted a pair of bean pods in my uniform and headed for Micheal’s cage. They seemed to notice something was different right away, peering at me with concern. “All okay, Mikel?”

I nodded and nervously whispered. “Secret, right?”

They lowered their voice and moved closer to the bars. “Yeah, secret.”

I showed him the beans. “I grew these. It’s the first harvest from the plant! It’s a huge secret, but I wanted you to have them.”

Michael stared at the beans with an expression I didn’t recognize for a long time before whispering, their voice strangely rough. “You get trouble for these?”

I nodded and tried to shove the beans into their hands. “Yes, a lot of trouble. Take them!”

They took them and smiled. “Meesh Meesh, Mikel. This…. This mean lot to me. I can’t say enough. Meesh Meesh.” They bit into one and grinned, crunching happily. “Very good! You do good!”

I chittered and ruffled my wings, pleased with the praise. “Zuan, Michael.” I gave them their tray of nutrient paste and fled.

The next day (human word for sol) I found a broken something in the Queen’s trash bin. It was silvery and had a lot of moving parts and made me think of Michael. I shoved it into my uniform and snuck it to Michael. They were overjoyed and immediately began fiddling (another human word I find pleasant to use) with it.

I found I enjoyed making Michael happy and kept my eyes out for things to gift them. A broken flute, a torn book, a shiny rock shard, a discarded pipe, a bit of string. It all was random junk, but Michael was still so happy for each item. It… was a pleasant feeling, almost like being back with my brood mates.

Then… Then the alarms sounded one morning and the ship rocked with an explosion. Frightened, I grabbed my precious green bean plant and rushed instinctively towards Michael’s cage.

Only to find they weren’t there. The bars were broken, bent outward and a piece of the wall was torn open, exposing sparking wires and smashed circuits. The lights were flickering and I could hear screaming. I decided to run for the escape pods and hoped that the Queen died in that explosion.

I had barely skittered into the hallway when I found Michael. They were fighting with a guard twice their size, but easily leaped around it’s bulk and stabbed it in the base of the skull with some sort of spear. A primitive weapon, but still deadly in the hands of the human. Michael rode the body of the guard down to the ground and leaped off, brandishing the spear at me.

Frozen in fear, I distantly realized the weapon was made from the shiny rock tied to a piece of pipe. I was to die from a weapon I provided then.

Except, Michael lowered the weapon and smiled. “Mikel! I find you! Come on! We get out of here!”

“Out… Escape?”

“Yeah! C’mon, I stole codes for ship!”

I followed them numbly, too scared and shocked to process that not only had a single human escaped a 1st class prison cell with just bits of junk, but had also destroyed the Pirate Queen’s ship, and was taking me with them.

It wasn’t until we were flying fast and far from the wreckage, headed towards a Trading Station, that I found my voice. “Why… Why would you save me? I…” I didn’t know how to express the fact that I was nothing, tiny, worth only for cleaning while the human was strong, big, and apparently a fearsome and brilliant warrior.

Michael glanced at me from the corner of their eyes. “We friends, Mikel. Friends no leave friends. Also, you trapped like me. On other side of bars, but trapped same.”

“Friends? But Queen provided for you, you were supposed to bond with her?!”

The human looked at me incredulously before laughing long and loud, his head thrown back with the effort of it. “No Bond with Queen, she put me in cage. You! You give me food, you talk, teach, you bring me presents. You good friend. Queen Piece of Shit.”

“Oh.” Michael had bonded with me. And.. I with them it seemed. And we were free. “Meesh meesh, Michael. You’re a good friend too.” I hugged my green bean plant. “What now?”

“I thinking I turn in Queen head for bounty, use money buy good ship again. After, you want go home or you want explore?”

My wings flared in excitement. “Can I have a garden room on our ship?”

Michael grinned and tossed his arm (gently) around my shoulders. “Yes, you have garden room. Grow lots plant in space. Explore! Garden! New Planet! New Seed!”

Part 2

Part 3

Part 4

Part 5

Part 6 ,Part 7

Full Story on A3o

These are all great and everyone should read them

This is beyond cute

A rocket traveling through space, passing by stars, planets, comets and other celestial bodies. The rocket is made with watch parts and resin has been used as a medium to create the space. I am quite satisfied with the result. Enjoy!

Available at:
www.etsy.com/shop/MicroJewellery

#steampunk    #miniature art    #miniature scene    #rocket    #astronomy    #planets    #comets    #pendant    #jewelry    #spaceship    #gregory grozos    #science fiction    #watch parts    
Inspired by Octavia E. Butler’s “Bloodchild”, Wayne Barlowe’s painting becam

Inspired by Octavia E. Butler’s “Bloodchild”, Wayne Barlowe’s painting became the cover for the June 1984 issueofIsaac Asimov’s Science Fiction Magazine


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Molly Millions, from ‘Neuromancer’.

Molly Millions, from ‘Neuromancer’.


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Star Box II

Well I enjoyed making the first solar system box - I had to make another.  This started as a basic pine box.  I stained it, swapped out the hinges and latch, created the “windows” and covered them with mesh and brass frames.  You can’t see it but there is a lock washer (it looks like a reverse gear with internal teeth) in each porthole illuminated by mounted LEDs.  The six sides are covered with riveted struts, brass features and vintage cut star cabs.  The central orbit field has a solid metal ring and twisted wire frame with brass claws.  I created tiny brass winders over two vintage gears with round cut outs.  Two different kinds of alarm clock winders are located on each side.  There is also vintage brass knurled nuts on the sides.  Finally there are 3 brass star cutouts above the hinged side.

The planets are driven by an internal wood disk with embedded magnets.  I also did a similar thing as the last piece - drilled holes in the lid and disk sitting above 4 LEDs.  As it spins the “stars” twinkle.  The lights and motor have separate battery packs with switches.  Sorry, I’m still not clever enough to rig a single battery pack and external on/off switch.  Next one….

I’m really enjoying this foray into these larger projects.  It’s my inner prop builder coming out.  Unlike the last one - this one will be for sale in my Etsy shop.

#solar system    #miniature solar system    #steampunk    #steam punk    #assemblage art    #outer space    #astronomy    #astrology    #astrophyiscs    #astrolabe    #orrery    #planisphere    #planets    #magnets    #motorised    #automata    #miniature    #fantasy    #sci-fi    #science fiction    #science    #wood box    
The DetectorI’ve been overdosing on documentaries about CERN, the Large Hadron Collider, quantThe DetectorI’ve been overdosing on documentaries about CERN, the Large Hadron Collider, quantThe DetectorI’ve been overdosing on documentaries about CERN, the Large Hadron Collider, quantThe DetectorI’ve been overdosing on documentaries about CERN, the Large Hadron Collider, quant

The Detector

I’ve been overdosing on documentaries about CERN, the Large Hadron Collider, quantum physics/mechanics and proof of the Higgs Boson.  As a science illiterate it fascinates me.  That massive tube full of magnets, cameras, detectors and liquid nitrogen is an incredible instrument.  Simply awe inspiring.  These docos play in the background in my studio and I would occasionally look up to see the massive size and complexity of the machine.  

This started with simple flat brass rings with eight holes and some rescued snake chain I cut into eight lengths.  This design wasn’t thought out - I just had to wing it.  I vaguely wanted a “cage” to hold a glass vial with a Tritium vial in it.  Etsy doesn’t like Tritium (their sandpit - their rules) so I sell those pieces off Etsy.  It basically glows without the need for a charge - it glows constantly for 10 to 15 years.  But I’ve been working with UV resin and recently purchased some tiny LEDS.  So I set an orange LED into a gold tone cord cap with UV resin.  Then I put a glass tube into the cap and slowly poured resin into the tube stirring it frantically to produce air bubbles.  Normally I’m fighting against air bubbles in resin so trying to form and quickly cure them was surprisingly difficult.  I didn’t even know if the LED and electronics was going to work after pouring resin on them.  The light refracts and diffuses on the bubbles.  I was thrilled when it all worked.  

Once I had brass beads on the end of each chain length I threaded a range of beads, pinions, tubing and 5 brass rings to stabilize the tube.  I still had no idea if the vial would fit through the middle and how I was going to attach it to the structure.  This is where the magic often happens - it fit like it was designed with precision.  To fasten it within the tube all I had to do was slide another cap on the top of the glass vial and seal it with a screw.  

As you can see - when unlit there is a small silver tube, slightly hidden by the brass tassel.  To turn the light on - insert that tube into the battery pack - a tiny silver tone tube with a central hole (3/8 x ¼ inch).  Once inserted it turns the LED on.  Batteries can be replaced easily by unscrewing the cap.  

During the day - it’s an unusual mecha deco design - at night with the light - the wow factor.  

It sort of looks like a little mechanical cephalopod with those 8 tassel “legs”.  I’ve designed this to be worn low on the body - Gatsby length with a long chain.  It’s hitched high on the display bust just to show scale and fit it into the photo.  If you want it to be higher - I’m happy to alter the chain length.  


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Steampowered PollinatorSticking gears on everything is debated in the steampunk community.  Some jusSteampowered PollinatorSticking gears on everything is debated in the steampunk community.  Some jusSteampowered PollinatorSticking gears on everything is debated in the steampunk community.  Some jusSteampowered PollinatorSticking gears on everything is debated in the steampunk community.  Some jusSteampowered PollinatorSticking gears on everything is debated in the steampunk community.  Some jus

Steampowered Pollinator

Sticking gears on everything is debated in the steampunk community.  Some just love the gear in its own right, others say sticking gears on everything and calling it “steampunk” misses the nuance and aesthetic of the genre.  I’m in the middle - I use gears but not “orphan” gears and they must look like they actually have a purpose in the design.  They can imply movement.

I’m telling you this because I wanted to make this piece with no gears.  I wanted it to look like a miniature steam engine powering this little guy.  Starting with a brass shelf support pin I drilled numerous holes to attach the “engine”, exhaust, wings, head and legs.  Everything is screwed in.  

He needed a purpose - in situ - so I made him a stand, bracket with a copper and brass flower to “fly” to. It’s curled around the main support. He can be taken off the bracket but I really like seeing him “working”.  He is a combination of parts from jewellery supplies, watch parts, electrical supplies and miscellaneous hardware.

Thanks for looking!  I really appreciate all the support I get from my Tumblr community.  


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 Part 1 of THERE’S NO MORE TOMORROW (TODAY) is live! This SF story set in  Tokyo and Harajuku was in Part 1 of THERE’S NO MORE TOMORROW (TODAY) is live! This SF story set in  Tokyo and Harajuku was in

Part 1 of THERE’S NO MORE TOMORROW (TODAY) is live! This SF story set in  Tokyo and Harajuku was inspired by the shutdown, the rise of virtual influencers, and outsiders stuck behind borders. Pics are by awesome Japanese artist MITSUME.

Read at 

https://www.tokyoscope.com/blogs/tokyoscope-blog/theres-no-more-tomorrow-today-part-1


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The beauty parlor in Paradise Hills 2019 directed by Alice Waddington feat. Emma Roberts The beauty parlor in Paradise Hills 2019 directed by Alice Waddington feat. Emma Roberts

The beauty parlor in Paradise Hills 2019 directed by Alice Waddington feat. Emma Roberts


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Paradise Hills 2019 directed by Alice Waddington feat. Emma Roberts

Paradise Hills 2019 directed by Alice Waddington feat. Emma Roberts


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scificovers: Planet Stories, vol 6 no 6, May 1954, pages 20-21. Interior art by Ed Emshwiller (EMSH)scificovers: Planet Stories, vol 6 no 6, May 1954, pages 20-21. Interior art by Ed Emshwiller (EMSH)

scificovers:

Planet Stories, vol 6 no 6, May 1954, pages 20-21. Interior art by Ed Emshwiller (EMSH).


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