A rapturously beautiful, supreme Deco celebration of Corsica, the Mediterranean, and the idylls of beach life from the travel-poster master. The colors are impossibly crisp, especially considering this Grande Dame of posterdom is now 90 years of age. This is actually an advertisement for the PLM railway; the line not only advertised destinations in southern Europe, but also points across the water accessible from those ports. This is the French-language version.
One of David Klein’s most celebrated posters. In this exultation of the City of Light, Klein’s stylized fireworks mimic the illustrated showgirls of the Folies-Bèrgere in posters of the period.
I recently did a series of travel posters centered around the motherland, Vietnam. I have them up for sale too for anyone who interested in grabbing a print: https://www.inprnt.com/gallery/thetiffopotamus/
Happy Thursday! This weekend, September 22-23, I’ll be at the Artbreakers Illustration Market in Vancouver, at the Main Street Heritage Hall.
I’ll have prints of the National Parks illustrations (Pacific RimandCape Breton), as well as copies of all the Delilah Dirk books as well as the usual familiar Delilah Dirk prints – all of which are conveniently sized to fit within affordable IKEA picture frames.
In hopes of inspiring younger generations, NASA created this series of gorgeous retro travel posters that encourage you to imagine a future where common space travel is a legitimate possibility. Source
Shot at Lizard Point, Cornwall, England (+ some compositing of the house and lighthouse)
In the establishing shots at the start of the film, Sherida Binyon’s (Phyllis Thaxter) arrival by train to “The Cornish Riviera” is suggested by shots of a fictional rail station called Tremerrion. This sequence includes a real Great Western Railway poster painted by Frank Newbould, which was used to advertise the route from London’s Paddington station to Cornwall. The poster was apparently in use from 1923-1947. Amazingly, this sequence does not have a single shot of a train!
I appreciate the cheekiness of introducing the film’s setting with an idyllic painting of a quaint fishing village shielded by cliffs when that is so far from what The Sign of the Ramdepicts.